"All I want to do is express what I love." The beloved Berghain resident talks about learning from failure, putting in the time and how good sound systems have changed his life.

Born and bred in Minneapolis, Zak Khutoretsky, AKA DVS1, has been throwing and playing raves for decades. Now 47, he's at the top of his game. As one of Berghain's most popular residents and a producer known for his deep and versatile sound, he's amassed thousands of followers around the world, releasing on Klockworks, Transmat and Ostgut Ton, in addition to his own label, HUSH.

Not just an artist, Khutoretsky has garnered a reputation for speaking critically about the challenges facing the electronic music community, notably through his essay about the battle between art and entertainment, and more recently through the inauguration of his revenue sharing platform ASlice. The organisation was designed in 2020 as an antidote to the pay disparity between DJ earnings and producer earnings, and its basic conceit is that DJs submit playlists of their tracks and share small percentages of their gig fees to be redistributed among the artists whose tracks they've played.

In this RA Exchange live from ADE, Khutoretsky talks with journalist Christine Kakaire about the platform and the impetus behind it, as well as his underlying tendency to be a "fixer,"  from the problems in his house to the issues he sees plaguing his community. Listen to the episode in full.

EX.689 DVS1

Live recording of my first all night long at Open Ground , located in Wuppertal , Germany.

One of the most memorable night I had in recent years , in a club that have making me feel at home right from the first time I performed there.

Hope you enjoy the 8 hours ride.

Open Ground

Quelza @ Open Ground I All Night Long l 19.05.2024

The long running stirrings of Surgeon (Anthony Child) and Regis (Karl O’Connor) under the conjunct British Murder Boys are not for the faint of heart. Their alleged final act came before a Tokyo crowd in 2012, but the goodbye only lasted three years and with their Amsterdam return, a reformulation of their signature industrial sound. The duo, both at their acme with little signs of descent, have together found a hybrid techno that scales high and large, bringing together thumping bass and hissing feedback for a distinctly belligerent and primal club sound. It’s not all obvious, their 2020 cover of Lou Reed’s Real Good Time Together offered a machine-inflected spin on the original, and opened the door for their debut LP Active Agents And House Boys (2024). At the heart is a provocative, sexually-charged and punkish techno that offloads bristling rhythms and defiant energy, one that’s a little more controlled and mathematical in practice. Following on from their show at Bassiani back in November comes this next mix. Bassiani Podcast 250 is an hour-long and live recorded assault: thrashing beats, crazed and bleepy arps, EBM-style shouts, a decadent and rageful call to arms and one of the most important instalments in this long running series. Back-breaking industrial techno from these two heavyweights and originators of the Birmingham sound.

Bassiani invites British Murder Boys [live] / Podcast #250

I dont often share recordings from my longer club sets but Open Ground is somewhere i instantly felt comfortable and I enjoyed these 6 hours so much that I felt compelled to share them with you.

Hands down, one of the best, if not THE best soundsystem in the world right now! If you ever get the chance to experience it, don’t miss out.

Enjoy! 

Rene Wise @ Open Ground | Closing Set | 22/02/2025

US-born, Berlin-based producer and DJ, quest?onmarq, brings a set of peak time gems and classics from Tresor archives. Recorded live from Tresor 34 Anniversary event March 14, 2025.

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Follow quest?onmarq
Instagram: https://www.instagram.com/questionyourdj
Bandcamp: https://questionmarqdj.bandcamp.com
Resident Advisor: https://ra.co/dj/questonmarc
Soundcloud: https://soundcloud.com/iamquestionmarc

Photo credit: Marie Staggat: https://www.marie-staggat.com/

quest?onmarq | Live at Tresor - 14.03.25

Rising Spanish producer, JUDY, performs a live hardware set recorded on March 5 at Tresor New Faces hosted by Beatrice.

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Follow Judy
Instagram: https://www.instagram.com/judyisangry
Resident Advisor: https://ra.co/dj/judy-es
Soundcloud: https://soundcloud.com/judyisangry

Photo credit: Marie Staggat: https://www.marie-staggat.com/
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About Tresor Berlin
At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future.

