@user-438649799: Vielen Dank für Deine netten Worte! :-) Ja, manchmal dürfen Stücke mit einem "Kracher" enden aber in diesem Fall wollte ich es unbedingt sanft beenden. Das vermittelt irgendwie das Gefühl: Hier könnte eine neue Geschichte beginnen :-)

I love castles. My ancestry has one in England. the Warwick Castle. It has been turned into a theme park. majesic.fitting for a Castle

Alles wirkt traurig, wie ein Wandeln zwischen Relikten, Ruinen und... der Welt von Verschiedenen

Der Pathos weitet den Blick. Man schaut zurück, es geht weiter, immer weiter, wohin es auch sein mag. Nur kein Blick zurück!

Wundervolles Stück. Es beginnt so friedvoll und ruhig und steigert sich bei immer gleichem Piano Fragment (mit kleinen Variationen) durch den Einsatz von mehr Instrumenten und Percussion immer weiter. Bis am Ende das Piano wieder ausklingt. Ganz gros

Sehr schöne Klarinetten Melodie , gute Arbeit !

A beautiful theme. outstanding work !! Best Regards 😉

Anastasiya Ihnatovich is one of the best talents to be found on SC. I had the privilege of being able to sing to the notes of her splendid piano. I recommend you to listen to her music here:
(@anastasiya-ihnatovich) you will be fascinated!
Piano playing and composition …… ..Anastasiya Ihnatovich
Voice, lyric and strings ………………… ..Paolo Pieraccini
Below the lyrics of our song together

Time goes so slower
missing the one you love
You are my prison
But I don't want to escape
No, I don't feel alone
causes sadness
                                                                     
Is always with me

I still love you
But you don't care about me
You don't care about me
About me
I hide my pain with a smile
For you
It's true
I can't be strong all the time
And so I gave in to the pain
and I'm sure that my woman
My only woman is you

LAPSE 1 Anastasiya Ihnatovich vocal version by Paolo Pieraccini

The faceless, soulless capitalist cabal offers its sincerest condolences and apologies for monetizing life itself, but the apology is hollow and meaningless, falling upon decidedly unsympathetic ears.

How might it sound if our global corporate overlords offered their most lizard-heart-felt apologies for any "inconvenience" their greed and avarice have brought upon our lives? We think it might sound pretty insincere. You know, like a gaslighting apology: "We're sorry you feel that way." There may be an official apology "issued" but culpability is nowhere in sight.

This song started as an innocent and good natured attempt on our part to collaborate with Holy Shitshow @user-649412648 who provided the original piece months ago which inspired this whole crazy chain of events. 

Next thing we knew, it was this whole song and the raft had drifted pretty far away from collaboration island in the process. We still used the piece in the song, and we are grateful for HS to be a part of it in the end. We think it made for a great foundation and love the ambiance it provides to the whole song. Riunite on ice, that's nice!  https://youtu.be/_onOllDF2GY

We dig Holy Shitshow's music deeply, so please hear the original here and we hope you show some love their direction as well: 
https://soundcloud.com/user-649412648/northwestsoutheast-first-wave-open-collab

This track also features some special guests:
On the flute we have Nick Collias
On the saxophone we have @metal-mark Mark Wand

Guitar, ukulele, bass guitar, omnichord, keyboards, melodica, samples, vocals, mix & master, Artwork by PS Perkins

Drums and percussion, mixing assist by R Thomas (@analog-shack)

Buy Our Lies

We Apologize For The Inconvenience

produced by kid otari
written & all guitars by naldo
flutes & keyboards by naldo & guillaume pearson
drums by greek god yannis alfiers
Recorded on tape at the Laundry Room, Oakland California
8-channel 1/2" Otari MX5050
remastered by richard at blitz recording
cover art: jessie buckley by naldo

soundcloud.com/naldeau/tracks
soundcloud.com/guillaumelecompositeur/tracks
soundcloud.com/richard-livoni/tracks

Jessie's Song

One Summer Morning

Слава Україні! Героям слава!
https://roar-review.com

Stay Human Stop The War!

