Gelgit

Antippen

Konduku - Antippen - Nous'klaer K4

Taken from Hydrous' Infinite EP on Navigare Audio, out October 23.

Pre-order: https://navigareaudio.bandcamp.com/album/infinite
More: www.orbmag.com/music

@navigare-audio
@hydrous1
@forestonstasys

Infinite

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Premiere: Hydrous - Cascade (Forest On Stasys Remix)

Datashader emerges from the shadows with a striking breaks- and bass-heavy debut release that challenges the fabric of our digital existence. Replete with a Dopplereffekt remix, it nods to the legacy of revered anonymous acts such as Scopex, Drexciya and Underground Resistance, pushing the boundaries of both electronic music exploration and its conceptual underpinnings. As a critique of the erosion of genuine human connection in the digital age, Datashader delivers a barrage of billowing subs, infectious electro, recontextualized jungle, and techno, serving as a poignant counterbalance to current dance floor-centric norms. It's a contemporary anti-soundtrack that offers a haunting mirror to the societal costs of technological convenience. 

In a world engulfed by the digital realm, where social media platforms thrive and dominate every aspect of our lives, the enigmatic project known as Datashader was founded to reflect on the pervasive erosion of authentic human connection through various virtual realities.

Artistically, Datashader seeks to critique the impact of technology on human identity and relationships, breaking with an archetype of digital conformity and expressing a profound disillusionment with the superficiality of online interactions through music. Genuine human connection and art cannot be quantified by likes, comments, or followers but rather thrives in the visceral realm of shared sonic experience and human emotion. This idea is at the core idea of Datashader, whose artistic expression ranges from avant-garde composition and electronic experimentations to art, installation, film and more.

Expressed within the varied contexts of diverse artistic mediums, Datashader explores the concept of "technological gentrification", which describes the gradual displacement of human interaction by technology. Just as gentrification alters the urban landscape, driving out communities and cultures, digital gentrification transforms the social landscape, replacing genuine connection with curated online personas. 

Musically, Datashader's practice confronts this dystopian reality, highlighting the alarming consequence of people becoming mere nodes in a network, reduced to a collection of data points. This is manifested sonically by a blistering assault of breaks, recontextualized IDM, abstract electronics and otherworldly synthscapes, conceived as the aesthetic counterbalance to much of contemporary electronic music's dancefloor focus. 

Datashader dives deep into genres and influences which stand for a form of sonic resistance: A contemporary anti- soundtrack &ndash; a sonic mirror of the price we pay for convenience and instant gratification. A self-image in constant flux. No false technological idols.

BANDCAMP

Datashader - Tight Gate

FUR:THER SESSIONS : PREMIERE 169

Artist: Saša Delimar aka Infinity
Track: By And By 
Album: Various Artists - Trippy Memory Lapse
Label: Art Bei Ton
Cat. No.: ABT-VA002
Mastering: Artefacts Mastering
Artwork: Sig Valax
Format: Digital
Genre: Breakbeat
Release Date: 16/04/2024
Released by Art Bei Ton, Berlin

Buy it here:
https://artbeiton.bandcamp.com/album/va-trippy-memory-lapse-abt-va002

Tracklist:
01. Emika Elena - I Tried
02. Infinity aka Saša Delimar - By And By
03. Alexskyspirit – Transparents
04. Isabel Soto - Antares
05. Lucyd & Just Healer - Solar Eclipse
06. Elisa Batti - 1000 Steps
07. Clotur - Val Nek

Infinity:
https://soundcloud.com/inf001
https://instagram.com/sasa_delimar_infinity
https://facebook.com/infinitysasadelimar

Art Bei Ton:
https://soundcloud.com/art-bei-ton
https://instagram.com/art_bei_ton
https://facebook.com/artbeiton
https://artbeiton.bandcamp.com

Fur:ther Sessions:
https://soundcloud.com/furthersessions
https://furthersessions.bandcamp.com
https://instagram.com/further_sessions
https://formaviva.com/furthersessions
https://facebook.com/furthersessions
YouTube: https://bit.ly/3irNAR4

Contact and Premiere Requests:
furthersessions[at]gmail[dot]com

Buy it here

PREMIERE: Infinity - By And By [Art Bei Ton]

Indefinite Pitch PREMIERES. Edition 696

Archypness - Relict

Upaya EP
[CS013 | CINUS]

Production | Archypness
Mastering | Anders Hellberg at Studio Hellberg
Artwork | Anders Hellberg

Released by CINUS from Ängelholm, Sweden
Release Date: July 15, 2024

Archypness

https://soundcloud.com/archypness
https://www.facebook.com/Archypness
https://www.instagram.com/archypness

CINUS

https://soundcloud.com/anders-hellberg
https://www.facebook.com/Cinusmusic

Indefinite Pitch. Yantai

https://www.indefinitepitch.com

Upaya EP

Relict

Buy & Support

Indefinite Pitch PREMIERES. Archypness - Relict [Cinus]

PREMIERE : Kletis - IPIP [SGH-XV]

Dj and producer coming from top northern borders of the Czech Republic. Living in the forest where it's always raining. Transforming his life melancholy into sound-focusing mostly on deep music. Crossing boundaries between genres of techno, ambient, bass and even halftime drum and bass.
Started with production in the early 2010s, highly influenced by the original sound of dubstep and uk garage. After a decade and a lot of singles and EP's released both digitally and physically across the platforms and labels worldwide. Comes the debut album Black Rainbow released on kletis's own imprint DOLEC. This album works as a compilation of various genres and different moods. Darkened half-tempos, steps, breakbeats, and even proper techno - packed with beautifully strange rhythmics and atmospheres.

