Brings back memories of a band like The Shirts, which you may take as a compliment.

Nice voice, the song flows right along too, quick tempo, upbeat.  I like it.

Nice. Can feel some 80 vibes. Great, really ...Love it. Keep up the great work.

I really like the upbeat pacing and the lively chords that have been used in the track :)

this is a pretty cool pop beat. i like it.

Keytar (I was busy) is a super cool and awesome song

the vibe is funky, makes me wanna dance lol

Roots Asylum

I don’t know if I’ve actually heard electrofunk before. I thought it was funk with electronic characteristics but it’s actually electronic music with funk characteristics. This uses my city pop beat that I studied online (down to what color were the accents). So I guess it could be electro disco.
I think it’s minor bebop on the lead for the intro. Standard chord progression with superimposition with the effects. Half of them from Logic worked. We have the 1st instance of ‘cowbell’ in a song of mine.  The reappearance of pair triads for synth in chorus as well as slap bass. Then, in a blink and you’ll miss moment my signature sound! Hendrix has the E7#9 and some producers shout their name at the beginning of songs. So I could technically play a E7#9 and shout my name. Double the signature sound. No, what I did was 3 scratches-note-2 scratches-note -1 scratch-note. Tada. I call it the ‘countdown’. It’s probably been done before but I wanna make it my own thing (by repeating it more times in other songs). Then, a horn section  just superimposes itself over the same chord progression. It’s the first time I’ve successfully made a legato run on a horn section sound good. In time for the upcoming Bond theme.  I came up with it the same way as the string section for Cold Cold Storm. It appeared in my head and I took out my phone and went ‘and the strings shall go like dum dum dum’. So typical part came when I was sitting at Annies and they were playing some lounge. It reminded me a bit of ‘So Beautiful’ by Pete Murray. So I wrote the rest of it in a singer-songwriter style on my guitar and changed the vocal phrasing to make it less Pete Murray. Then, I came up with the rest of the chorus and asked myself what did it sound like later. 'well it’s only natural' is very similar to ‘will you still love me when’. Lana Del Rey is one of my sisters’ fave artists (or was). The last chorus is def danceable. Last revision I would ask the mixer to do is to increase the volume for backing parts for ‘in human form.’ 

I do remember singing it to someone and changing the lyrics to ‘I Will still love you when’.  It is both too easy and too hard. Too easy cos’ “I got a good (heart) memory remember?” “Threats heard Jer but not nearly as bad as semen in your wanton soup.” True story.  The last page of Fight Club it’s real waiters saying, “Margaret Thatcher has eaten my cum twice.”
Please tell everyone what you really think of waiters and black people. Btw, since you’re so righteous I’m gonna help you out here. At which point you might doubt why I would want to help you but believe me. Keep your mouth shut and don’t answer the question. No really, I’m trying to help you. I know how much you care about your hygiene. In fact it might be the only thing you care about. And, you were just born like this. So getting screwed over when you go eat take out and you do eat take out a lot wouldn’t change your opinion on waiters. 
Waiters all over the world: what was it?
Not telling you. You wouldn’t be offended if a person with below average IQ walked in and said, “waiters sucked” so just treat her like the village idiot she is. 
Also too easy in that I could just conjure up all of your childhood trauma that was done by daddy. 
Too hard in the sense that she’s already dead inside. That is a direct quote. 
*begins standup*
Now  if we were the last 2 human beings on earth I wouldn’t do it with you. Why? Just imagine those aliens in their spaceships laughing their asses off at me going, “and that is the moment that idiot stuck his dick back in and doomed the human race to extinction. Note the look of sheer self disgust on his face. Thus, beginning a new species known as homo narcissus.” I am a man of my word but ‘friends’ take the piss out of each other all the time!




So Typical

Liquid Eyes is no ballad.
It drips — not with melody, but with pressure. With a tension that creeps just beneath the surface, too viscous to cry, too volatile to hold.

This track isn’t tender. It pulses. It seethes.
Somewhere between body music and psychological glitch, it captures the moment where a system overheats — and you can’t tell if the burn is inside or out.

This isn’t emotion. It’s exposure.
Not a breakdown. A transmission.
From a place that doesn’t care if you feel — only that you listen.

Liquid Eyes

Remix de la version originale de Gala .

Original Version By @gala-music 1996.

Gala - Freed From Desire (Jahgansounds Mix - 2025)

Cats From Lyra

A slow unraveling before the break. How curious.

