An excellent cover performed with great experience and inspiration, Tom! Very cool leads, great energy!

One of the all time great songs! Keep rockin' brother!

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Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that oft-times hath
Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn. 

From "Ode To A Nightingale" (John Keats, 1795—1821)

Amid The Alien Corn

What if time went back and everything was set to zero? Exciting or....

Was wäre, wenn die Zeit zurückgeht und alles wäre auf Null gesetzt? Spannend oder....

Back to Zero

Last spring, I had a jazzy musical interaction with songbirds to produce Magnolia. This spring, I explore the genre of jazz once again but this time with a mockingbird.

A few weeks ago, I recorded a mockingbird singing a jazzy serenade a cappella from his perch on my neighbor's chimney. And oh my! The bird sang like he was the hot new kid on the block, and the whole neighborhood had to listen!

The Northern Mockingbird (Mimus polyglottos) can sing up to 200 different songs, some of which are original and others mimic the sounds of other birds and creatures, including insects and machines. 

I added electro — keyboard, piano, bass, and electronic drum kits — to the mockingbird audio recording using my MIDI and DAW, and I hope you find the music as amusing and entertaining as the jazzy mockingbird’s song.

Chill jazz fusion at 85 bpm

Audio of mockingbird recorded live April 2, 2025. The LoFi audio is raw, unaltered except for cuts to delete car noise and the conversation of neighbors, so that the music wraps around the birdsong.

With props to Harper Lee’s book, To Kill A Mockingbird, whose main character Atticus Finch teaches that it’s a sin to kill mockingbirds because they harm no one with their songs — a symbolic theme of the book — it’s wrong if not evil to attack or destroy innocent people.

“Mockingbirds don't do one thing but make music for us to enjoy…. they don't do one thing but sing their hearts out for us.”

…………………….
DAW: Apple Logic Pro X
MIDI: Akai Professional Keyboard
E-INSTRUMENTS:
Concert Grand piano
SoCal Ballad Piano
Ambient Lead
Warm Glow Chords synth
Lunar Strings synth 
Fingerstyle Electric Bass
Deep Round Synth Bass
E-DRUM KITS:
Drum ‘N Bass Remix 
Trip Hop Remix 
Trip Hop Remix Phaser
Trance Remix
2-Step Remix 
African
Latin 

COVER ART is a composite using AI-generated images created by the DaVinci app and then designed in Photoshop.
………………..

.

Mockingbird

The Great Awakening
I wish you all HAPPY EASTER!
  Vocals: Winkandwoo
https://soundcloud.com/winkandwoo/the-great-awakening-vocal-stem-124-bpm
Lillithe: Music, Arrangement and Production

THE GREAT AWAKENING

PHOBOS / Paploviante Open Collaboration Offer
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
BPM 88
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

PHOBOS

Nova

voici une musique que j'ai composé en 2006 qui n'avait pas de texte à l'époque, j'ai écrit ce texte en portugais dernièrement et l'ai proposé à Julien Apelian qui avec son immense talent a fait les claviers et refait les batteries et percussions ainsi que l'arrangement, mastering.

paroles, voix et musiques : Steph Ouna
Voix : Lena https://soundcloud.com/user-262019520
Claviers, percussions et batteries, arrangement, mastering : Julien Apelian https://soundcloud.com/audio-colors

Uma mistura de culturas
Sonho com todos os países
Todas as linguas
está no meu coração
Encha-nos com canções e alegria
Através da força e da diversidade
A música nos leva a outro lugar
Um planeta sem barreiras

Refrain :
Se precisa de tempo
Quer acreditar
Precisa de esperança
Deus nos escute
Somos feitos de po
Sem fronteiras imigrantchis

O mundo é enorme, Deus o faz grande
Toda a riqueza eterna que ele nos deu
Por prazer e partilla e felicidade
E nunca conhecer o fim
Um milhão de estrelas na via láctea
O sol, o mar, o céu, os sonhos

en français

Un mélange de cultures
Je rêve de tous les pays
Toutes les langues
c'est dans mon coeur
Remplis-nous de chants et de joie
Par la force et la diversité
La musique nous emmène ailleurs
Une planète sans barrières