Hope you enjoy my latest piano piece.  Thank you for listening.

Now We're Here

Main instruments used taken from Spitfire Audio's BBC Symphony Discover except piano, oboe, choir, pecussion and risers 🙂

The farewell is now announced,
nature mourns,
the summer is too much aged,
its clock is now ticking.

The becoming is past,
the parting sets in,
it shows itself in sublimity
as autumnal beautiful glow.

A silver-colored night robe
wraps mountain and valley,
the world - it shines in retirement,
the sun shines pale.

The dew pearls from stalk and leaf,
the sky shows its blue
and every drop reflects dully,
and brightens the gray of farewell.

A heavy course is carried out
in silent harmony,
It is life's farewell song
it will never go out.

(© Klaus Ender, Bergen - born 1939, unfortunately deceased in March 2021)
---------------------------------------------------------------------------------
Hauptsächliche verwendete Instrumente entnommen aus Spitfire Audio's BBC Symphony Discover.

Der Abschied ist nun angesagt,
es trauert die Natur,
der Sommer ist zu sehr betagt,
es läuft jetzt seine Uhr.

Das Werden ist Vergangenheit,
es setzt das Scheiden ein,
es zeigt sich in Erhabenheit
als herbstlich schöner Schein.

Ein silberfarbnes Nachtgewand
ummantelt Berg und Tal,
die Welt – sie glänzt im Ruhestand,
die Sonne leuchtet fahl.

Es perlt der Tau von Halm und Blatt,
der Himmel zeigt sein Blau
und jeder Tropfen spiegelt matt,
verschönt des Abschieds Grau.

Vollzogen wird ein schwerer Gang
in stiller Harmonie,
es ist des Lebens Abgesang,
erlöschen wird es nie.

October

This track was a "happy accident". 
The real main theme was already composed and as I noodled around on the piano and stumpled upon this slow ostinato. It was soothing but also inspiring, like a canvas that wanted to be painted.
So I layered the main theme melody on top of it and it was a perfect match! Although this track wasn't originally planned it just had to be added to the soundtrack.

Anthador Main Theme (Reprise)

Around the Cello - Roger Tastet 11/2022

Cello : Cinesamples - Tina Guo Cello legato
Oboe : V.S.L Oboe d'amore
Guitar : Amplesound AGL
Strings : VSL Synchron Strings Pro

Written with Notion 6 - Realized with Logic Pro

Autour du Violoncelle (Around the Cello)

The feeling of 1 Day later
On this day, I woke up and immediately spent about an hour making a song, just like I used to do on SoundCloud about a year and a half ago. The reason being that Ryuichi Sakamoto had passed away, and I wanted to record my feelings and emotions through my music rather than expressing them through words. For me, music allows me to express my emotions more directly than words. The first comment on the music I uploaded from my friends on SoundCloud was "intense," and I thought it was spot-on. The first metal percussion sound in the track tore my heart in two. In the first mix, the sound was even more painful than it is now. It was so painful that I reduced the number of times the sound appeared by half and lowered the volume. I think I chose those sounds unconsciously at the time.

(edited 3times)

Day1 R.I.P.R.S.04032023 "intense"

M-Niagara Falls

Hi, I'm Torben Fugger, a composer from Koblenz (Germany) who focuses primarily on cinematic orchestral music. In my pieces, which often fall into the adventure or fantasy genre, I attach great importance to strong and catchy melodies and an emotional impact.

I think that the many years of listening to Johns Williams music on my Walkman while delivering newspapers in my youth have left their mark. As did the countless hours of exposure to the music of Howard Shore, Hans Zimmer and Michael Kamen. To put it briefly: I'm a film music nerd and you can definitely hear that in my own music.

Anthador Main Theme (Reprise)

Torben Fugger

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