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Judy (Live Hardware Set) | Live at Tresor - 05.03.25

Cassy is the 445th guest of our original Hate Podcast series.

Cassy steps away from her usual sonic territory and dives deep into a darker, more industrial and techno-driven landscape. A rare glimpse into a side of her artistry that surfaces only during extended sets, this mix captures the freedom and tension of a long-form journey — unfiltered and uncompromising.

Follow #Cassy here:
https://soundcloud.com/cassy-official
https://www.instagram.com/cassyofficial
https://www.facebook.com/cassyofficial

HATE Podcast

HATE Podcast 445

Follow Cassy

CASSY — HATE Podcast 445

Drawing from a place of emotion, APRS delves into the rugged and radiant ends of electronic music, culminating in a powerful signature dotted with elegant motifs. With over ten years of experience producing music, the Berlin-based artist has formed a versatile blueprint that sprawls across deep and driving techno, emotive breaks and ethereal ambiences.
 
In the spring of 2024, Spanish label Sungate released APRS' debut EP, followed by a second EP on ARTS in early 2025. APRS' sound blends rich techno rhythms with balmy ambient notes, deep and warm basslines, and airy dub-infused melodies and textures, creating a sense of depth and atmosphere.
 
As a vinyl enthusiast, APRS curates his sets with meticulous selection and graceful flow, blending energetic techno beats with atmospheric elements. His approach invites subtle exploration and experimentation, resulting in cohesive journeys that integrate intense, visceral expression. He has soundtracked renowned venues in Berlin including a recent appearance at Tresor, as well as clubs and festivals in Europe.
 
Collaboration is also integral to his creative process, fostering sound research and enabling the discovery of new areas in electronic music. Working closely with harpist Tancrède, the pair produce live sets in smooth tandem, where the latter weaves the enchanting strings of the electric harp with APRS' machinery.
 
In 2022, APRS co-founded with Serenus the event series Lowpass, centred on the essence of electronic music and committed to diversity, self-expression, and artistic innovation. Lowpass invites established and local artists to perform in various venues across Berlin. In addition to curating the line-ups, APRS often warms up or closes on the night, adapting to transient and packed dancefloors, respectively.
 
Led by an unrushed, explorative approach in the studio, APRS merges emotional vulnerability with maturely crafted sonics, tracing an arc between soothing and searing sounds all the way through.

Tracklist via
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Slam Radio is produced at www.glowcast.co.uk

#SlamRadio - 655 - APRS

New SPND20 Mixtape in: welcome Function!📼

One of techno’s true underground heroes, Function steps in with a mix that captures the essence of his club sound: deep, dark, hypnotic and intensely layered. Cerebral yet physical, this set distills over 30 years of experience into a rolling trip that’s as uncompromising as it is immersive.

Recorded in Berlin with a Xone 96, with Function’s signature sound design woven throughout, the mix bridges heavyweight classics and future-shaping material. Kicking off with Nastia Reigel’s massive new remix of his own Disaffected, it showcases three tracks from her upcoming debut album Identity (out September 26 on Infrastructure).

The selection runs wide: from Regis, Rødhâd, LSD, Nørbak, Nastia Reigel, Ignez, Rene Wise, Silent Servant, Alarico and UFO95 to unreleased gems by Filippo Scorcucchi - alongside Function’s own productions, edits and textures. The result is a hypnotic, high-pressure session built for the club’s inner core, designed for maximum immersion and intensity.

A rare insight into the craft of one of techno’s most enduring innovators. Expect a journey that tunnels deep, bends time, and refuses to let go. 🖤

SPND20 Mixtape by Function

Produced using the Boss RC-50 Loop Station and an RCA portable tape recorder with guitar, machines n things 
Recorded December 2016 - November 2018 

Formerly Loopy Pee II 
Fat-free n reimagined

All music written, performed and produced by Troll Foot Frass 
Album art by Troll Foot Frass

released November 27, 2018 

feed my cats

Big Toast

2025-11-01   poikli

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.