Name: Freda Laughton - The beanstalk of my argument by transitory
Duration: 1 min 24 s
Description: Qui il tempo gioca una parte fondamentale: oscilla come la musica su cui si appoggia (o gioca in contrasto) la voce. Le immagini naturali dei versi di Freda Laughton diventano un sistema fluttuante, verso una chiusura (im)perfetta e definitiva. Certamente c'è qualcosa di jazzistico dentro, e non solo.

This is an extract of ex_machina, a live session I played for Vaarian Records on june 2021

Ex_Machina_Asleep

Qui il tempo gioca una parte fondamentale: oscilla come la musica su cui si appoggia (o gioca in contrasto) la voce. Le immagini naturali dei versi di Freda Laughton diventano un sistema fluttuante, verso una chiusura (im)perfetta e definitiva. Certamente c'è qualcosa di jazzistico dentro, e non solo.

Freda Laughton - The beanstalk of my argument

GUSH

Everything Combining

Lead single from The Oracle. Out October 17th, 2025
LP/CD/Digital formats. Order on https://leabertucci.bandcamp.com/album/the-oracle or distro from Boomkat and Revolver

The Oracle

Sister of Sleep

Planeaciones

From 'B side', out on mappa.
YOU BUY: https://mappa.bandcamp.com/album/b-side

@arelizramos
@af85
@mappaeditions

When did it last feel good? When did it last feel like something other than the lack of feeling itself? Something whole and not a palpable absence? Probably never, knowing the crumbling mud hut that is the life you've made a home within. Here: the keys to palatial estate to call your own: Areliz Ramos' 'Recuerda!', with af85, out on mappa, premiered by Madjestic Kasual. Fit for royalty, more than fit for peasantry. Welcome.

you buy

Areliz Ramos - Recuerda! ( w/AF85 ) [MK PREMIERE]

Written for Norbert Rodenkirchen. Early flutes, electronics. To be presented in 8-channel sound at the ZKM Karlsruhe on November 20th, 2025

The Days Pass Quickly Immersed in the Shadow of Eternity (Excerpt)

A brief excerpt of my sound installation Recurrences, which was created for the 2023 premiere edition of the Biennale Son in Sion Switzerland. The audio was recorded in and around the Grande Dixence dam in the mountains surrounding the Valais region. The water sounds, which were captured by hydrophone in various locations in and around the dam were diffused through an underwater speaker inside the large circular black tub, which filtering the audio creating a more intimate and distant effect.  

Recurrences returns the original source of energy from the Grande Dixence dam to La Centrale via intimate recordings made around and within the dam itself. This energetic material is relocated back into the dormant hydro plant as a memory or ghost, emerging from a still vessel of water surrounded by the distant sounds of its now empty house.

Recurrences excerpt

Soundscape Maa was released by the Istitute For Alien Research (ifarlabel) in a compilation entitled Concrète Poetry Four on Bandcamp.
https://ifarmusiqueconcretecompilation.bandcamp.com/album/concr-te-poetry-four

The composition combines everyday sounds such as footsteps on different surfaces, the tearing of paper, lighting a match, playing tennis, clapping hands, horses clattering, machine noises and the like with voice samples from my archive, which the Dutch mezzo-soprano singer Jannie Pranger made available to me some time ago and of which a few have been electroni- cally manipulated. These two components are tightly interwoven and form an exciting, multi-layered and multi-faceted musique concrète.
The everyday sounds are treated in the same way as the vocal sounds; for example, in the way one deals with the sounds of percussion instruments, which are also largely noisy. A drum roll, a cymbal crash, a rattle ... or an electric saw, a creaking door, shattering glass, the impact of a golf ball, a swarm of bees, etc. The mezzo-soprano voice involved is extremely varied. Snapping or hissing sounds, whispering, speaking, singing, whistling, blowing and every conceivable sound that can be produced with the voice are included. Earth is the only planet known to date that sounds; where we are constantly surrounded by sounds and noises produced by humans and animals, wind, water, etc. I wanted to represent and celebrate a tiny section of this unique sonic diversity of planet Earth in my composition. The word “maa” in the title is the Finnish word for earth/land.

https://ifarmusiqueconcretecompilation.bandcamp.com/album/sonder

Sonder

Soundscape Maa

entremets

dish of orcas

change

𝗧𝗿𝗮𝗻𝘀𝗶𝘁𝗼𝗿𝘆 was born from the breathing of free spirits and the words of Irish forgotten poet 𝗙𝗿𝗲𝗱𝗮 𝗟𝗮𝘂𝗴𝗵𝘁𝗼𝗻.
Alessandra Trevisan and Viviana Fiorentino explore words and poetry, written and spoken. They found, translate and give voice to "𝗔 𝗧𝗿𝗮𝗻𝘀𝗶𝘁𝗼𝗿𝘆 𝗛𝗼𝘂𝘀𝗲/𝗨𝗻𝗮 𝗖𝗮𝘀𝗮 𝗧𝗿𝗮𝗻𝘀𝗶𝘁𝗼𝗿𝗶𝗮", a collection of Freda Laughton's poems.
solar plex moves sounds around the words.
"𝙖 𝙩𝙧𝙖𝙣𝙨𝙞𝙩𝙤𝙧𝙮 𝙝𝙤𝙪𝙨𝙚 - 𝙛𝙤𝙧 𝙁𝙧𝙚𝙙𝙖 𝙇𝙖𝙪𝙜𝙝𝙩𝙤𝙣" comes from this encounter.

"A Transitory House" by F. Laughton, published by Jonathan Cape, 1945. "A Transitory House/Una Casa Transitoria" translated by V. Fiorentino and published by Arcipelago Itaca (Osimo, Italy, 2022), introduction by Lucy Collins and Renata Morresi, afterword by Emma Penney.
https://arcipelagoitaca.it/products/a-transitory-house-una-casa-transitoria-di-freda-laughton-traduzione-di-viviana-fiorentino
 
Transitory want to thanks Freda Laughton's heirs for their support and kindness.

Mix by solar plex.
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pic by solar plex.

Freda Laughton - The beanstalk of my argument

transitory

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