Bookings (WW): sari@neptunemusic.net
Bookings (NA/SA): natalie@auroratalent.agency
Promos: promos@mira-official.de

Upcoming Gigs: http://mira-official-tourdates.de/

Mira is that rare kind of DJ whose music can immediately transport you into her world - a midnight circus in Berlin, where time loses all definition and anything becomes possible. 

Born in East Germany to a renowned photographer and a classical musician, she began DJing in 1996 and quickly rose to prominence as part of the growing underground techno scene around Leipzig and Halle/Saale. Her dedication to her craft and natural talent swiftly paid off with a series of rapid successes, leading her to substantially shape the electronic music scene of Eastern Germany from that point on. 

In 2006, Mira moved to Berlin, Europe’s capital of electronic music, where she found her musical home at the legendary Bar25. Situated on the banks of the river Spree with parties that lasted into the middle of the week, Bar25 was the true embodiment of Berlin’s club scene in the 2000s. In the company of notable artists such as Nu, Acid Pauli, Feathered Sun and Christopher Schwarzwälder, a musical language was being formed that looked past the minimal trends of the time towards a more nuanced, organic musical language. 

It was from this here that Mira rose to fame throughout Europe and the world, as she suddenly became a defining representative of a distinctive sound that was going global. Deep and soulful whilst always maintaining a continuous, sensual groove, Mira’s sprawling, hypnotic sets became the soundtrack for many an endless night at Bar25, Kater Holzig and now, Kater Blau. 

The centrepiece of Mira’s residencies at these clubs has been her yearly birthday event ‘Katzen Tanzen auf’m Tisch’, which runs for three days straight every December. Curated by Mira from a selection of old friends and new faces, the series has hosted a multitude of  then-unknown artists who have now gone on to tour the globe. In 2020, Mira’s birthday series came in the form of a compilation for the first time, showcasing the spirit of her events over 43 original tracks. Also a year-round booker at Kater Blau and curator for the Kater-affiliated label Kiosk I.D., Mira’s fingerprints are all over the sound of the club.

In the studio, Mira often collaborates with her partner-in-crime Christopher Schwarzwälder, and the two of them have released a host of chart-topping singles. This partnership has since carried on to dancefloors globally, where their legendary back-to-back sets make for a perfect musical dialogue between the two artists, who share a deep understanding and love of sound.

Mira has been at the height of her game for the past twenty years, continuously shaping the sounds around her, and never ceasing to push inspiring new artists. As happy playing in a small underground club in East Germany in the 90s as she is playing to thousands of festival-goers at Burning Man - Mira is one of those artists of whom you can truly say that she’s doing it for the love of the music. 

Every time a new track by some undiscovered producer falls into her lap is a new moment to fall in love again with her craft, and spread that love with the tens of thousands who hear her play.

mm mmmmmmm musica
 ↓                                        
book me ↴ 
worldwide: charles@omni-artists.net 
france: peggy@dif.productions.com
email me: m@dmiran.com
promo only - promo@madmiran.com

Artist: @martin-cozar
Title: My Mind EP

Track list:
1. 1977
2. My Mind
3. Niksen
4. Lights Out

Label: Kiosk I.D.
Catalogue number: Kiosk I.D. 044
Release Date: December 12, 2025

Buy Link: https://kioskid.bandcamp.com

Follow & Support:

Kiosk I.D.
SC: @kioskid
FB: facebook.com/KioskIDMusic
Bandcamp: kioskid.bandcamp.com/releases
Beatport: beatport.com/label/kiosk-id/80379
IG: instagram.com/kiosk.id

Martin Cozar
SC: https://soundcloud.com/martin-cozar
FB: https://www.facebook.com/martin.cozar
Beatport: https://www.beatport.com/artist/martin-cozar/874521
Spotify: https://open.spotify.com/intl-de/artist/2L7kud2OEMcErUcqhdpvAJ
IG: https://www.instagram.com/martin_cozar/

About:
Argentine-born, Barcelona-based producer Martin Cozar returns to Kiosk ID with his four-tracker ‘My Mind.’ Building on the funky modernism of Resilience—his split EP with Gespona—and a commanding peak-time remix for Manucho’s Idea Reset, Martin Cozar now steps fully into the spotlight with a solo EP that tightens his artistic identity. My Mind delivers razor-sharp groove work, stripped futurism, and a captivating brand of dancefloor energy that shines through inventiveness and viscerality.

