press/management: harry@futureclassic.com
booking australia & nz: evan@villagesounds.com / andy@villagesounds.com
booking usa & canada: lhughes@paradigmagency.com
licensing: mitchell@futureclassic.com

Bristol based independent record label since 2015.
www.shallnotfade.co.uk

For Free Downloads please visit my Bandcamp Page thanks for the support guys the music is for the world to enjoy.

http://tirsobeyondthesound.bandcamp.com/

TIRSO B-YONDASOUND is a New York City based producer 
living and dreaming unique and clever sonics of a Sample based Nu Jazz flavor and Experimental Hip Hop swag.

All music written and produced by TIRSO B-YONDASOUND on NI Maschine and Logic pro
Musical styles ranging from  Nu Jazz flavor and Experimental Hip Hop.

I just want to thank all of you who are continually playing my music .

Please forgive me if I don't follow you it's not intentional I just don't have a lot of time on my hands to be available to others. Between work and Family I try to squeeze in time for new material.



Detroit underground mainstay Waajeed is an inventive producer whose indefatigable head-down work ethic has resulted in a varied discography and an equally diverse global network of collaborators. An original member of rap group Slum Village, Waajeed progressed from DJ to beatmaker before co-founding Platinum Pied Pipers, a group who issued two highly regarded albums of forward-thinking R&B and hip-hop during the 2000s. Between those releases, he issued The War LP, a comparatively grim (if no less collaborative) solo project, and since then, he has favored house music with the albums From the Dirt LP (2018) and Memoirs of Hi-Tech Jazz (2022). The latter full-length was
issued on Berlin's revered Tresor label.

Pre-save/pre-add Memoirs of Hi-Tech Jazz here - https://waajeed.lnk.to/Memoirs

BOOKINGS:
North America: mariesa@liaisonartists.com 
MANAGEMENT: max@leadermgmt.com

CONTACT: rob@robosonic.cc
BOOKING : Ben King | Radius Agency
Tel:  +44 (0) 208 5499735
E:    ben@radiusartists.com
W:   www.radiusartists.com

AUSTRALIA : mike@thickasthieves.com.au

mixed & mastered music welcome here : promo@robosonic.cc

OUTTAKES Records: rob@robosonic.cc

CORD LABUHN [Robosonic | Outtakes | Punchi] 

Cartoon life - At six years old, CORD LABUHN had his first real career aspiration : becoming an ‘inventor’. Or space traveller. At least working in some kind of laboratory. Hence he became a producer of beats, tunes, records, imagery & merch - and toured the whole planet to play music for the most spaced out...
Earlier, when the ghost of Jimi Hendrix jumped out of his parents record collection and passionately promoted the guitar as the weapon of choice for a leftist punk, folk, if not eurodance infected teenager of the 90s, the piano and his sister’s drumset would have to step back for a while. 

A few years later when TV was still the thing and gaming consoles like PS1 were battling N64, Cord the Beatmaker was rather staring at tiny AKAI S2000, MPC and CRT displays, head-nodding, turning the jogwheels, dreaming of a second turntable to complete his DJ setup - the true school, golden age hiphop way. Next mission - still as a school kid - was a self-released vinyl record with international distribution through a self-founded label – learning everything from scratch, only a few years before DJing went 99,9% digital, crazy fast and globalised anyway. 
Arriving in Berlin and founding the mashup label „BROKEN BOOTLEGS“ (with Exploited’s Shir Khan and Andy Szankay) was good sparring for more delinquent ventures in professional sampling culture. Musical diversion had found an anarchic playground, genre-bending seemed to be a welcome concept for a radical open mind.

To date, his longest running project is ROBOSONIC, which was originally formed as a DJ-producer duo together with Sacha Robotti more than 10 years ago. Over the course of time it became Cords solo moniker in the dance music game, since his former partner had emigrated to the US for a fresh personal start. 
A while after the unconventional, free-spirited debut album „Sturm und Drang“ (2007) Robosonic took the world by storm with a string of popular tunes and remixes that went into the crates of tens of thousands of DJs worldwide and made it to top spots in the infamous Beatport charts (“Worst Love”, “The Edge” 2012, “La Fique” 2013, “House Music” 2015, “Rise” 2016). With releases on labels like Defected, Toolroom, Get Physical, Diynamic, Stil vor Talent, Deep Dish’s Yoshitoshi, Nervous, Crew Love, Kittball or Mother Recordings, ROBOSONIC became an authentic figurehead for something dubbed “Golden Era House” (Juice Magazine). Not only because Cord was convincing real rap icons like Masta Ace, Jeru the Damaja and KRS-One to collaborate on house tracks, but also because ROBOSONIC remixed true legends like Todd Terry, Arthur Baker, Kerri Chandler and Eddie Amador.
The house & techno driven sets and records under the R°° flag are internationally recognised and performances in 45+ countries (and counting) reflect the universal appeal of a trademark sound Robosonic unleashed into the world. North & South America, most European countries, South East Asia, China and Russia, Egypt down to South Africa, Dubai to Australia, Lebanon and Israel. Cord Labuhn has seen and pleased hundreds of stages, clubs and crowds over the last years. And with the string of new Robosonic releases through Defected, Kittball, Mother Recordings and more it becomes clear that he won’t stop shedding club sweat and tears.

