𐕣 INFERNO 𐕣 ASTAROTH ENN CHANT 𐕣

I don't make ambient and I haven't seen the film and you still love me

Ritual of Release-396Hz-[Dark Nature Concept]

It is undeniable that we are living in uncertain times. For those of us failing to fit the patriarchal, neoliberalist mould we have lost hope in the future. We can see capitalism is not working but we cannot yet envisage an alternative. We discover that the stability we were instructed to obtain whether it be financial, political or ecological, is fleeting, if at all. The resulting anxiety is an instrument of neoliberalism that prevents many of us from being able to raise consciousness of the structural injustices that alienate us.

In a world where security is no longer feasible, the only constant we can rely on is change. Barad teaches us that the world is a dynamic process of intra-activity and materialisation, an ongoing ebb and flow of agency. The Buddhist Law of Impermanence proves that nothing in this world is eternal.

Regardless of ones point of reference we can understand that every aspect of life, physical and mental is in flux and perhaps this transience is the only thing we can depend on.

Each month we invite an artist to ruminate on these ideas and create an hour of relief from these anxieties. A temporary suspension of reality, where the listener can speculate on alternate modes of existence that reject hetero- patriarchal systems of oppression.

This month we have invited @oloruna to respond to this concept.

Photography courtesy Ángela de la Serna

For the tracklist and original radio show - with talking - visit: https://cashmereradio.com/episode/transience-24-with-lou-drago-and-olorun/

transience #24 with Olorun

Eafhm (México City, México) | ‘Tribute to 横 田 進’ Sakura

This piece is a part of 4 Audiovisual presentations prepared by the artist Eafhm as a tribute and commemoration of the life of the late artist 横 田 進

“Yokota’s music was always completely individual, always esoteric yet never willfully indulgent. His touch was that of a master craftsman, creating intricate musical jewels that sparkled like no others. There’s no doubt that if he had been in a position to play live concerts his reputation would far exceed many of his contemporaries. He will be sorely missed by those who value quality and originality in music”.

A clear tribute Eafhm make to him consisting of several sessions and live performances with a special dedication, full of love and a lot of hard work on. Fun, demented, freewheeling, colourful, narcotic and oddly human. A fully acknowledgment of gratitude, respect and admiration. Timeless. Thanks.

Original Artwork from the album 'Sakura' by Susumu Yokota

⎇ Welcome @eafhmlive

Follow us: 
www.instagram.com/apartmusic_
www.facebook.com/puntapartmusic
https://formaviva.com/apart/mixes

Support his music

.CHPTR014 'Tribute to 横 田 進' Sakura | Eafhm

Echo of Species 15 - Ariel Kalma

@ariel-kalma
_ _ _

This episode features the below tracks by Ariel Kalma:

1. Mystery Om  from ‘Birds Dreaming’ 
https://ariel-kalma.bandcamp.com/album/birds-dreaming
2. Birds Alap  from ‘Birds Dreaming’
https://ariel-kalma.bandcamp.com/album/birds-dreaming
3. Ditty Forest  from ‘Osmose III’
https://ariel-kalma.bandcamp.com/album/osmose-iii-2
4. Les Voix de la Foret  from ‘Osmose III’
https://ariel-kalma.bandcamp.com/album/osmose-iii-2
5. Forest Mystics  from ‘Live In Concert Europe 2018’
https://ariel-kalma.bandcamp.com/album/live-in-concert-europe-2018 
6. Helios Dream  from ‘In My Dreams’
https://ariel-kalma.bandcamp.com/album/in-my-dreams 
7. Sonhos Passaros   from ‘Birds Dreaming’
https://ariel-kalma.bandcamp.com/album/birds-dreaming
8. Canada Dream Forest  from ‘Birds Dreaming’
https://ariel-kalma.bandcamp.com/album/birds-dreaming
9. Saxo Planetariel from ‘Osmose’

_ _ _

Ariel Kalma's words:
"I live near a forest in Australia. Birds are important to me and I tune my music to compose some of my pieces. It is vital to preserve nature! Here is my contribution to Echo of Species".
_ _ _

To know more about Ariel Kalma:
Ariel Kalma is inspired by rhythms, melodies and grooves from various cultures, ambient atmospheres, modal music, native instruments and nature. Ariel likes to experiment with music: mix traditional sounds with modern arrangements, use electronica and special effects, play circular breathing on winds and didgeridoo, create original sounds from synthesizers. Ariel blends styles of music to produce original compositions with flavours of his own. His songs touch deep feelings of the search for simple truth in a metaphorical poetry.

During his study of Electronics, Computer Science, Music and Art at Paris University, Ariel Kalma was also performing with several bands and touring the world, visiting Asia, Africa, Japan, Canada and Europe, always listening to, sometimes playing with, the music and the people: different scales, colours of sound, timing and rhythms.

https://ariel-kalma.com  

You can support the artist here: 
https://ariel-kalma.bandcamp.com/ + https://www.youtube.com/user/ArielKalmaVids 

🌳1x tree has been planted to balance the carbon footprint of this upload (Project Povo da Floresta).

Echo of Species 15 - Ariel Kalma

TACTIL_1-4 (Antimatter 04)

2020 has been a terrible year for everyone. However, it has also been the year in which some projects have had time to develop.  This is the case of Tactil, responsible for the fourth Antimatter refelease. This new tandem is born from the collaboration between the artists from Madrid, Kawn and F-on. Deeply influenced by projects from 90´s like Porter Ricks, Jetone, Gas or Thomas Köner, "1-4" means the first ep from this duo. Drones, wrinkled textures and field recording meet long and progressive rhythmical sequences, complex delays, long reverbs and LFO modulations to shape their distinctive sound.

Only 150 copies pressed.

Distributed by Kompakt.

