Experimental artist ex.sses makes her debut on traverse with 4 body - a 4-track EP that embodies her bass led-palette of sounds and fuses heavy bass, broken drums and textural sounds. 4 body imagines the body shifting and mutating though diﬀerent states,
breaking apart and coming back together to find itself anew. We are drawn into landscapes where the voice whispers from the edges asking the listener to submerge themselves.

Australian and Paris-based artist Gillielove contributes with a remix that depicts to the perfection their love for hypnotic and deep grooves, broken percussions and mutant basslines.

credits
produced and mixed by ex.sses
remix by gillelove
additional mixing on ‘ada’ by kincaid
mastered by umvral
artwork by olga and faustine morisset

ex.sses - Ada touch it (Gillielove euphoric mix)

https://soundcloud.com/acidprotvr
 promo group
We rock the swamps with underground raves in unexpected locations

label, events and mix series
crossing genres, exploring atmospheres
run by @lolobatten and @olga_muuusic

contact: bonjourtraverse@gmail.com

fictionalive /
popoems series / hyper media reports 
2001 / 2011 / 2024

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International Vermin Consortium
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The vermin will outlive your grand children's grand children.
Like Mickey Mouse the vermin is immortal.
: )
Antifa is my cousin.  I heard some people were looking for her.  Since I like to be helpful when I can, she was in Alexandria last time I talked to her, three weeks ago.  I think she mentioned going to Zurich in the near future.
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Is it 1984 already?!?!
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I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
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This one here (957729823) is for regular folks.

I love you, both.

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You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
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My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
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I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
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Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

DJ and producer RAVL delivers a break and melancholic universe, combining the warmth of analog synthesizers and icy percussions in a meticulously sharp sound design, infused with textured Hard Drum, UK Garage, and rumbling Techno.

His productions mirror his influences, rooted in a Bass Music intertwined with Anglo-Saxon Techno, branching into IDM and Jungle, sometimes tinted with shamanic South American Club culture, thus showcasing a unique, hybrid, and resolutely modern style.

As a prolific producer, he releases on remarkable labels such as YUKU, [re]sources, Bad Tips, and Nü Kvlture, on which the highly acclaimed "Outrenoir" was released. It has been played worldwide, including at Blumitsu's Boiler Room at Boomtown Fair and by Jamie XX at Making Time.

Collaborating with artists like Tim Karbon, Leese, HI ROSIE, and many other prominent figures in the French Bass Music scene, RAVL rightfully earns his place within this new generation, representing the Phocaean city on pioneering line-ups such as Metaphore Collectif, Animals Industry, Basses Fréquences, POLAAR, and even at Paris Electronic Week.