"Really" is a leftfield electronic instrumental I made in the final days before a domestic violence incident that changed everything. It is the last song of the album and the relationship of seven adaptive years.

There are no lyrics here. Just ambient textures, downtempo pacing, and leftfield electronica tension. It doesn’t process pain. It precedes it, almost anticipating what’s to come.

Built on a foundation of lo-fi loops and intuitive mobile production, the track captures a moment of eerie calm. Created without conscious knowledge of the trauma ahead, it is still steeped in emotional weight.

It explores space, restraint, and discomfort using sound design to build a psychological atmosphere.

This is the sound of unspoken recognition. A shift. Once a symbol of safety, your buoy becomes the very weapon of your destruction. It evokes the sensation of holding your breath just a little too long.

"Really" opens the final chapter in the PXL arc, marking a pivotal turning point. It is not healing. It is the moment just before rupture.

"Really"

Really

This song was inspired by a wonderful beach day. I hope it captures summer energy. Have a wonderful rest of your day. thank you so much for listening (:

Sway with me

'Lenses of The Soul' is a raw, progressive, psychedelic, synth laden track… driven by acoustic, rock-style, percussion, and pitch-gliding, low-end synth bass. 

Featuring the profound, lyrical, and philosophical sounds of IAMDevante’, with a rousing, yet soulful, spoken-word rap, tempting you into a trip… through the Lenses of The Soul…

Check out IAMDevante' on instagram :

https://www.instagram.com/iam.devante_?igsh=MThycTYwb3p2dDY4dg==

@iam.devante_

Lenses of The Soul (ft. IAMDevante’)

suninyoureyes

"Peace of Mind" is a melodic EDM song filled with emotion and depth. With a haunting vocal and a powerful drop, it captures the feeling of searching for closure and finding peace within.
GMinor 128 BPM

Peace of Mind

Can't Stay Away

NISULA - LOG

“The last love is the most lasting of loves” 
― Amit Abraham

I hope you enjoy this one too guys! :) Please support me with your feedback and stay tuned for the next month track!

Dance with You

Last Chance to Love

Last Chance To Love

https://www.youtube.com/watch?v=A2GN93dvyV0

Keytar (I Was Busy) is out on 20 September via Trapped Animal Records and Cargo Records. Taken from album 'Oh Really, What's That Then?' out 18 October on limited edition orange vinyl, pre-order at www.trappedanimal.com.

‘Keytar (I Was Busy)’ is refreshingly perky, yet still grounded in a gritty synth-pop sound. The track is a moment of pure exhilarating pop joy hiding the darkest lyrical themes in the brightest of melodies (just like all the best pop music does). “I was busy trying to find myself, but there was no one else.” Like a slice of sunshine, the track wouldn’t be out of place on a The Pretenders album. Freeman’s voice has a magic quality. It’s incredibly toned, yet there are glimpses of fragility in there that makes the listening experience so unique.

The London-based band consists of front person Jemma Freeman, formerly of Bella Union’s Landshapes, plus bass player Mark Estall and drummer Hamilton Lee. After Freeman initially started the project solo, they found Mark and Hamilton and honed their psychedelic glam rock sound together. Hazy guitars and beguiling lyrics will guide your way through ‘Keytar (I Was Busy)’ by shining a light into a part of the psyche you may or may not know was there. Debut album ‘Oh Really, What’s That Then?’ is out on 18 October.

Press: jasmine@trappedanimal.com
everything else: joel@trappedanimal.com

Jemma Freeman and The Cosmic Something - Keytar (I Was Busy)

Souls Collided (Fate Is On Our Side)

Free Download

Souls Collided (Fate Is On Our Side)    SaM feat. Della

Far away

With this record, I wanted to try new things while still getting what I want to say across. See what’s up.

One Last Thing ( prod. JabariOnTheBeat x VITALS )

Releasing beautiful albums on colourful vinyl since 2019. An independent record label based in Cambridge, UK inspired by the underground punk and folk scenes.
 
Home of: 
@siv-disa
@gabigarbutt
@cormoranttree
@thecosmicsomething
@maija-sofia
@starsandrabbit
@neevdmusic
@emmahouton
@jeremytuplin
@sundaydriveruk
@thebabyseals
@kerrydevinemusic
@tape-runs-out
@fassinemusic

Jemma Freeman and The Cosmic Something - Keytar (I Was Busy)

Trapped Animal Records

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