SCI FI ELECTRO - ELECTRO RECORDS

Electro Records have put together seven unique albums for their Sci-Fi Electro Series. Each release takes inspiration from a classic sci-fi film of the 20th century, 2001: A Space Odyssey, THX 1138, Blade Runner, The Thing, Akira, Terminator and Tron, produced by Scape One, Sound Synthesis, Kan3da, Nebenprodukt, N-Ter, Transpac and Alek Stark. You can order now each record here: 
https://www.electro-records.com/catalogo/tags/sci-fi-electro-project/

But Electro Records created also a very limited edition of only 99 boxes silkscreen printed and hand-numbered that includes some extras, an eight record produced by Mariska Neerman in tribute to Metropolis (!) and a high quality T-Shirt. But there is more, this limited box also includes a black poster printed in silver ink and also the Morpheus pills box for the first orders!, here is the direct link to this exclusive box:
https://www.electro-records.com/catalogo/sci-fi-electro/585/

Each artist created a 15 minutes full track for each side of each vinyl record, each side is divided in “movements”, a full side of about 15 minutes with no pauses, no silences between tracks… You will listen these movements in a continuous morphing process from pure electro to very experimental compositions, sounds and atmospheres.

Each record is manufactured in a different color and the cardboard used for the sleeves is a limited black cardboard embossed with lines that you can see in the pictures, each sleeve is also silkscreen printed one by one in our studios. No re-press!

The Future Is Here

ER016 - SCI FI ELECTRO - TRANSPAC - THE FUTURE IS HERE - In Tribute To THX 1138

Datashader emerges from the shadows with a striking breaks- and bass-heavy debut release that challenges the fabric of our digital existence. Replete with a Dopplereffekt remix, it nods to the legacy of revered anonymous acts such as Scopex, Drexciya and Underground Resistance, pushing the boundaries of both electronic music exploration and its conceptual underpinnings. As a critique of the erosion of genuine human connection in the digital age, Datashader delivers a barrage of billowing subs, infectious electro, recontextualized jungle, and techno, serving as a poignant counterbalance to current dance floor-centric norms. It's a contemporary anti-soundtrack that offers a haunting mirror to the societal costs of technological convenience. 

In a world engulfed by the digital realm, where social media platforms thrive and dominate every aspect of our lives, the enigmatic project known as Datashader was founded to reflect on the pervasive erosion of authentic human connection through various virtual realities.

Artistically, Datashader seeks to critique the impact of technology on human identity and relationships, breaking with an archetype of digital conformity and expressing a profound disillusionment with the superficiality of online interactions through music. Genuine human connection and art cannot be quantified by likes, comments, or followers but rather thrives in the visceral realm of shared sonic experience and human emotion. This idea is at the core idea of Datashader, whose artistic expression ranges from avant-garde composition and electronic experimentations to art, installation, film and more.

Expressed within the varied contexts of diverse artistic mediums, Datashader explores the concept of "technological gentrification", which describes the gradual displacement of human interaction by technology. Just as gentrification alters the urban landscape, driving out communities and cultures, digital gentrification transforms the social landscape, replacing genuine connection with curated online personas. 

Musically, Datashader's practice confronts this dystopian reality, highlighting the alarming consequence of people becoming mere nodes in a network, reduced to a collection of data points. This is manifested sonically by a blistering assault of breaks, recontextualized IDM, abstract electronics and otherworldly synthscapes, conceived as the aesthetic counterbalance to much of contemporary electronic music's dancefloor focus. 

Datashader dives deep into genres and influences which stand for a form of sonic resistance: A contemporary anti- soundtrack &ndash; a sonic mirror of the price we pay for convenience and instant gratification. A self-image in constant flux. No false technological idols.