Opening track ‘1977’ unfolds like a widescreen dreamscape, with suspended fields of synths arcing over a warmly booming, long-tailed sub-bass. Heaving synth sweeps, melodically intricate arpeggios, and fluttering square waves paint a morphing, hypnotic canvas that floats across the periphery. Deeply meditative, but suited for the almost-peak-time with a throbbing groove and dynamic sub-bass, 1977 is a slow-burning journey that wraps warmly arcing, spaced out melodics around a tight rhythmic core.

‘My Mind’ turns the focus to the floor. Funky and razor-sharp in its sophisticated modernity with stripped-to-the-bone drum structures, the title track channels Martin Cozar’s retro-futurist edge through ominously
squelching basslines and pulsing stabs, arranged in a spacious, expertly crafted, and darkly oscillating Indie Dance framework. Every element clicks into place, yielding a high-voltage groove that radiates raw, physical
energy: stripped-down machine funk with a dark, circuit-bent twist.

With ‘Niksen,’ Martin Cozar crafts an eclectic groover that cycles effortlessly through percussive moods. Crackling with icy atmospherics one moment and sweltering in hazy Western guitars the next, Niksen traverses shifting textures anchored in a stripped lead theme that transforms the tracks’ dynamic soundscapes into pure dancefloor class.

Closing cut ‘Lights Out’ dives into grungier, more tactile territory. Shuffling, blown-out acoustic drums and mangled guitars collide with a peevish lead synth that escalates through morphing iterations, finally exploding into bursts of erupting electricity. Raw and groove-heavy, Lights Out channels untethered energy into a gritty, kinetic framework—tech’n’roll with a beautifully organic feel.

Across ‘My Mind,’ Martin Cozar delivers four distinct tracks—each a self-contained microcosm of motion across gritty floor energy, razor-sharp Indie Dance, and booming after-hour rollers. The result is a hypnotic,
meticulously engineered suite that feels both instinctive and deliberate, and succeeds in walking the fine line between the physical and cerebral demands of the dancefloor.

'If U Like Me' - out now
https://DJSeinfeld.lnk.to/like-meSC

Worldwide bookings: 
ollie.seaman@teamwass.com

North/South America bookings: 
bshprits@teamwass.com

All other requests: 
GS@285.Group

For booking please contact: sari@neptunemusic.net

If we think of those magical moments out on the dance floor, what likely comes to mind is that moment when the DJ and the crowd find each other in a rare kind of symbiotic balance of give and take. If you see this happening between two DJs it becomes obvious that two of a kind have found one another.
Those who love this kind of confluence will adore watching Mira and Chris Schwarzwalder doing
what they do best; playing back to back.
Having influenced the East‐German techno scene throughout the last twenty years, Mira established her musical home in Berlin’s legendary Bar25. There, she shaped her very own unique sound that can be considered as a story of these endless nights full of intensity.
Bar25 was also the place for her to meet DJ and producer Chris Schwarzwalder. Moving from his Hip Hop­‐roots towards electronic music, it was not by accident that Chris followed the beat of time to Berlin.
Anyone who has experienced their endless sets already understand why Berliners speak of the particular sound being created by both of them.
A soulful, mesmerizing sound that you will sense sinking under your skin and leaving you with a feeling of deep warm­‐heartedness.
What happens is the perfect chemistry of classic mixing skills along with ingenious live productions that really deserve to be called a moving experience.
All of their styles and sounds can, not only be discovered live behind the decks, but also on prosperous vinyl and digital releases.

Peter Schumann:
SC: https://soundcloud.com/peter-schumann 
FB: https://www.facebook.com/PeterSchumannMusic/
Beatport: https://www.beatport.com/artist/peter-schumann/8886
Spotify: https://open.spotify.com/intl-de/artist/53xUjVBCaTHEXSrFFnup3I
IG: https://www.instagram.com/peter_schumann_kater

BIOGRAPHY:

The Schumann resonances (SR) are a set of spectrum peaks in the extremely low frequency (ELF) portion of the Earth's electromagnetic field spectrum. Schumann resonances are global electromagnetic resonances, generated and excited by lightning discharges in the cavity formed by the Earth's surface and the ionosphere.

