TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " Nextus 3vr3  "
credit : digitakt 1

date : 17-10-2025
video :
https://www.youtube.com/watch?v=0DzmCY2WI40


PLEASE VISIT OUR MAIN PAGE :

trampelfad.bandcamp.com
and
maxelzholz.bandcamp.com
Live 10/2025
https://www.youtube.com/watch?v=w3_yn4gVTek

Live 2024 :
https://www.youtube.com/watch?v=Y52VDBHP-cc
Robots 2015 :
https://www.youtube.com/watch?v=8DKtzLNZfvo

How to Make a Real Diamond

Music and things that might sound like music by Mat Ward. Noise Art/A  Piano and Bass Duet with Dani Kirby/A 50 plus member Art Ensemble called Then She Reaches The Gun/Deep Research Into Luigi Russolo and his Intonarumori .. thats just the stuff I post regularly : ) Thanks to everyone thats ever stopped by. Music is The Best!

experimental musician/soundmaker from Apuliae
Born in 1978

Welcome here to everyone.

I hope what you'll hear inspires you.

For your growth or fall
Through the cathartic world of sounds 
that I try to propose. 

A test area 

A search for meaning 
Of this passage for ours.

Sound as a primordial frequency
Before any acquired significance

If what you hear resonates with your tuning fork
A like and a repost would be of great support.

May your journey be pleasant and constructive
in this sea of instants called life

The eternity of our days.



Qarenthe.

Live Improvised Abstract Electronic Sandbox Audio / Falmouth Cornwall

Thomas Soulez (composition & mix) : alto & baritone saxophones, laptop, keyboards, guitar & other stuff.
Listen to my radios : http://soulthom.com/radio

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music
 ( LCEEM ® )  founded    by Max Elzholz

Experimental-Improvisation-Sonification-Data Bending-Probability-Computer-Science-Neuroplastic Aleatoric-Music

*Thank you all for your kind support*

Happy 2025

Caveat: I explicitly prohibit the use of any material I post for purposes of torture, brainwashing, hypnosis, bedazzlement or any other nefarious activity. This prohibition applies to all governments, corporations, institutions, agencies and individuals. 

“The avant garde is dead. That is its triumph. Let it lie.” - Chris Cutler in “Not As We Choose: Music, Memory and Technology”. (Highly recommended!)

“… there is increasingly less call to exercise an already too rare generosity of aesthetic hospitality.” - Chris Cutler

" Music is one of the great Mysteries. It gives life. It is not a career, nor a business, nor a craft. It is a gift... and a great responsibility. Because one can never know where the creative spark comes from or why it exists, it must be treasured as a Mystery. For the most part I believe creativity chooses you, not the other way around." - John Zorn (excerpt from the liner notes to 'Magick')

“Listen as if you were being told a secret” - Federico Fellini

“Experimental and electronic music was once not-so-benignly tolerated at the margins of western art music, but it has over the last decade or so moved toward a central position as something of the soundtrack of our digital culture. Where it once was merely tolerated it is now more engaged and doesn’t have to apologize to anyone”.  - Douglas Kahn 

"Through technology, voices are amplified and silence is broken. Spaces are shared." – Laurie Anderson

"I frequently hear music in the heart of noise." - George Gershwin

"'Tis an ill wind that blows no minds." - 
Malaclypse the Younger in 'Principia Discordia'

“Let us cross a great modern capital with our ears more alert than our eyes and we will get enjoyment from distinguishing the eddying of water, air and gas in metal pipes, the grumbling noises that breathe and pulse with indisputable animility, the palpitation of waves, the coming and going of pistons, the howl of mechanical saws, the jolting of the tram on its rails, the cracking of whips, the flapping of curtains and flags. We enjoy creating mental orchestrations of crashing down of metal shop blinds, slamming doors, the hubbub and shuffle of crowds, the variety of din from the stations, railways, iron foundries, spinning mills, printing works, electric power stations and underground railways.” — Luigi Russolo in 'The Art of Noises' (L'arte dei Rumori)

Urban Dictionary (https://www.urbandictionary.com/define.php?term=Mesmo)
(New Norberian English)

1. lit. in a state of mesmerism, hypnotism; in a trance
2. in a state of bewilderment or confusion, daydreaming; 'out of it'
3. mind bogglingly awesome, spellbinding, captivating

(1) "He swung that watch in front of her face and she got all mesmo"
(2) "When the teacher called me to the board I had just woken up and was still pretty mesmo"
(3) "The new N64 cartridge is totally mesmo, bro”

Banner: The Hearing Trumpet_Leonora Carrington (detail)

Kvalia (cyr. Квалиа) is an noisy experimental musical project originally from Siberia

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

How to Make a Real Diamond

T R A M P E L F Â D