Refrain :
Si tu as besoin de temps
Je veux croire
Besoin d'espoir
Dieu nous entend
Nous sommes faits de poussière
Pas de frontières pour les immigrants

Le monde est immense, Dieu le rend grand
Il nous a donné toute la richesse éternelle
Pour le plaisir, le partage et le bonheur
Et ne connaît jamais la fin
Un million d'étoiles dans la voie lactée
Le soleil, la mer, le ciel, les rêves

Nova

When the railway runs along the coast, right beside the sea, there are many tunnels. Sometimes they’re so narrow that two tracks must draw near to one another to pass through. That’s how a strange love story begins between them.
This is a song I wrote around the year 2000, one of my last. I think it has a good mood. I’ve remixed and partially rearranged it.
You can still hear the warm tone of the Washburn, along with the old Yamaha’s sounds (including the flute). The sax — reworked by me  — is kindly provided by Dropgun Samples.
Still, as always, everything is very handcrafted.

Below is the English translation of the lyrics.

They converged at the tunnel’s mouth,
suddenly parallel —
twins of the railway.
They looked at each other, studied each other,
just enough
to not quite grasp
how much the one beside you knows of you.
They hesitated, thinking of the road behind:
companions in adventure,
but now unsure why.
And then they stared at the night gaping inside the tunnel:
a magnificent promise
to be traveled on the thread of fantasy.

“Inside this darkness, maybe we will never part,
under this shadow, maybe you’ll finally know me,
after this night, who knows where you’ll fall asleep —
perhaps closer to the sea…”

They parted at the tunnel’s edge,
but a narrow wall concealed a silence
charged with jealousy,
shaped like fear — fear of that strange kind of courtesy,
fear of the light,
fear of the end of the tunnel.
“Parallel track,
mirror born of the railway,
traitorous twin,
lover made of parody.
Don’t tell me that
after this darkness we’ll never part,
that under this shadow you’ll finally touch me,
that after this night, who knows where you’ll take me —
perhaps down by the sea…”

And at the end of that masterpiece of engineering,
only one of them
came rushing out of the tunnel;
on instinct, he turned and saw
that the sea was beside him,
and under the sea, the sky,
and beneath the sky — who knows what lies...

“After this darkness, surely we will never part,
inside this shadow, surely you’ll let go,
after this night, I cannot say where you’ll fall asleep —
perhaps closer to the sea…”

----

Confluirono all'ingresso della galleria
improvvisamente paralleli 
gemelli della ferrovia.
Si guardarono, si studiarono quel tanto che
non basta a misurare sino in fondo
quello che hai di fianco cosa sa di te.
Indugiarono, pensarono alla strada dietro di sé:
compagni di avventura,
ma ora non capivano perché.
E poi guardarono la notte spalancata nella galleria:
magnifica promessa
da viaggiare sul filo della fantasia

"dentro questo buio forse noi non ci separeremo mai,
sotto questo scuro tu finalmente mi conoscerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

Si congedarono sulla bocca della galleria,
ma parete stretta nasconde silenzio
fatto a carica di gelosia,
fatto a forma di paura di quella stranissima cortesia,
paura della luce
paura della fine della galleria.
"Binario parallelo,
specchio generato dalla ferrovia,
gemello traditore,
amante da parodia.
Non dirmi che 
dopo questo buio noi non ci separaremo mai,
che sotto questo scuro tu finalmente mi toccherai,
che dopo questa notte poi chissà dove mi accompagnerai,
forse giù vicino al mare ..."

E alla fine di quel capolavoro di ingegneria,
di loro uno solo
usciva di corsa dalla galleria;
d'istinto si voltò e vide che
c'era il mare di fianco a sé,
e sotto il mare il cielo,
e sotto il cielo chissa cosa c'è ...

"dopo questo buio certo noi non ci separeremo mai,
dentro questo scuro tu sicuramente ti abbandonerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

----

Composed by Michele Ansani (1999)
Posted on SoundCloud: 2025, May 16

Down by the sea [Viaggio di nozze] *

Original by B.B. King og Robert Cray 1993 

Drums, Bass, vocal and mix : Little Man
All other instruments : PdB Orchestra

Playin' With My Friends

My second time to try covering my favorite John Denver song.

