www.aquaregiarecords.com

www.instagram.com/emnicoll

www.facebook.com/aquaregiarec
www.instagram.com/aquaregiarec

--

Tracklist:
Spacetime Continuum - Transmitter [Reflective]
Foreign Material - Behind cyclopean trees [Lowless]
Svarog - Painted Sorrows [Derailed]
Claudio PRC - Eelume [Delsin]
Versalife - Nova Prospekt (Stenny Remix) [Trust]
Rasser - Add Sustain (Vril Remix) [aspect:ratio]
Carre - Air Sign [SPE:C]
TMSV - Ominous [Cosmic Bridge]
Kangding Ray - Helios Rave Draft [ara]
Vertical67 - Break the Chain [Mechatronica]
Silicon Scally - Digicell [Cultivated Electronics]
Sentient State - Fear is the Mind Killer [E-Missions]
Endrew - Blossom [Upfront Copy]
Stefan Vincent - Arpeggino [Musar]
nthng - 1 2 Butterfly [Delsin]
747 - Lost Lagoon [Aquaregia]

Aquaregia Studio Mix No. 26: Emily Nicoll

Deetron presents Soulmate - Code

A1. Code
A2. The Visitor
B1. Cloud Woman
B2. Worlds Combine

Original Dat Funk Spears on 180g heavyweight vinyl.

Written & produced by Deetron
Mastered by Tangible Air
Artwork by Bettina Zenker

p&c Ilian Tape 2025

IT073 DEETRON PRESENTS SOULMATE - CODE

Droneghost is the main project of Jaume Muntsant, also known as Nigul, DJ and Producer from Barcelona. He start making music as Droneghost in 2025, focusing his efforts to create a Dark and Hypnotic music, mixing Techno with ambient and drone elements. He has released his music in several labels such as Circular Limited or Systolic, as well as on his own on Bandcamp

Tracklist:

01. acaera - I
02. hypnotic black magic - ishigaki dragon flowers (solarhythm remix)
03. desh - seeping
04. naturalisten - against the tide
05: re:axis - ancient ways
06. big hands - bacchanalia II
07. alexskypirit - rainfalls
08. cauê - rubedo
09. fernie - invoke
10. ness - innterplanetary fugitives (hydrous remix)
11. Luigi tozzi - sentient
12. cauê - codex gigas
13. droneghost - magla
14. yukimasa - efforia (mod.1 remix)
15. CTAFAD - radundant
16. Claudio PRC - ebony feathers
17. Antonio ruscito & Luigi tozzi - closer
18. droneghost - anterior
19. acronym - getting closer
20. asllan - fate

Podcast Vision of the Future Episode 16 - Droneghost

vp82 - Aiken (Recorded at Lanna Club, 2025)

스페인을 넘어 영국, 독일, 네덜란드, 러시아, 이탈리아 등 전 유럽에 걸쳐 사랑받고 있는 디제이 Aiken은, 80년대 중반 스페인에서 태어나 디트로이트 테크노, 베를린 사운드, 그리고 UK 테크노 등의 다양한 영향을 받았으며, 가장 순수한 테크노부터 딥 테크노, 일렉트로, IDM까지 폭넓은 사운드를 아우르고 있다. Aiken은 여러 디지털 레이블에서 EP 앨범을 발표한 이후, 2011년 Semantica Records에서 EP "Mer"를 발매하며 피지컬 포맷으로 데뷔했다. 그 후 Non Series, KEY Vinyl, Chronicle 등 존경받는 레이블에서 발표한 작업들은 세계적인 테크노 아티스트들로부터 많은 지지를 받았고 여러 차트에 진입했다. 2015년에는 자신의 플랫폼인 Timeline을 설립하여 다양한 영향을 결합한 창의성을 표현하고 있다.

