A song about growing up and realizing adulthood is not freedom after all

Fall from grace

Standing as a mixture of 80’s synth melancholy and modern alternative pulse.

Bunar Lift is a Post-Punk duo formed in post-war Bosnia & Herzegovina, now based in Graz, Austria.
Their music rises from cracked cities and restless memories — a sound for those who listen beyond the surface.

Christiane Hommelsheim sings and plays on sound objects, Ralf Haarmann electronics and mandoline. With a central interest in loops, they create intertwined acoustic layers. Through the looper all sounds loose their corporality, they resolve within themselves, they appear and
disappear, they become soundfields, and soundshadows. Ocassionally a sentences might appear out of nowhere, and lingers unfinished in the space, like a piece of thought-furniture, that might develop within the ear of the listener before it retreats back out of focus. HAARMANNHOMMELSHEIM create poetics of absence, poetics of nothing.

In the vast expanse of the cosmos, Earth, a tiny blue planet on the outskirts of the Milky Way, lies silent, its cities in ruins, its people long gone. As a time traveller and musician, I am drawn to this world, to the echoes of a civilisation that reached for the stars but fell short, consumed by an ambition they could neither control nor fully understand.
Through my music, I seek to capture the essence of this lost era, particularly the turbulent times around 2070, when humanity's fate hung in the balance. Each song is a journey through time, a sonic exploration of the apocalyptic moments when everything changed, guided by the haunting melodies and atmospheric soundscapes that paint a vivid picture of a world on the brink of collapse.
As I wander through the abandoned streets and desolate landscapes, I find inspiration in the remnants of human culture - the unfinished symphonies in empty concert halls, the silence that hangs heavy in recording studios where hit songs were once crafted. The music becomes a conduit for the stories that linger in these spaces, tales of dreams pursued and hopes shattered.
In the rhythms of nature reclaiming the cities, I hear a powerful message - that all things must pass, that even the grandest of human achievements are impermanent. This truth resonates through my compositions, serving as a reminder of our own fragility and the need for humility in the face of the universe's vast mysteries.
Each track  is a warning, a cautionary tale wrapped in sound and emotion. They speak of the paths we may tread if we are not vigilant, the dreams that may crumble if we are not wise. Through music, I forge a connection that transcends time and space, inviting listeners to explore the echoes of a vanished world and heed the lessons hidden within.
Join me on this sonic odyssey through the remnants of Earth's final days, a journey that will leave you questioning our place in the cosmos and the legacy we leave behind. Let the music be your guide as we navigate the ruins of a civilisation that dared to dream big but ultimately succumbed to its own hubris - a fate we must strive to avoid as we venture forth into the unknown.

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229 tracks of Progressive Grunge Melodic Post Instrumental Psychedelic Groove Rock. A melting voyage of blending genres and sounds. A magical journey of exploration and creativity forever pushing the boundaries of normality.

(Translation above)

Auteur-compositeur de chansons françaises qui n'attendent que de bons interprètes. 
Après des études au conservatoire et musicologie à la Sorbonne, j'ai enseigné l'éducation musicale à des élèves en école élémentaire de 1982 à 2021.

Dès 1989, alors que je découvrais la MAO, j'ai commencé à faire des centaines d'arrangements de chansons pour enfants ou adultes dans tous les styles pour les faire chanter. Cette solide expérience m'a amené dans un premier temps à composer des chansons pour mes élèves. Puis, je me suis lancé dans un répertoire pour adultes. 132 chansons à ce jour !

Mon répertoire va de la danse traditionnelle française (La bourrée du maumarié), à l’EDM (La tête dans les étoiles) en passant par la musique classique (Double concerto pour violon, violoncelle et orchestre à cordes) et la chanson française, le gros du panier, avec le plus souvent cette pointe d’humour qui fait tant défaut aujourd’hui dans beaucoup de chansons, (ce qui est étonnant quand on voit autant d’humoristes fleurir aux six points de l’Hexagone…)

Même si certains apprécient ma façon de chanter, mes chansons sont faites pour de vrais interprètes qui aiment monter sur scène.

Né en 1961 à Paris.
Membre SACEM

Author-composer and performer... by default of French songs. 
After studying at the Conservatoire and musicology at the Sorbonne, I taught music education to elementary school pupils from 1982 to 2021.

As early as 1989, when I was just discovering computer-assisted music, I started making hundreds of arrangements of songs for children and adults in all styles, to get them to sing along. This solid experience initially led me to compose songs for my students. Then I started working on a repertoire for adults. 132 songs to date!

My repertoire ranges from traditional French dance (La bourrée du maumarié), to EDM (La tête dans les étoiles), classical music (Double concerto for violin, cello and string orchestra) and French chanson, the mainstay of my repertoire, most often with that touch of humor so lacking in so many songs these days (which is astonishing when you see so many humorists flourishing at the six points of the Hexagon...).

Even if some people like the way I sing, my songs are made for real performers who like to get up on stage.

Born in 1961 in Paris.
SACEM member

𝙇𝙖𝙩𝙚 𝙉𝙞𝙜𝙝𝙩 𝙈𝙤𝙤𝙙 𝙎𝙤𝙤𝙩𝙝𝙞𝙣𝙜 𝙋𝙤𝙥𝙁𝙤𝙡𝙠


All about dishing out raw emotions.


Indie Pop Folk | Alternative Folk | Psychedelic Folk | Acoustic Music | Neo-Psychedelia

KRT Production is not just a label.
It’s a creative machine that has been shaking the scene since the 1980s. Behind projects like NUR, Funkle Ace, BBAM, Atomium, and more, KRT is the underground spirit that refuses to fade.

Electronic, rock, experimental, alternative — style doesn’t matter as long as there’s raw energy and the drive to make an impact.
Recording studio, mobile production, SoundCloud launchpad: KRT is both playground and battleground, where artists become larger than their tracks.

Joining KRT isn’t just “being part of a label.”
It’s stepping into a family, a free and untamed showcase, ready to make noise in a world that plays too safe.

KRT Production. Here, music isn’t just heard. It’s lived.

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

Having a good time making me some music:)

Kayak tour guide, couch musician, grandpa.

klangmœbel label - You find us on many streaming platforms.
haarmann / hommelsheim / Igden Daledrop / Aldo Tamarind
Electronic music.


#alternative #soundtrack #downtempo #indie

Fall from grace

Tila