Dekmantel Ten: A Decade of Dekmantel Festival

Cycling Bits

V/A - Dekmantel Ten: A Decade Of Dekmantel Festival - Radar

buy: https://ffm.to/dekmantel-ten

m1. Marcel Dettmann - Cycling Bits
m2. Wata Igarashi - Bad Engine
m3. Spekki Webu - Open Brainwave
n1. Aurora Halal & DJ G - Villafunk
n2. Polygonia - Signo
n3. DJ Python - Mare

DKMNTL100-7 // VA - Dekmantel Ten: Radar Disc

Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds. 

Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.” 

R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system. 

Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis. 

The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering. 

He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception. 

The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch… 

— The Rhythmanalyst aka DeForrest Brown, Jr.

BANDCAMP

Cybotron - Parallel Shift

Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds. 

Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of "the future". The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before "the overshoot and collapse." 

R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system. 

Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth's intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec's cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis. 

The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec's essence and audio engineering. 

He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining "Cyberspace"; a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet "Cyberspace" morphs into a chaotic truth reservoir, spilling over into deception. 

The Parallel Shift manifests in the perpetual "Now," a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch...

— The Rhythmanalyst aka DeForrest Brown, Jr.

Cybotron - Earth - Edit

clone.nl pre-order: https://clone.nl/item77332.html  

The Exaltics are back on Repetitive Rhythm Research and mean business! 3 tracks of intense, ravey, 90's Detroit inspired dark, driving techno.
Alden Tyrell & Serge add a razorsharp, expertly produced club friendly remix completing the 4 tracker.

The Rising Sun

The Exaltics - The Rising Sun (RRR010)

TL Premiere #1758 (2024.09.27) : UNWONTED - Frontier [Analog Concept]

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For this 288th Premiere of 2024, we have a track by the Swedish Electro Project "UNWONTED" titled ‘Frontier’ from the VA EP "ANCPT011 Various Artists - Vol. 3" on the Russian Record label runned by Strange FM : Analog Concept.

The EP is available from September 27, 2024 in vinyl only.

▶︎ Buy : https://www.deejay.de/Various_Vol_3_ANCPT011_Vinyl__1073027

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Release Info :

Various Artists - Vol. 3 [Analog Concept // ANCPT011]

Introducing entry number 3 in Analog Concept Records dynamic Various Artists Series. The fast track to long lasting electronic prowess begins with Fasme “Crying Robots” a fusion of atmosphere, permeating pad emotions, electro and even some breaks layers all serenaded by choice bits of dialogue and analogue phone dials and full of stimulating style. 

Navigation continues with CCO “Solar Sail” where ominous waves of percussion driven House prevail, beneath moody analogue acid basslines heavier than whales, while its chords leave the listener in a hypnotic groove spell.

We continue to fill your cup of tea on side B adding the nutritious ingredients from the mysterious duo UNWONTED with “Frontier”; it's an all out electrofunk affair, punchy and layered with sharp claps, dark dialogues, and an ice cold acid marinated bassline that will heat up the dance floors when it attacks.

The Ep concludes with Serge Geyzel “Flash” a photographic listening experience into relentless electrobass full of atmosphere, fine highs in sonic experimentation, and a doomsday bassline that bangs the speakers and your mind.

Curated carefully for plenty of encores, Analog Concept's Various Artists 3 is here to captivate the souls and floors.

Tracklist :
A1. Fasme - Crying Robot
A2. Cco - Solar Sail
B1. Unwonted - Frontier
B2. Serge Geyzel - Flash

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Follow UNWONTED :
Bandcamp : www.lomskrecords.bandcamp.com
Instagram : www.instagram.com/alejoh84 | www.instagram.com/mattiasfridell

Follow Analog Concept :
Bandcamp : www.analogconcept.bandcamp.com
Discogs : www.discogs.com/label/1498943-Analog-Concept
Facebook : www.facebook.com/analogconcept
Instagram : www.instagram.com/analogconcept
SoundCloud : www.soundcloud.com/ancpt

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▶︎ If you enjoy Tracklistings and feel comfortable donating to keep it going please donate via paypal.me/tracklistings

Frontier

TL PREMIERE : UNWONTED - Frontier [Analog Concept]

With Multiply Your Absurdities, Helena Hauff delivers her long-awaited 12-inch debut on Tresor: a multi-colored inauguration, masterfully crafted by the inimitable Hamburg producer and DJ.

