Stereo mix of a multichannel composition comprising the sounds of the Jungfrau region in Switzerland.

Artist: Philip Samartzis

This project is supported by Creative Victoria; High Altitude Research Station at Jungfraujoch and Gornergrat; Institute for Computer Music and Sound Technology at the ZhDK; RMIT School of Art; Swiss National Science Foundation

Atmospheres And Disturbances Stereo Master

DELUSIVE IMPROVS BTWN VISAGE PÂLE & BOB NVMBR 21
VRY RAW EDIT

β

Z DCPTIVE SESSIONS  (VP & BOB) β

for saxophone, accordion, violin and cello

saxophones: Gerald Preinfalk
accordion: Krassimir Sterev
violin: Lea Moullet
cello: Leo Morello


The piece was composed during January and March 2021. It is inspired by the poem “The tree” (1955) written by the poet Zoe Karelli and the way the poet approaches the flux of time and the endless metamorphoses that we are all  subjected to - mentally and physically - in parallel with nature. Dedicated to every end that turns to a new beginning.

Klangforum Wien and PPCM
Larissa, Greece 
Outhear New Music Week Festival 2022

photo: Mario Giacomelli

The Branches Bend, The Memories Collide for sax, acc, vln and vc

Performed by Kali Ensemble and commissioned by Lichtbogen Neue Musik festival at the Robert Schumann Hochschule in Düsseldorf (Germany).

Kali ensemble:
 İdil Yunkuş (violin), Beste Yıldız (cello), and Nirantar Yakthumba (piano)

About:
The piece was written in spring of 2022, and it is dedicated to Idil, Beste and Nirantar. It is inspired by Zoe Karelli’s poem, “The tree” (1955) and the way the poet approaches the flux of time. Without defining a beginning or an end, the poem describes the constant transformations that derive from episodic time events.

The branches look the same, for piano trio

Kunstkammer

Inventare Nr. 1

For solo cello with curved bow. Composed in 2002.
Live performance by Anton Lukoszevieze at the Kintai Festival, Lithuania, on 20 August 2022.

Raimondas Rumsas

Beach Vicodin & Thoughts On Air - Melancholic Age Progress I

for ensemble & electronics 

Paulo Amendoeira (percussion)Paola Aviles (harpe) Amélie Berson (flute) Phoebe Bognár (flute) Félix Lacquement (guitar) María Alejandra Jiménez (violin) Thierry Madiot (trombone) Mireia Pellisa Martín (saxophone) Carlo Sampaolesi (accordion) Adèle Viret (cello) + special thanks to Thomas Nicholson (Cage-clock-conducting)

commissioned by GMEA — Centre National de Création Musicale d'Albi-Tarn & part of the project 'experiences'

recording made at the Athanor, Albi, 06.08.2022
recording/ mixing by Benjamin Maumus, sound engineering at GMEA

for experiencers

Mimo-Soto was recorded in London over two sessions in October and November, 2019

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Ken Ikeda / buchla music easel
Daniel Kordik / modular synthesiser and korg sequencer SG-10

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Mixed by Ken Ikeda and Daniel Kordik
Mastered by Daniel Kordik
Cover by Daniel Kordik

Earshots Recordings
Digital Editions
2020

Ken Ikeda   Daniel Kordík - Mimo - Soto - 04 D

"Pro mishutku"
Music, lyrics by Yegor Letov \
cyril scheer's transcription for The Same Ensemble.

Performed by The Same Ensemble (Sasha Elina, cyril scheer).

22.01.2019

"Pro mishutku (a song for Yanka)" \ Music, lyrics by Yegor Letov \ cyril scheer's transcription

Saatchi Gallery

The Same Ensemble — Sasha Elina (voice, flute), cyril scheer (piano) — performs original compositions and arrangements that explore experimental chamber pop in the form of a new music duo.
Currently based between Berlin and London.

"Pro mishutku (a song for Yanka)" \ Music, lyrics by Yegor Letov \ cyril scheer's transcription

The Same Ensemble

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