Country Roads - Cover by Tony

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Sigma acoustic guitar, Collings mandolin, Roland piano, vocals, vocal harmonies, and arrangement
TexMex Shaman– @texmex-shaman –Stephen– Gibson Earle Scruggs banjo, arrangement, production, mix, and mastering        
This song is a Phish song written by Trey, Page, Fishman, and Tom Marshall, who wrote the lyrics. Originally, on their album Hoist, it's just Trey playing and acoustic guitar and singing. Stephen and I wanted to give it our own flavor though. After I asked him to play banjo on it and produce it for me, we started spitballing ideas about how we could add something more to it. Originally, we both played every instrument, guitar, banjo, mandolin, and piano, through the whole thing, except the first and last verses. Then we decided to trickle the instruments in for maximum effect. I also sang the harmonies throughout. Finally, Stephen came up with the idea to wrap the last verse in a mono effect, giving it a detached feel. He mixed it brilliantly, too.
  This song has always had a special place deep in my heart. Sometimes you hear a song and recognize such truth in it, it feels like it was written about you. This is such a song for me. Plus, it was written by my favorite band, Phish, so it has even more meaning for me. We hope you enjoy listening to it as much as we enjoyed making it.

Dog Faced Boy by Phish (with Texmex Shaman)

In your mind's eye, see the travels of the wind-up bird through time and space. Homage to the creativity of the Japanese artistic mind.

Released 26 Jan 2017

Spotify

Chronicles Of The Wind-Up Bird

Video Link: https://youtu.be/e-xk02aMc3A 
Spotify Link: https://open.spotify.com/track/0yKoJubIfgfMZbi2ck61q9
Amazon: http://a.co/9RlR4Z1
Lots of strange happenings in the news of late.  I'm just the observer, and this is my song.



Lyrics by:
I'm just the observer here

Let me make it clear

What I've seen here should scare you all

I've seen unborn babies killed
by their mothers who wanted a thrill

consequences ignored by one and all

You must want to see this nation fall

I'm just the observer here

Let me make it clear

What I've seen should scare you all

United we stand divided we fall!

Consequences ignored by all

I don't want to see our nation fall...

Consequences ignored by all

United we stand divided we fall!

Consequences ignored by all

United we stand divided we fall!

The Observer

Buy on Amazon

The Observer (United We Stand, Divided We Fall)

Pure Beam

Black Hole - Open collab
Composer Paploviante 2017 
Soundtrack-Open Collab or Backtrack for Film
Bpm 145 - chord C

Black Hole - Paploviante Open Collab

Video : https://www.youtube.com/watch?v=iXR8SdNbVeU

Hawaii Spirit

Neil Young Cover, little bit noisy and lofi....so called grunge...
if you don't like it, try this: https://www.youtube.com/watch?v=6sdYzVzWJHc

Rockin' in the Free World

We all know how hard it is to get our music heard and that's why we developed AtomCollectorRecords.com.

We pay music fans in crypto currency to listen to SoundCloud tracks. It is completely free for musicians to add as many tracks as they want.

To keep your tracks in rotation you listen to other artist's music to earn play credits that you then apply to your own tracks.

Using these two methods we have a steady stream of both musicians and fans listening, commenting and following our members.

Welcome to my main page where you get every amount covered rock stuff ! All songs are selfmade by playing real instruments - I only use audio recording without Auto-Tune and quantizations
https://www.youtube.com/watch?v=6IV29YNTH3M
“Playing a wrong note is unimportant.
But playing without passion is unforgivable.“
Ludwig van Beethoven
Many thanks all people for listening and sharing my music :):)
Good headphones recommended :) !

My musical development:
- took much accordion lessons in my childhood
- than playing bass accordion in an orchestra
- than learning basics of drum playing by myself
- than took guitar lessons for a few years
- than took a little bit african drums lessons
- than playing a few years in a band as a drummer
- than took some sax lessons
- than learning a bit keys and synths by myself
- than fighting to catch right tones on vocals....
- producing cover songs most since 2013
in between again and again doing nothing with music many years....
whether that has borne fruit it's your decision...
sure I'm not a professional but music shapes my life...

Rockin' in the Free World

Tomgroove

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