The title track Multiplying My Absurdities opens the record, with a slow burn of magnetic synths and numbing acid drops. Through its simple yet thrilling dynamics, it occasionally falls into playful skepticism, creating something truly unique, uncompromised, and beautiful.

Punks in the Gym is named after an infamous climbing route in Australia. As its namesake, the track mercilessly rises to a techno summit.
It gets steeper and steeper with every bar, resembling a volcanic dance where 303 earthquakes shake the ground before eruptions. 
Once you're halfway in, there's no turning back; all you can do is keep moving forward. 

The closing track, Humanoid Fruit, transports to an even darker prehistoric landscape. Synths bursts remind of fossilized Pterodactyls revived—a challenging but rewarding trip through acidic rain and the alleys of your mind. 

Originally released as the soundtrack for Teslaism by artist and filmmaker Bahar Noorizadeh, a 3rd person musical racing game featuring Elon Musk and his self-driving car/lover and life coach, as they drive towards a shareholder meeting in a post-gamified Berlin landscape. It premiered at the "Tresor 31: Techno, Berlin und die große Freiheit" exhibition in 2022 and deals with stimulating skepticism about the emergence of a new era after Post-fordism that she calls Teslaism: "an upgrade to the system of production and consumption predicated on advanced storytelling, financial worldbuilding, and imagineering 'the look of the future.'" What has been once inspired by Helena Hauff's dystopian sound has now been made into an official music video for the track.

Much like the video, Multiply Your Absurdities represents a journey into futuristic uncertainty.

BANCDACMP

Helena Hauff - Multiplying My Absurdities

Norwell’s upcoming single on Dalmata Daniel’s DDE series, featuring two contrasting tracks.

'Greta', the A-side, is a bright and ethereal composition, reminiscent of his track Outer Delta Dynamics from the ODD EP, with uplifting synth melodies and a futuristic vibe. The B-side, 'Hope', takes a darker turn, offering a deeper, more melancholic tone, driven by bass-heavy synths that echo his previous electro oriented release that was meant for the dancefloors.

Both tracks were developed during the same period as his tracks were released on the collaboration split with Timothy J. Fairplay, continuing Norwell’s deep connection with the Dalmata Daniel label.

#electronicmusic #premiere #hypnoticgroove #newmusic #nowplaying #norwell #dalmatadaniel

Norwell
Soundcloud: https://soundcloud.com/norwell
Facebook: https://www.facebook.com/norwellmusic
Instagram: https://www.instagram.com/norwell__/

Dalmata Daniel
Soundcloud: https://soundcloud.com/dalmata-daniel
Facebook: https://www.facebook.com/DalmataDanielLabel
Instagram: https://www.instagram.com/dalmatadanielrecords/

PREMIERE: Norwell - Hope (Dalmata Daniel)

Jerome Hill returns to the long running Don't label (24 years strong) with a four tracker of big boned Techno/Booty music that swaggers along, at times with tongue in cheek and mainly giving no fucks.

On the A side, taking inspiration from Relief and Dance Mania records, 'All My Friends' meets the bombastic New-New-Beat rave stylings of 'The Ghost Of New Beat' while over on the flip, you're faced with 'Dog Booty', an obscenely filthy Ghetto Techno track that only your dog will understand, before finishing off with the Miami Bass apocalypse that is 'Blip Trick Track'.

https://dontrecordings.bandcamp.com/album/looming-large-ep


Jerome Hill
Soundcloud: https://soundcloud.com/jeromehill 
Instagram: https://www.instagram.com/djjeromehill/
Facebook: https://www.facebook.com/@jeromehilldj

Don't
Facebook: https://www.facebook.com/dontrecordings

Don't 045

PREMIERE: Jerome Hill - All My Friends (Don't)

focus

mirror

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Cybotron - Parallel Shift

Tresor Records

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