░ Booking  |  louis@muzocreative.com

French producer / DJ, and musician, Viken Arman crafts a distinct sound that blends the timeless and modern from a collage of samples, modular grooves, and acoustic composition, subtly melding his influences of jazz, house, minimal, hiphop & world music.

❲ մենակ միասին ❳

Step into the wild world of beats and melodies, where a group of friends-turned-DJs have united to take you on an unforgettable sonic journey. 
We are Sound Safari, a collective of music enthusiasts who have embarked on a quest to explore territories of sound. Our DJ booth is our expedition basecamp, and behind the decks, we navigate through a lush sonic jungle, guided by our shared passion for music and our desire to transport you to new realms of euphoria.

Artist: @martin-cozar
Title: My Mind EP

Track list:
1. 1977
2. My Mind
3. Niksen
4. Lights Out

Label: Kiosk I.D.
Catalogue number: Kiosk I.D. 044
Release Date: December 12, 2025

Buy Link: https://kioskid.bandcamp.com

Follow & Support:

Kiosk I.D.
SC: @kioskid
FB: facebook.com/KioskIDMusic
Bandcamp: kioskid.bandcamp.com/releases
Beatport: beatport.com/label/kiosk-id/80379
IG: instagram.com/kiosk.id

Martin Cozar
SC: https://soundcloud.com/martin-cozar
FB: https://www.facebook.com/martin.cozar
Beatport: https://www.beatport.com/artist/martin-cozar/874521
Spotify: https://open.spotify.com/intl-de/artist/2L7kud2OEMcErUcqhdpvAJ
IG: https://www.instagram.com/martin_cozar/

About:
Argentine-born, Barcelona-based producer Martin Cozar returns to Kiosk ID with his four-tracker ‘My Mind.’ Building on the funky modernism of Resilience—his split EP with Gespona—and a commanding peak-time remix for Manucho’s Idea Reset, Martin Cozar now steps fully into the spotlight with a solo EP that tightens his artistic identity. My Mind delivers razor-sharp groove work, stripped futurism, and a captivating brand of dancefloor energy that shines through inventiveness and viscerality.

Opening track ‘1977’ unfolds like a widescreen dreamscape, with suspended fields of synths arcing over a warmly booming, long-tailed sub-bass. Heaving synth sweeps, melodically intricate arpeggios, and fluttering square waves paint a morphing, hypnotic canvas that floats across the periphery. Deeply meditative, but suited for the almost-peak-time with a throbbing groove and dynamic sub-bass, 1977 is a slow-burning journey that wraps warmly arcing, spaced out melodics around a tight rhythmic core.

‘My Mind’ turns the focus to the floor. Funky and razor-sharp in its sophisticated modernity with stripped-to-the-bone drum structures, the title track channels Martin Cozar’s retro-futurist edge through ominously
squelching basslines and pulsing stabs, arranged in a spacious, expertly crafted, and darkly oscillating Indie Dance framework. Every element clicks into place, yielding a high-voltage groove that radiates raw, physical
energy: stripped-down machine funk with a dark, circuit-bent twist.

With ‘Niksen,’ Martin Cozar crafts an eclectic groover that cycles effortlessly through percussive moods. Crackling with icy atmospherics one moment and sweltering in hazy Western guitars the next, Niksen traverses shifting textures anchored in a stripped lead theme that transforms the tracks’ dynamic soundscapes into pure dancefloor class.

Closing cut ‘Lights Out’ dives into grungier, more tactile territory. Shuffling, blown-out acoustic drums and mangled guitars collide with a peevish lead synth that escalates through morphing iterations, finally exploding into bursts of erupting electricity. Raw and groove-heavy, Lights Out channels untethered energy into a gritty, kinetic framework—tech’n’roll with a beautifully organic feel.

Across ‘My Mind,’ Martin Cozar delivers four distinct tracks—each a self-contained microcosm of motion across gritty floor energy, razor-sharp Indie Dance, and booming after-hour rollers. The result is a hypnotic,
meticulously engineered suite that feels both instinctive and deliberate, and succeeds in walking the fine line between the physical and cerebral demands of the dancefloor.

Opperhoofd DJ

Discography
20/04/12 - MiniRoom opening edition
21/06/12 - MiniRoom gaat Ploegen
18/08/12 - MiniRoom presenteert: Hillegomsch Geheim
26/10/12 - Haerlemsch Verzet w/ De Sluwe Vos @ Club Stalker
27/10/12 - MiniRoom keert Buitenstebinnen
25/01/13 - Het Collectief invites MiniRooM
16/03/13 - Outside In Festival w/ De Man Zonder Schaduw, Francesco Robustelli and many more... @ Club Stalker
05/04/13 - Welcome to Wondaland w/ Boss Axis, Stevie Wonda and more... @ Club Stalker
20/04/13 - MiniRoom 1-year anniversary
11/05/13 - Villa Wandelhof w/ QUENTIN VAN HONK, JVW, De Schim, Sterne @ Club Stalker
28/09/13 - MiniRoom presenteert: Tijdloos Paradijs
14/12/13 - MiniRoom Kraakt
25/04/14 - ♛ KingsNachtSchade ♛ With RAUWKOST! 2nd Area hosted by ♛ MINIROOM 
08/08/14 - Thuishaven op Reis (secret stage)
22/08/14 - MiniRoom Weekender
11/10/14 - Nachtschade - Storing Haarlem
23/10/14 - Feed my Beat @ Haagse Pop Week
21/11/14 - Youtopa Arts Festival - Lloyd Hotel, Amsterdam
31/12/14 - Tegencultuur: Welcome to the New-Year Maassilo, Rotterdam
06/03/15 -  ☯☯☯11:11 NIGHTFESTIVAL w/ ROBERT OWENS [USA] - MIKE HUCKABY [USA] - KR!Z [BEL] + more ☯☯☯
24/03/15 - TWSTd DJ Contest Voorronde
11/04/15 - Eigen Insteek 
27/04/15 - MiniRoom doet Koningsdag
13/06/15 - Nachtschade - back2back with Mellowdies
30/08/2015 - SHOT Events - Beachclub 54 - Scheveningen
20/02/2016 - Fledermausen - SÜD KREUZ
05/05/17 - Remy's Achtertuin

