Washed up emo beatmaker
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Greetings Earth: We are musical beings who eat and make music.  Our primary directive is to explore the cosmos for new musics and conserve them for eternity.

Please accept our musics as a gift from our planet to yours. Thank you for your kind attention to this matter.

Other Minds is dedicated to the encouragement and propagation of contemporary music in all its forms.

Mission
Other Minds, a private not-for-profit 501(c)(3) organization based in San Francisco, is dedicated to the encouragement and propagation of contemporary music in all its forms. Projects include the annual Other Minds Music Festival, Other Minds Records, Other Minds New Music Séance Concerts, “Music From Other Minds” on KALW 91.7-FM, and the History of New Music Preservation Project, making content from the Other Minds Archive available for free on the web at radiOM.org.

Dr. Nick Virzi (b. 1991) is a composer from New York City whose work includes acoustic, electronic, and electroacoustic music, as well as intermedia pieces and multichannel installations. His recent pieces explore the relationships between humans and the natural world, numerology and rhythmic structure, and ethnography and identity. His practice includes field recording in nature preserves, orchestration of rhythmic frameworks based on complex numerical systems, and ethnographic research focused on collecting and adapting archival media as an exploration of his identity as an Italian-American. In addition to composing, he is an electric guitarist, conductor, photographer, researcher, and educator. He also hosts the international composer interview series Composer OverTime.

Nick’s music has been performed throughout the USA and internationally by leading artists such as cellist Séverine Ballon (France), soprano Tony Arnold, the Los Angeles Percussion Quartet, the JACK Quartet, the Spektral Quartet, Splinter Reeds, Quince Contemporary Vocal Ensemble, Ensemble Liminar (Mexico), Distractfold (United Kingdom), the Ekmeles Vocal Ensemble, the TAK Ensemble, Ensemble Dal Niente, and Wild Up. His work has been featured at such venues as the Juilliard School at Lincoln Center, the Center for New Music in San Francisco, and the Royal Academy of Music in Aarhus, Denmark. His recent projects include “Convergent Boundaries” for Percussion Trio and Electronics, an electroacoustic piece featuring field recordings from Kopački Rit Nature Park in Croatia, Crater Lake National Park in Oregon, and Mt. Etna in Sicily, Italy. This piece was commissioned by the Novalis Music and Art Festival and premiered by Line Upon Line Percussion in October 2022.

Virzi has been a featured composer at international festivals such as Gaudeamus Muziekweek (The Netherlands), the Impuls Academy (Austria), and Festival Ecos Urbanos (Mexico). He has been awarded fellowships by the Imani Winds Chamber Music Festival (NYC), the Cortona Sessions for New Music (Italy), the soundSCAPE Composition and Performance Exchange (Italy), and the New Music for Strings Festival (Denmark). He has won festival competitions including the Black Bayou Composition Award, 2nd Prize at the New Music on the Bayou Festival in Louisiana. He has held residencies at the Academy of Arts and Culture and Kopački Rit Nature Preserve in Osijek, Croatia, the Sagehen Experimental Forest and Landels-Hill Big Creek Reserve in the UC Reserve System, and the Poto Festival in Grass Valley, California. He has presented his music and given lectures at universities such as UC San Diego, UC Berkeley, UC Santa Barbara, and the University of Missouri (Mizzou). He has presented his research in music theory and analysis at conferences hosted by the American Beethoven Society, the California Interdisciplinary Consortium of Italian Studies (CICIS), and the Society for Electro-Acoustic Music in the United States (SEAMUS). He has presented his research in acoustic ecology at NYU’s Steinhardt School as part of the Precarious Sounds/Sounding Sanctuary Conference (NYC), The Catholic University of America at the Eleventh International Conference on Climate Change: Impacts and Responses (Washington, D.C.), and the Centro Cultural Vila Flor at the Ninth International Conference on the Constructed Environment (Guimarães, Portugal).

