Azo live from our third episode of our Virtual Club on Kiosk Radio from the 20 March 2021.

Azo • C12 x Kiosk Radio Virtual Club #06

Afterglow 25.03.21

With great pleasure we present the remix EP of Meetsysteem's debut album Geen Signaal. This fun pack of 5 different takes on the originals is something that came together completely spontaneously. 5 producers felt inspired by the originals and delivered these beautiful versions. Big thanks to Prins Thomas, Levi Verspeek, Ranie Ribeiro, Oceanic and Elkan Frank for their remixes. The EP will be out on December 2, on limited 180gsm solid yellow vinyl.

Pre-order here:
Bandcamp https://nousklaer.bandcamp.com
Bordello a Parigi http://bit.ly/33Yit5H
Clone http://bit.ly/2Kyee9w
Decks.de http://bit.ly/2psbeUI
Deejay.de http://bit.ly/2r8AxLV
HHV http://bit.ly/2qoCiVs
Juno http://bit.ly/35bDrhL
Oye http://bit.ly/2CVRvjk
Redeye http://bit.ly/2Omqf2W
Rush Hour http://bit.ly/2XwRNqA
Technique.co.jp http://bit.ly/2D5VhqJ

Full original album can be found here: https://open.spotify.com/album/3jCijiWHv8txEfRdeJm21m?si=CmAZ3KQvSkuya1ViG-f4Zw

Meetsysteem - Geen Signaal (Prins Thomas, Levi, Ranie Ribeiro, O.C & Elkan Remixes)

Available at bandcamp:
https://tracey.bandcamp.com/album/numbers-and-buildings

Numbers And Buildings

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FRIENDLY MIXTAPE - DJ YASSAS (HOUSE OF FRIENDS)

Shine Grooves - DPS v55

Live from Transforma festival 2020.
Deephouse selection. Inc. Joy Orbison, Roman Flugel, Interstate, Philip Budny, Jay Daniel etc.
Enjoy your listening.

@Transforma 2020

Super happy to welcome another good friend on to the series, with @ControlSheffield. co-boss Aaron Dynamic stepping up for number 11 in our series, and we've even given him a techno colourway for his artwork to suit. (we're not sure he knows what colours are).
We've been mixing with Aaron at house parties/after parties for 5 or so years, and he's by far and away one of the tightest DJs we've ever met, rarely dropping a mix. He can usually be found slamming out electro warpers at the Control. party (easily one of the best parties in the city), this one's a little fruitier than his standard fare, weaving its way magnificently through italo/HI-NRG flavours. Very us.
He's sent through a diggers tracklist for us to post, so if you want the tracks you need to do a little searching ;)
Enjoy!! x

Diggers tracklist:
A track by Cristal White
A track by Raf
A Lime dub
A track on Rams Horn Records
An instrumental of Nico White
A track on record shack records
A track by The Runners
A remix by Legowelt
An edit of by Denise Motto by Donald Dust
A track by remote
An track produced by Giorgiio Morodor for Berlin
An edit of Stephanie Wells,
A track by Motion
A track on Passion

Transmissions From Space No.11 | Aaron Dynamic

Following on from their contribution to the Butter Sessions Come Together compilation released in March this year, Melbourne’s Polito deliver their debut EP Ultraparallel. Polito is the collaboration between musicians Robert Downie and Finnian Langham and dancers Arabella Frahn-Starkie and Hillary Goldsmith. The ensemble integrates improvised techno and contemporary dance to form well-considered and captivating performances. The spirit of these performances are masterfully captured on the 12” record. On the transition between mediums, the group states; “we always aim to capture the unpredictability and liveliness of our improvised performances when we record, and try to sculpt the feeling of continuous movement which is so intrinsically tied to Polito’s identity.”

Ultraparallel consists of four tracks that were extracted from studio sessions, emerging organically whilst jamming. The EP’s introduction Hornet’s Web wields mutilated samples of vocals and spoken word, paired with abrupt rhythms to forge anomalous techno. The eponymous track Ultraparallel, recorded in 2018, is a dark and brooding arrangement with a murmuring melody and an infectious recurring bassline. Polito reflects; “this track is from the first batch of studio sessions we had as Polito where our intention was to create more discrete ‘tracks’ which could be played by DJs, rather than the longform compositions more similar to the live performances which we had recorded up to that point.”

Turning the record over, Seventh Limb embodies the music for dance nuance by infusing dub with sounds from outer-space. Polito reveals; “we wanted to explore creating something more in line with the mood of our live performances, which are typically slower and have a rather meditative atmosphere. The more relaxed tempo allows the dancers to move at a sustainable pace and gives the musicians more space to prepare and manipulate the various musical elements in real-time. The result is our first formal exploration of ‘the chugger.’” Ultraparallel’s finale Sublunary is a playful sequence mingling electronics with an airy clarinet and saxophone.

Attuned to their audience, Polito imagines how their music will be consumed throughout the creative process. They comment “while making music in the studio, we try to transport ourselves mentally to hypothetical dancefloors the music we’re making could be played on, adding moments and sounds which would excite, energise, disorient, or have some other desired somatic effect. We’re also considering not just how the music sounds, but how it would ‘feel’ when played on large sound systems.” Ultraparallel ultimately presents a refreshing visual take on literal dance music; a considered and holistic approach to enhancing the experience of listening and moving.

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Tracey