BANDCAMP

Datashader - Tight Gate

Indefinite Pitch PREMIERES. Edition 696

Archypness - Relict

Upaya EP
[CS013 | CINUS]

Production | Archypness
Mastering | Anders Hellberg at Studio Hellberg
Artwork | Anders Hellberg

Released by CINUS from Ängelholm, Sweden
Release Date: July 15, 2024

Archypness

https://soundcloud.com/archypness
https://www.facebook.com/Archypness
https://www.instagram.com/archypness

CINUS

https://soundcloud.com/anders-hellberg
https://www.facebook.com/Cinusmusic

Indefinite Pitch. Yantai

https://www.indefinitepitch.com

Upaya EP

Relict

Buy & Support

Indefinite Pitch PREMIERES. Archypness - Relict [Cinus]

PREMIERE : Kletis - IPIP [SGH-XV]

Dj and producer coming from top northern borders of the Czech Republic. Living in the forest where it's always raining. Transforming his life melancholy into sound-focusing mostly on deep music. Crossing boundaries between genres of techno, ambient, bass and even halftime drum and bass.
Started with production in the early 2010s, highly influenced by the original sound of dubstep and uk garage. After a decade and a lot of singles and EP's released both digitally and physically across the platforms and labels worldwide. Comes the debut album Black Rainbow released on kletis's own imprint DOLEC. This album works as a compilation of various genres and different moods. Darkened half-tempos, steps, breakbeats, and even proper techno - packed with beautifully strange rhythmics and atmospheres.

Kletis is also a member of the Shotgun Festival crew, which organizes outdoor festival, warehouse and even club parties. As a Dj he focuses his selection on techno tools, melodic/hypno side of techno, industrial atmospheres and ambient tracks.

Written and Produced by Dovinik Knap
Mastering by @eafhmlive
Visual Design Smt
Release Day October 4th 2024
Syghn ℗ & © 2024 - All Rights Reserved

Kletis
@kletis
@dolec
kletis.bandcamp.com/releases
www.facebook.com/kletis36/
ra.co/dj/kletis

Syghn
https://soundcloud.com/syghn
https://syghn.bandcamp.com/
https://formaviva.com/syghn

PREMIERE : Kletis - IPIP [SGH-XV]

Beryl is the energetic and projected concept of the different rhythms through the music in which they take us to fascinating dimensions inside the digital and physical, in this occasion House Of Progon [Tirane, Albania] delivers us 3 exclusive pieces full of elegant rhythms and brilliant percussions very avant-garde for the Deep Techno.

Written by: @djacademy-albania
Mastered by: @octte Studio
Artwork by: 7 Times 7 Design

https://kvltorecords.bandcamp.com/album/beryl

https://soundcloud.com/djacademy-albania
https://soundcloud.com/kvlto-records

PREMIERE: House Of Progon - Garnet [KVLTÖ Records]

LLY - The Approach 
NFR041 [NFR041 / NFEREE]

Produced by LLY
Mastered by Motion Symmetry
Canvas Painting by Storm Bee
Released by NFEREE Records from Wales, UK
Released Date : November 22nd. 2024

41st chapter gets delivered by the talented trio, straight from the city of techno. New names to our label, but with great experience in the scene, that reflects in this strong, album-like release. 7 originals and two remixes, taking through the full range of musical palette, from emotional melodies, to heavy rhythms and grooves. We would like to warm welcome LLY, Gannein & Teik Arô.

LLY (Berlin)
https://soundcloud.com/lly-fr
https://www.facebook.com/LLYfr
https://www.instagram.com/llytechno

NFEREE
https://soundcloud.com/nferee
https://www.facebook.com/nferee
https://nferee.bandcamp.com

Oslated.
http://www.oslated.com

NFR041

The Approach

Support & Buy

LLY - The Approach [NFEREE]

The latest release on Madloch's 3rd Avenue welcomes back Nicolas Navarro from Bariloche, Argentina. A familiar name on the label since his debut on our first Moods Sampler in 2020, Nicolas has returned several times over the years with standout contributions. Now he's back with a new 4-track EP titled El Tiempo Que Compartimos, showcasing the range and depth of his production style. He has also released recently on labels such as Dialtone Records, Circle Of Life, and Superordinate Music.