Tactil_ 1 - 4

Oslated Selection 319

Javier Marimon - 202012 ( I See A Banner Dub) 
202012 ( I See a Banner Dub) [Off T]

Produced by Javier Marimon
Artwork by Off T
Released by Off T from Vilaboa, Spain
Release Date : December 03rd, 2020

Name Your Price download with merchandise available.

"Over the pretty hill I see a banner,
And over the pretty hills I see an army coming carrying banners of… "

Javier Marimon (Vilaboa, Spain)
https://soundcloud.com/javiermarimon
https://www.facebook.com/javiermrmn
https://www.instagram.com/javiermrmn
https://www.residentadvisor.net/dj/javiermarimon

Off T
https://soundcloud.com/offtvisuals
https://www.facebook.com/offtvisuals
https://www.instagram.com/offtvisuals
https://offt.bandcamp.com

Oslated Seoul.
http://www.oslatedseoul.com
https://soundcloud.com/oslated
https://www.facebook.com/oslated
https://www.instagram.com/oslated
https://oslated.bandcamp.com

202012 ( I See A Banner Dub)

Support & Buy

SELECTION : Javier Marimon - 202012 ( I See A Banner Dub) [Off T]

Melantónia Show x Fango Radio (18.02.2020) curated by @Hanna_Maria_Melantonia.

Our mix series for Fango Radio is back too in this new year.
Hogeko started her career in 2017 as a DJ in Osaka, Japan. She brings a fresh, new way of delivering techno music that is innovative and mesmerizing, that will surely give any techno enthusiast an experience they will never forget.
She started producing in 2018 and published her own ʼʼKAKUSE EPʼʼ at Betrieb Records. In the next breath, she published ʻʼKAMIHITOE EPʼʼ at DREIZEHIN SCHALLPLATTEN.

SC: @hogeko
FB: www.facebook.com/hogeko.dj/
RA www.residentadvisor.net/dj/hogeko
IG: www.instagram.com/h.o.g.e.k.o/

Artwork by WUTU.

https://www.fangoradio.com/shows/21

Melantónia x Fango Radio - Hogeko

00h00-01h00 - Enkō
01h00-02h00 - Tuomo Väänänen

Omtanke | 2021.01.18 | Enkō + Tuomo Väänänen

Oslated Premiere 372

O-Ma & Pierre Montagnon - Vagues 423
Kōgen [ŌTM7 / Ōtium]

Produced by Tak Ohta  aka O-Ma & Pierre Montagnon
Mastered by Joseph Dubrule
Artwork by Benoît Lefeuvre
Released by Ōtium from Paris, France
Release Date : March 08th. 2021
Format - Tape and Digital

Following his contributions to some of our very first releases, O-Ma returns on Ōtium and joins forces with Pierre Montagnon for Kōgen, a tape & digital duo album.

Recorded in Tokyo during 2020 confinement, Kōgen embraces current post- apocalyptic world-setting. Across the 8 tracks and an additional 20 mn live recording, the few broken club influences and hopeful ethereal pads get occluded by industrial field-recordings elements, eerie drones and noise textures.

Slowly crafted in an analog & modular synthesis environment, the album tracks all comes from re-arranged improvised live session. The 20mn recording that ends the release gives the opportunity to dive in the original composition setting of the album.

Kōgen comes in a limited press of 25 tapes.

O-Ma (Tokyo, Japan)
https://tak145.wixsite.com/o-ma
https://soundcloud.com/omamodular
https://www.facebook.com/omamodular
https://www.instagram.com/omamodular

Ōtium
https://soundcloud.com/otiumrec
https://www.facebook.com/otiumrec
https://www.instagram.com/otiumrec
https://otiumrec.bandcamp.com

Oslated.
http://www.oslated.com
https://soundcloud.com/oslated
https://oslated.bandcamp.com
https://formaviva.com/oslated

Kōgen

Vagues 423

PREMIERE : O-Ma & Pierre Montagnon - Vagues 423 [Ōtium]

This is the archive of our regular show on Cashmere Radio, Berlin. 

It is undeniable that we are living in uncertain times. For those of us failing - or refusing - to fit the patriarchal, racist, neoliberal mould we have lost hope in the future. We can see capitalism is not working but we cannot yet envisage an alternative. We discover that the stability we were instructed to obtain whether it be financial, political or ecological, is fleeting, if at all. The resulting anxiety is an instrument of neoliberalism that prevents many of us from being able to raise consciousness of the structural injustices that alienate us.

In a world where security is no longer feasible, the only constant we can rely on is change. Barad teaches us that the world is a dynamic process of intra-activity and materialisation, an ongoing ebb and flow of agency. The Buddhist Law of Impermanence proves that nothing in this world is eternal. Regardless of ones point of reference we can understand that every aspect of life, physical and mental is in flux and perhaps this transience is the only thing we can depend on.

Each month host @lou_drago invites an artist to ruminate on these ideas and create an hour of relief from these anxieties. A temporary suspension of reality, where the listener can speculate on alternate futures free from all systems of oppression.

Photographs 1-30: courtesy Ángela de la Serna
(except 25: courtesy of Sybil @syberkid)
Photographs 31 onward: courtesy Janusz Lorent (except from 37 with is a digital colourfield work by @ligovskoi) 
42 until now’s photographs are from Micki Rosi Richter (except 43 which is another digital colourfield work by @Ligovskoi.)

Cover art by Micki Rosi Richter

Contact: lou.drago @ pm.me

past listening occasions: 

kwia, berlin ~ 19 january 2025
with :
olle holmberg
marum
yuri shimaoka 
lou drago

kwia, berlin ~ 9 may 2024
with: 
ligovskoï
dan nicholls
yuri shimaoka
lou drago

transience #24 with Olorun

t r a n s i e n c e