Kletis is also a member of the Shotgun Festival crew, which organizes outdoor festival, warehouse and even club parties. As a Dj he focuses his selection on techno tools, melodic/hypno side of techno, industrial atmospheres and ambient tracks.

Written and Produced by Dovinik Knap
Mastering by @eafhmlive
Visual Design Smt
Release Day October 4th 2024
Syghn ℗ & © 2024 - All Rights Reserved

Kletis
@kletis
@dolec
kletis.bandcamp.com/releases
www.facebook.com/kletis36/
ra.co/dj/kletis

Syghn
https://soundcloud.com/syghn
https://syghn.bandcamp.com/
https://formaviva.com/syghn

PREMIERE : Kletis - IPIP [SGH-XV]

Beryl is the energetic and projected concept of the different rhythms through the music in which they take us to fascinating dimensions inside the digital and physical, in this occasion House Of Progon [Tirane, Albania] delivers us 3 exclusive pieces full of elegant rhythms and brilliant percussions very avant-garde for the Deep Techno.

Written by: @djacademy-albania
Mastered by: @octte Studio
Artwork by: 7 Times 7 Design

https://kvltorecords.bandcamp.com/album/beryl

https://soundcloud.com/djacademy-albania
https://soundcloud.com/kvlto-records

PREMIERE: House Of Progon - Garnet [KVLTÖ Records]

Free Download: https://bit.ly/4e3MyEp

Mega-slow escargot groove, ambient atmos and Ultra-dub. Enjoy.

Follow me:
www.soundcloud.com/concrete-gold
www.instagram.com/concrete.gold/ 
www.facebook.com/concrete.gold.music

Autotelic Dub

Free Download

Concrete Gold - Autotelic Dub [CG4] (Free Download)

LLY - The Approach 
NFR041 [NFR041 / NFEREE]

Produced by LLY
Mastered by Motion Symmetry
Canvas Painting by Storm Bee
Released by NFEREE Records from Wales, UK
Released Date : November 22nd. 2024

41st chapter gets delivered by the talented trio, straight from the city of techno. New names to our label, but with great experience in the scene, that reflects in this strong, album-like release. 7 originals and two remixes, taking through the full range of musical palette, from emotional melodies, to heavy rhythms and grooves. We would like to warm welcome LLY, Gannein & Teik Arô.

LLY (Berlin)
https://soundcloud.com/lly-fr
https://www.facebook.com/LLYfr
https://www.instagram.com/llytechno

NFEREE
https://soundcloud.com/nferee
https://www.facebook.com/nferee
https://nferee.bandcamp.com

Oslated.
http://www.oslated.com

NFR041

The Approach

Support & Buy

LLY - The Approach [NFEREE]

Untitled 1

‘Rise And Shine’, the first full Ostgut Ton solo release by Substance (aka @Peter-Kuschnereit), sees him fusing his deep, industrial aesthetic with the resonant bass-heavy leanings of his alter ego DJ Pete, as evidenced on the title track’s off-kilter metallic riddims and multiple, interlaced SH-101 and Prophet 5 melodies. From there, potential set-closer “Countdown” blasts off with relentlessly rattling, scraping breaks, hissing German vox and big chords. The compact explorations of “Bird Cave” and “Distance” offer a more atmospheric take on bass and rhythm, while EP closer “Cruising” re-explores the uncanny, Berlin deep techno cosmos Kuschnereit has helped define, this time in denser form.

Listen at
Apple Music: https://itunes.apple.com/album/countdown/1448472750?i=1448472760
Bandcamp: https://ostgut.bandcamp.com/track/countdown
Spotify: https://open.spotify.com/track/45YtSHiKmQDGt3OOHGH31r?si=KGK6vP0xROm0KamfgS2n9w

Taken from the forthcoming EP: Substance | Rise And Shine [O-TON 115], out January 25, 2019.
Buy ‘Rise And Shine’ as 12" vinyl or in digital formats: http://ostgut.de/shop/substance-rise-and-shine-oton115.html / https://ostgut.bandcamp.com/album/rise-and-shine

All info: http://ostgut.de/ton/record/233
Artwork: northor | Layout: Yusuf Etiman

Rise And Shine

Countdown

Buy 12"

Substance | Countdown

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.