Stream/download here: https://go.protonradio.com/r/rlJgCSNoPCUEQ

Follow 3rd Avenue on:
• Facebook: https://www.facebook.com/3rdavenuelabel
• Instagram: https://www.instagram.com/3rdavenuelabel
• YouTube: https://www.youtube.com/@3rdavenuelabel
• Spotify: https://spoti.fi/3nH1W2d
• Website: https://www.soundavenue.be
• Submithub: https://sbmt.to/sound-avenue
• Submithub Coupon: https://www.submithub.com/coupon/soundavenue
• Merchandise: https://bit.ly/3avtshirt

Follow our Spotify playlists:
• Back Catalog: https://spoti.fi/3nH1W2d
• Progressive House: https://bit.ly/progressivehouse_sa
• Organic House: https://bit.ly/organichouse_sa
• Deeper Underground: https://bit.ly/deeperunderground_sa
• Ambient: https://bit.ly/ambient_sa
• Lo-Fi Music: https://bit.ly/lofi_sa
• Mixes: https://bit.ly/mixes_sa      

Latest Free Downloads Compilations:
• https://3rdavenue.bandcamp.com/album/retrospective-004-free-download
• https://soundavenue.bandcamp.com/album/retrospective-007-free-download
• https://futureavenuelabel.bandcamp.com/album/atmospheric-progressive-009-free-download
___

To submit demos, send a private Soundcloud link to demo(at)soundavenue.be.

#progressivehouse #3rdavenue #3rdavenuelabel #soundavenuelabelgroup #deephouse

Nicolas Navarro - El Tiempo Que Compartimos [3rd Avenue]

Systeme Biotic-Neural [Dark Nature Concept]

‘Rise And Shine’, the first full Ostgut Ton solo release by Substance (aka @Peter-Kuschnereit), sees him fusing his deep, industrial aesthetic with the resonant bass-heavy leanings of his alter ego DJ Pete, as evidenced on the title track’s off-kilter metallic riddims and multiple, interlaced SH-101 and Prophet 5 melodies. From there, potential set-closer “Countdown” blasts off with relentlessly rattling, scraping breaks, hissing German vox and big chords. The compact explorations of “Bird Cave” and “Distance” offer a more atmospheric take on bass and rhythm, while EP closer “Cruising” re-explores the uncanny, Berlin deep techno cosmos Kuschnereit has helped define, this time in denser form.

Listen at
Apple Music: https://itunes.apple.com/album/countdown/1448472750?i=1448472760
Bandcamp: https://ostgut.bandcamp.com/track/countdown
Spotify: https://open.spotify.com/track/45YtSHiKmQDGt3OOHGH31r?si=KGK6vP0xROm0KamfgS2n9w

Taken from the forthcoming EP: Substance | Rise And Shine [O-TON 115], out January 25, 2019.
Buy ‘Rise And Shine’ as 12" vinyl or in digital formats: http://ostgut.de/shop/substance-rise-and-shine-oton115.html / https://ostgut.bandcamp.com/album/rise-and-shine

All info: http://ostgut.de/ton/record/233
Artwork: northor | Layout: Yusuf Etiman

Rise And Shine

Countdown

Buy 12"

Substance | Countdown

5 slices of pudding for your pet fowl.


Vinyl & Digi

Mastered by Helmut @ D&M
Design and layout by Sean Bell & Brian Fitzpatrick
Distributed by Rubadub

Digi Only - Milk

@EvigtMorker returns to @NorthernElectronics with his debut album "Krona". Monument premieres track "Fulländad värld" from the release that will be out on September 27th.

Krona

MNMT Premiere: Evigt Mörker – Fulländad värld

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.