Dr. Virzi completed his D.M.A. in Music Composition at Stanford University, where he studied with Mark Applebaum and Brian Ferneyhough. He also completed his B.M. at the SUNY Purchase Conservatory of Music, where he studied with Du Yun, Huang Ruo, Laura Kaminsky, and Suzanne Farrin. He recently completed the H&S Dean’s Fellowship at Stanford University, where he was a Lecturer in the Department of Music and the Center for Computer Research in Music and Acoustics (CCRMA). His music is published by the American Composers Alliance (ACA) in New York City.

Melissa Grey & David Morneau are composer-producers who design music informed by elemental themes: time, space, nature, language, dance.

Davor Vincze is a composer of contemporary music and artistic director of Novalis Festival, whose artistic focus lies on meta-reality and musical narrative that is implicitly stated or explicitly concealed. 
 
Davor Vincze uses the compositional method ‘microllage’, which recycles musical material in a quasi ecological way. With microllage, Vincze is looking for latent acoustic spaces and properties present, but mostly left unexplored in the pieces he is referencing, which often includes self-referentiality. In shivering, hazy textures, Vincze explores the parallax effect, juxtaposing or subtracting multiple perspectives on a limited number of ‘borrowed’ sonic gestures. This enables him to create a meta-reality that contains multiple layers of inexplicit & ambiguous meaning.

After completing his composition studies in Graz and Stuttgart, Vincze specialized in electronic music at the Ircam and finally completed his doctorate at Stanford University in the class of Brian Ferneyhough. His compositions have been performed by renowned international musicians like Ensembles Modern, Recherche, and Intercontemporain, Klangforum Wien, Talea and Slagwerk den Haag, JACK, Mivos and Del Sol Quartet, Secession and No Borders Orchestra. Slovene and Zagreb Philharmonic etc, at festivals such as Présences, Impuls, MATA, Manifeste, Darmstadt, Zagreb Biennale and others. In 2014, he launched an international contemporary music festival - Novalis. His works are published by Maison ONA.

Vincze won Alvin Lucier Prize, 2nd prize at the Pre-Art Composition competition, Impuls Festival competition, and has been awarded many stipends in support of his studies and creations of new works. In 2020/21, Vincze was the winner of "Boris Papandopulo Prize” for the best Croatian composer of contemporary music, winner of the European Contemporary Composition Orchestra competition, winner of the best audiovisual work at the International Competition Città di Udine (Italy), as well as one of five awardees of 'New Music, New Paths' competition in Hong Kong, and he got selected for the artist residency both at the Institute of Electronic Music in Graz (2021) as well as at SWR Experimentalstudio (2022).

Jacob David Sudol uses new technologies to create intimate compositions that explore enigmatic phenomena, the inner nature of how we perceive sound, and novel connections between Eastern and Western musical cultures.  His music has been performed well over one and fifty hundred times by many prestigious ensembles and performers across the USA, Europe, and Asia.  In addition, Dr. Sudol is currently writing a chapter on his music for the upcoming Oxford University Press Handbook of Spectral Music.  
	
Dr. Sudol is currently an Associate Professor of Music Technology and Composition at Florida International University and was awarded a 2015-16 Fulbright Fellowship to teach and research in Taiwan.

Georg Boenn, born 1965, is a composer and computer scientist. He studied composition at the Musikhochschule in Cologne, Germany. Resident artist at the Centre for Art and Media (ZKM) in Karlsruhe, and at the Atelierhaus Worpswede. Visiting scholar at Stanford University. PhD in Computer Science at the University of Bath for work on Automated Analysis and Transcription of Rhythm Data and their Use for Composition. Lecturer for Electronic Music at the Hochschule für Künste, Bremen. Since 2003, Senior Lecturer in Music and Sound Technologies at the University of South Wales. In 2015, Georg moved to Canada where he is working as an Associate Professor in the Music Department of the University of Lethbridge, Alberta.

christopher jette is following