World 🌍luke@nge-booking.com
Aus 🇦🇺mike@thickasthieves.com.au
Asia: Rory@submodifiedagency.com
SA and Spain 🇪🇸diego@oasis-bookings.com


Bio:

Dancing all night and experiencing a feeling of community and togetherness is something countless generations can relate to. Ben originally fell in love with house and techno in his late teens losing himself in the music and exploring his deep-seated passion for electronic music through self-expression - namely, raving.

Ben spent many years on dancefloors back home in Germany and in the UK.
As time went on he became more involved behind the scenes, progressing from the dancefloor to the decks and into the studio.
Having a solid grounding in club culture from such a grassroots level means Ben's connection with the dancefloor runs deep, likewise his studio endeavours are aimed squarely at those who dedicate their time to dancing the night away.

A Berliner born and bred, Ben moved to the UK originally to study.
He immersed himself in the highly influential east London party scene, having made the decision to dedicate his life to pursuing a career in music. While Ben was living in the UK, Berlin had become the global epicentre of house and techno and he felt a strong calling to return home. He decided to move back home to build a studio and returned to Berlin with a fresh outlook , a renewed desire to succeed to truly pursue his dreams.

In 2016 Ben took charge of his destiny, setting his focus on his self-release imprint Inkal and sister label Meta.
Both labels continue to grow in stature with every release, topping record shop charts and resulting in multiple represses for each offering.
Ben continues to build his reputation in the studio as a producer to watch out for and as a DJ equally at home in the club and bigger stages.

With such a strong foundation, an unerring passion for his craft,
Ben continues to garner the attention of tastemakers and clubbers alike onto the Global stage.

📧: business@cosmoflux.net

I Create Music For Everything In The Universe.....

EEM Ethereal Electronic Music

Don't Confine Me To One Genre

https://bio.site/kareemali

The Sound of Tomorrow • https://soulection.com

Soulection Radio •  Sundays @ 9AM | 12PM NY | 5PM LDN on Apple Music 1  - Hosted by @JoeKay

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Rennie Foster has been a well-respected figure in the Canadian music and art community for over two decades. He influenced many as an early pioneer of the Hip-Hop / B-Boy movement, and later the House Music and Techno / Rave scene, participating in the first events in Western Canada during the birth of these now common urban subcultures. He is also very well known within the niche of graffiti art for his early work, having been archived in several published books.

Rennie relocated to Tokyo Japan in 2004 and became an important part of the Japanese club scene, playing all over Japan in venues such as Womb, ageHa, and Yellow, maintaining DJ residencies in Tokyo and Kyoto at the Metro club and at the Nagisa Music Festival in Tokyo and Osaka. Rennie was consistently ranked in the top 50 DJs in Japan by LOUD Magazine until re-locating back to Canada in 2011. Rennie is currently a resident DJ at Western Canada’s top after-hours club, Gorg-O-Mishin Vancouver, BC, regularly traveling to play as a guest at underground venues across Canada, Detroit, New York,and Paris and has played festivals such as Shambhala and  Bass Coast among others.

Rennie Foster has released music with Jack White’s Third Man Label, classic dance music labels including Transmat, F-Communications, Synewave, Teknotika, Subject Detroit, and is widely recognized for his underground anthem Devil's Water on Rebirth Records. Rennie has remixed, or been remixed by, some of the top names in dance music such as Juan Atkins, James Zabiela and Swayzak. He has released many singles, EPs, and four full length albums. He runs a signature record label RF and continues to produce tough urban house music and stylish techno for cutting edge dance music imprint including Goldmin Music and Skylax Records in Paris and the Detroit based Soiree Records.

 
“Get yourself acquainted with Mr.Foster quick-smart” – DJ magazine, UK.

"Rennie Foster rules the underground." - Georgia Straight, CA.

Bookings: http://armsandlegs.de/booking/

'A producer completely wired into the heritage of electronic music' - COMPLEX MAGAZINE

'It is safe to say that crafting lively and poignant dance music is simply a force of habit for Daniel Steinberg' - XLR8R

'Daniel Steinberg is a man who knows how to get a club going' - MIXMAG

‘One of the scene’s most unique talents’ - DJ MAG

Club trends come and go, but Daniel Steinberg has been a constant creative force in electronic music for well over a decade. One of Berlin's most celebrated house & techno practitioners, Steinberg is a dance floor specialist with an ear for infectious hooks and addictive grooves.   

He's connected with some of the most well known names in electronic music, having remixed Claptone, Felix Da Housecat and Oliver Dollar. His own productions have been remixed by Roman Fluegel, Derrick Carter, 808 State, Crazy P, Paul Johnson, Nick Holder, DJ W!LD to name but a few. 

Steinberg's early output arrived on Jesse Rose's Front Room label with a string of releases including the latin house hit 'Bailando' and his debut album 'Shut up'. The focus shifted in 2011 to his own Arms & Legs imprint through which he released his subsequent albums 'Treptow' and 'Left-Handed' and club classics 'Joy & Happiness' and 'Let Me Down' that was re-released on Defected with a chart topping remix from Tube & Berger.

His DJ-ing has been similarly heralded having built a reputation as an artist who delivers serious fun to the dance floor. Daniel has played peak-time slots across the globe including Panorama Bar Berlin, Rex Club Paris, Baum Bogota, DC310 Mexico City, Razzamatazz Barcelona, Wire Festival Japan, Fusion Festival Germany. See him in a behind the decks and you'll immediately know why, his energy is infectious and his skill undeniable as he weaves together own brand of fun-fuelled house and techno, full of sly creative winks.

TIRSO B-YONDASOUND is following