Lightning discharges are considered to be the primary natural source of Schumann resonance excitation; lightning channels behave like huge antennas that radiate electromagnetic energy at frequencies below about 100 kHz. These signals are very weak at large distances from the lightning source, but the Earth–ionosphere waveguide behaves like a resonator at ELF frequencies and amplifies the spectral signals from lightning at the resonance frequencies.

The real Earth–ionosphere waveguide is not a perfect electromagnetic resonant cavity. Losses due to finite ionosphere electrical conductivity lower the propagation speed of electromagnetic signals in the cavity, resulting in a resonance frequency that is lower than would be expected in an ideal case, and the observed peaks are wide. In addition, there are a number of horizontal asymmetries – day-night difference in the height of the ionosphere, latitudinal changes in the Earth's magnetic field, sudden ionospheric disturbances, polar cap absorption, variation in the Earth radius of ± 11 km from equator to geographic poles, etc. that produce other effects in the Schumann resonance power spectra.
̸
Ausgewählte Diskographie
2002 - "Claire" as Audiomat with Marcus Martinez (3d-Records) 
2004 - "Permanent Initio EP" with Benjamin Fehr (Catenaccio) 
2005 - "Ric" - Intercontinental 4 (Traumschallplatten)
2005 - "Delicate Issue" EP (Elster Records)
2005 - "Klartext" Datapunk Rockstars (Datapunk-Ltd.)
2009 - "Mokka" 5 years Stock5 Compilation (Stock5)
2009 - "Up & Away" P.Schumann's Blofeld Edit (Elster-Digital)
2010 - "Limasoul"-MS Elster Rmx (Elster-Digital)
2010 - "Delete One Day Of Your Life! EP (Platte-International)
2010 - "Pink Pills For Pale People" EP (Platte-International)
2011 - "French Monkey" Rmx (Kurzstrecken-Musik)
2012 - "Schoolyard" w/ Benjamin Fehr Rmx (Bluecode)
2013 - "Toulouse Lotrack" w/ Kareem (Katermukke)
2013 - "Bastard Child of House" (Platte-International)
2014 - "Drifting & Afternoon Island" RMX Zuckermann (Lebensfreude) 
2014 - "Dolphins In The Space Caravan" RMX Matt John (Bar25) 
2014 - "Illusions" RMX Ed Ed (Moodmusic)
2018 - "Super G" (Platte International)
2018 - "This place is gone" by Breger (Peter Schumann Remix)  (Copycat)
2019 - "North Scapes" by Bardia Salour ( Peter Schumann's LSD25 Restyle) (Bunte Kuh)
2019 - "Rigel" by Lilly & Kazan (Peter Schumann Restyle)(no one's lost)
2020 - "Rise" (Kiosk-I.D.)
2020 - "Noah" EP w/ M.A. (highway records)
2020 - "Roman IV" (Kiosk I.D.)
2022 - "Deeper Conversations"EP (Sound Of Berlin)
2023 - "Lipstick"EP w/ M.A. (Sit down recordings)
2023 - "Baba EP" w/ Coss incl. Audiojack Remix (Kiosk I.D.)
2024 - "Hippie Trippy" w/ Coss (Betonstrand)
2024 - "Baiocchi" w/ Coss (Betonstrand)
2024 - "The Islands" Abum w/ Coss (Kiosk I.D.)
2024 - "Crown Call" w/ Coss (Neongrau)

Nicholas 

Production & Remix: nicholas.iammatteo@gmail.com
Booking:  nicholas.iammatteo@gmail.com

@nicholaswave on all social media

Imprint run by @sobek1 and @mulyamusic 🤍

Unreplied emails, forgotten demos and fake royalty reports showed us the way to create our own originative platform which gives the freedom not to produce B sides anymore. Functional club music with a bitter-sweet taste heading to the top of all charts, that's what we aim for.

#complaintkulture #nobsides

tomvipan is following