E-mail: deschimmusic@gmail.com
Facebook: https://www.facebook.com/pages/De-Schim/318878091469012?ref=hl

◇ ▲ ◇   booking: julia@katerblau.de   ◇ ▲ ◇
Insta: instagram.com/mimi_love_berlin/

Foto: © maxiwittek.de

As a producer, musician, DJ and serial collaborator, Chris Schwarzwälders distinctive style of deep, restrained house is hard to pin down, but you’ll always know it’s him when you hear it. 

Born in Frankfurt am Main in the 80s, he started playing hiphop in the 90s. While making beats on his MPC2000, he dropped into Offenbach’s Robert Johnson club and fell in love with techno. 

In 2009, Chris moved to Berlin and started DJing at KaterHolzig, where he found a group of people who thought about music in the same way he did. In contrast to the trends of the late 00s, the sounds being made from this little paradise on Berlin’s river Spree were slower, softer, and more soulful than a lot of what was being played in clubs at the time. 

It was here that Chris began to cement his reputation as both a solo producer and collaborator, who was capable of bringing his trademark sounds to a whole number of side-projects - many of which have gone on to play to crowds around the globe. He joined the Feathered Sun collective in 2013, together with a group of friends including Acid Pauli, Nu, Jo.Ke and Raz O’Hara. Dreamy, groovy and often improvised, the collective represented a special kind of musical freedom in which a group of producers came together to create something new in a singular, live moment. 

At the same time, Chris’ friend Mira was making moves of her own, and they started to play back-to-back sets, soundtracking the legendary Monday mornings of KaterHolzig, and now, Kater Blau. The two, who are both residents at Kater Blau, have now been playing together internationally for almost a decade, and have formed a common musical understanding that translates throughout every one of their sets - deep, clubby and melancholic. This partnership has also carried on into the studio, where they have collaborated on numerous hits. 

His most light-hearted side comes out in collaboration with Iannis Ritter, where the two musicians take on a weirder, more melodic & electro approach than Chris’ other proejcts. 

If you were to ask him, Chris would describe himself as reserved, logical, rational, melancholic and humorous. Which is why you’d never hear him telling you about the hundreds of nightclubs and festivals he’s played around the globe, or the number of hits he’s had with his productions. If you’re lucky though, Chris might tell you about his favourite synthesizers, and get lost in a conversation all about electronics and sound. Which is exactly where Chris wants to be - lost in electronics and sound.

For booking please contact: sari@neptunemusic.net

If we think of those magical moments out on the dance floor, what likely comes to mind is that moment when the DJ and the crowd find each other in a rare kind of symbiotic balance of give and take. If you see this happening between two DJs it becomes obvious that two of a kind have found one another.
Those who love this kind of confluence will adore watching Mira and Chris Schwarzwalder doing
what they do best; playing back to back.
Having influenced the East‐German techno scene throughout the last twenty years, Mira established her musical home in Berlin’s legendary Bar25. There, she shaped her very own unique sound that can be considered as a story of these endless nights full of intensity.
Bar25 was also the place for her to meet DJ and producer Chris Schwarzwalder. Moving from his Hip Hop­‐roots towards electronic music, it was not by accident that Chris followed the beat of time to Berlin.
Anyone who has experienced their endless sets already understand why Berliners speak of the particular sound being created by both of them.
A soulful, mesmerizing sound that you will sense sinking under your skin and leaving you with a feeling of deep warm­‐heartedness.
What happens is the perfect chemistry of classic mixing skills along with ingenious live productions that really deserve to be called a moving experience.
All of their styles and sounds can, not only be discovered live behind the decks, but also on prosperous vinyl and digital releases.

Frank Music, Little Helper, Running Back, URSL, A Tribe Called Kotori, Darkroom Dubs, Laut und Luise, Feines Tier


Born in Bremen in 1980, Nayan Soukie's musical fascination began with Prince, Michael Jackson, Art of Noise and Franky goes to Hollywood. At 13, he swapped the classical guitar for computer music and never looked back. He tried his hand at Hip hop beats, later Easy listening, then Experimental sounds, and House music. Between community service and the start of the cooperation with Fritz Windish, which continues to this day, Nayan also went to search for meaning in other realms - but always ended up back in music. At the beginning of the 2000s, Techno, Minimal, and House music were also discovered in Bremen, and Nayan and Fritz took the bait. However, it would take until 2008 for the first vinyl release by the duo to appear on the Hamburg label Eminor. Fritz and Nayan moved to Hamburg, where they worked in a shared studio. Collaborations with Sebo and Madmotormiquel were followed by the founding of their label URSL and the move to Berlin in 2011. Here Soukie & Windish found a studio in Renate club together with Kotelett & Zadak and made a name for themselves as a duo. Since 2018, Nayan has been focusing more on his left-behind solo project Amount - and made a name for himself with his spirited live sets that alternate between Downtempo, Minimal, and Disco. An EP on Minimal Little Helpers was followed by his first Disco releases on Frank Music and Running Back. "The future will be disco for me, that's for sure," says Amount. And we can't wait to follow him into that future.
Booking Contact: julia@ursl-records.com

rampue - ræmpjuː

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