ThrillMonkey/AnandaTuk collaboration

Check out AnandaTuk's music at: https://soundcloud.com/user-11396379

Be Like That -with AnandaTuk

WE LIKE & produce: Electronic music / Eighties / Synth-Retro-Dark-Chill-Cyber-Vapor-wave / Disco / LoFi / Ambient-Garage-styles / Freaky D&B / Filmscores & Funk. . MOFLOW is: moflowmusic (production) / moflow (artist) / moflowrecords (label) / ALL MOFLOW ACTS 2024-2025: 

ESCALAZER - https://soundcloud.com/escalazer
(Synthwave / Electro / Ebm / Electronic pop)

SXS - https://soundcloud.com/producersxs
(Synthwave / Darkwave / Electronic / Filmmusic)

IDA NOLAN - https://soundcloud.com/ida-nolan
(Electronic pop / darkwave / classic / synthpop)

MOFLOW 
(Eighties / Electronic / Disco / Mixstyles & more)

RONNY SEILÄNZER 
(Electronic house / Discostyles / what comes)

ALOHA SATELLITE - https://soundcloud.com/aloha_satellite

MUSEAU RICHE (coming up!) 

ALL TRACKS & Playlists on this account are created by MOFLOW MUSIC Producers & MOFLOW RECORDS Artists. 

www.moflow.eu/artists

Only very slightly evil hippy of the old tradition.
1 guy, strat, Yamaha acoustic. iPad. substances.
I’m no Conway Twitty. 😕
Listening pleasure proportionate to cannabis intake.

Alles Liebe und schöne Grüße von Geschwätz GmbH.
Geschwätz GmbH began coming together in May, 2024 when aspiring DJ and producer, Petra Joy Fischer, met her soul mate, Austrian trumpetist, arranger, singer, rapper, and master brewer, Peter Roland Kuhn, on a platform at Hamburg-Altona Bahnhof en route to the warm-up party for the 2024 Schlagermove festival. From the farmlands outside of Schleswig, Fischer had found office work in Hamburg depressing, and trying to break into the city's saturated DJ and electronic music scene a constant frustration. She subsequently abandoned city life for her new-found love and the mountanous beauty of rural Austria. Already by early June, she had packed down her vinyl collection, grow room, and home studio and re-located permanently to Kuhn's remote home town, the mountain-locked village of Brandt. There the inseparable, reclusive couple began pumping out a wide selection of tracks, employing the services of Kuhn's own talented, Reggae-inspired, home-town, brass schlager band (Die Einheimischen). The resulting musical constellation melds some of the pair's favorite styles: Glitch & Electronica, Ska, Reggae, Dub, Hip Hop, Trip-Hop, Rap, 1940's & '50's Jazz & Swing, Polka, World Music, Analogue & Digital Turntablism, EDM, and German Party-/Pop-/Folk- Schlager. Shortly after meeting, Petra joined Peter on a visit to his brother in Denmark. There the couple met their primary collaborator, musician and co-producer, Jah Bozo, a good friend of Peter's brother. An electronic producer since the 1980's, Jah Bozo, is online live almost daily from Copenhagen with Petra and/or Peter at their home studio deep in the Austria Alps. When Peter's worklife as master brewer at Brandt Bierhalle keeps him from the studio, Petra Joy and Jah Bozo occupy themselves with their own tracks, often collaborating with other band members from Die Einheimischen, particularly the multi-talented Lauer sisters - Birgit and Simone. The production team have recently (Spring/Summer 2025) been recording and producing a bunch of Die Einheimischen's own Reggae-driven Schlager tracks for posterity, fun, and profit. Likewise, Geschwätz is collaborating on tracks with friends and producers around the world. These include The Ruff Mate (UK), SpiceDoubt (Germany), and young South African producer and visual artist, Lesedi Dlamini, from Bantfu Beliciniso. Many of these tracks and collaborations can also be found here (and currently nowhere else). Soon come!

We hope that you can find the time in your busy listening schedule to get down with your bad selves to the corporate babble from Geschwätz GmbH's electronic beerhall. Prost!

Personnel

Petra Joy Fischer... vocals, direction and production, sampling, breaks & beats, analogue & digital turntables (amateur horticulturalist)
Die Einheimischen:
Peter Roland Kuhn... vocals, trumpet, direction and arrangements (master brewer)
Volker Meier... trumpet, piccolo trumpet (industrial design and engineering)
Gunther Meier... trombone, trumpet (commercial pilot)
Duggi Meier... clarinet, saxophones, flute (marketing, baker)
Deitrich Meier... tuba, upright & electric bass (retired air force test pilot, baker)
Wolfgang "P-Tosh" Kraus... guitars, pedal steel guitar, banjo (butcher and "entrepeneur", read: has own hot-dog stand)
Birgit Lauer... piano, piano accordian, keyboards, fiddle, vocals (lifetime government arts stipend, session musician)
Simone Lauer... drums, percussion, vocals (lifetime government arts stipend, session musician)

Heavy Hansi... guest vocals (Master of Ceremonies, local Metal legend, master brewer)

Jah Bozo... lyrics, co-direction, executive producer, occassional mastering (ballet pianist, comic book publisher, "livskunstner")

Unless otherwise indicated, all music and lyrics are written, produced and curated by Petra Joy Fischer, Peter Roland Kuhn & Jah Bozo.
All music is injected into the ether via Team Otaku
Inquiries may be directed to: geschwatzgmbh@gmail.com
Inquiries might even be (eventually) answered. Who can say...?

Now forget all of this.

Cheeky, sassy, kinky and playful songs exploring several styles and themes: grunge, bossa, pop..
Open for collab (lyrics, music)

Hello! coming to you from the 757 area of norfolk, VA! Welcome to OCEAN VIEW UNDERGROUND! 

Bxndo uk ~ @blxst-ovvrated
Fazzy B ~ @fazzy-b-737177879
Kage ~ @kagesc
Blocstar ~ @foot-world
Empress Chyn ~ @renee-chang-2
OVU ~ @user-429819737
Joker Shadow Walker ~ @joker-shadow-walker
Organic 99 ~ @organic99
SiahOnTheTrack ~ @messiah-rice
KHOODIE ~ @jason-harvey-11
Shamika House - @shamika-house-236099755
Shyloh Musiq ~ @paul-johnson-115
DjWhizPk - @djwhiz-pk
Jay Kay - @jay-kay-319284117
DJ Eagle One - @djeagleone
Eagle Nest Radio - @eaglesnestradionetwork
Blind Mice - @blindmicebeats

/ -.--.--. I AM LIVING PROOF  -- . .  -- . -- .. --  I AM LIVING PROOF -- . .  -- . -- .. --  I AM LIVING PROOF

Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

Born in Hammond Louisiana left Louisiana in 1985, studied visual Design in Houston Texas, Left Houston in 1996, then lived abroad in many countries between 1999-2005 to experience more lessons in life amongst many different cultures mainly to study humanity mainly.
Artist, wanderer, explorer, Healer, Music Geek.

Life without music would be too bleak to endure!
#Indie

ThrillMonkey’s love of excitement and danger has evolved into a unique blend of musical styles including hip hop, metal, rock, drum & bass, and rap. Their signature sound is instantly recognized by it’s originality and aggressive presentation.

Come and take a mental journey with Armijo productions 💯👊🏾🫵🏾