https://soundcloud.com/aikenmusic
https://www.instagram.com/_aiken____/

Aiken is a Spanish artist born in the mid-80s, influenced by diverse sources such as Detroit techno, the Berlin sound, and music produced in the UK, among others. As a DJ, his sets cover a wide spectrum of sounds ranging from the purest forms of techno to deeper variations, as well as electro and IDM. As a producer, after releasing on several digital labels, he made his physical debut in 2011 with the EP “Mer” on Semantica Records. Since then, his releases on Non Series, KEY Vinyl, and Chronicle have been charted and supported by leading figures in the global techno scene. In 2015, he launched his own platform, Timeline, with the aim of expressing his creativity by combining different influences. All of these projects have contributed to his DJ sets being enjoyed in top clubs across countries such as England, Germany, the Netherlands, Russia, and Italy.

vurt podcast 82 - Aiken

Vessel was summoned to the outer realms in these 3 hours delivered by Rachel Noon (@wasps-world). Effortlessly playful techno both deep and ecstatic in equal measure, Noon provided an unrelenting ride through all the weird edges which can surround a 4x4 drum.

photo by @torfithr

Kune Festival 2025: Rachel Noon @ Vessel Stage

Hope you enjoy!

Music is able to lift you into other dimensions, so come with me through this portal and immerse into the depths of my record collection.

www.markussuckut.com

Portal Episode 78 by Markus Suckut and Moy Santana

PREMIERE : John Darque - Fringe Voices [AFD001]

Artist: John Darque
Album: Birdsong EP
Song: Fringe Voices
Label: Anodynic Frequencies
Cat. No.: AFD001
Mastering: Brice Deloose at Incidence Studio
Artwork: Chris Rome
Format: DigitalGenre: Hypnotic Techno
Release date: 17.10.25
Released by Label, Country: USA

John Darque:
https://soundcloud.com/johndarque
https://www.instagram.com/johndarque/

Anodynic Frequencies: 
https://soundcloud.com/anodynicfrequencies
https://www.instagram.com/anodynic_frequencies/
https://www.facebook.com/AnodynicFrequencies


PREMIERE : John Darque - Fringe Voices [AFD001]


Diffuse Reality Podcast 273 : BASHKKA
→ bit.ly/417f6Yj
www.diffusereality.net

Diffuse Reality Podcast 273 : BASHKKA

Todays Monument Recording comes from this summers Midgar x Useless Seconds party in Berlin.

DK's session was captured at the event following his recent release on Midgar fulfilling a debut at the label showcase event.

On the day he played the second slot of the afternoon after Lilli Zykla's ambient opening,  gently shifting towards left field territories covered in drums at a downtempo pace.

Follow :

https://soundcloud.com/d-k-music
https://soundcloud.com/midgar_records

MNMT Recordings : Đ.K @ Midgar x Useless Seconds - Berlin July 2025

Chloe Lula – Ego Sum
MORD120 – November 28th , 2025
Vinyl 12″ / Digital

Fresh off the heels of her EPs for Tresor and Blueprint, Ego Sum is a showcase of Tresor resident Chloe Lula’s distinctive sound: deep and meditative hypnotica on one hand, and tactile, introspective peak-time on the other. Over the last few years, Chloe has honed her skills in the studio as a cellist and techno producer, developing a penchant for etheric ambient—as witnessed in her drone album for Subtext released late last year—as well as propulsive four-to-the-floor. Her influences come together in her debut for powerhouse Mord, which breaks the confines of a conventional club-optimized mini album with its marriage of these two styles, and nods to her love for artists who have pioneered minimalism in all forms.

***
and even the trees we walked
under
seemed
less than
trees
and more like everything
else.
***

All tracks written & produced by Chloe Lula
Artwork by Dennis Beutner
Cat No. MORD120 – All rights reserved
℗ & © 2025 MORD

A1 Myopia [MORD120]

When Tresor founder Dimitri Hegemann stumbled into a former bank vault in East Berlin on March 13th 1991, he had little idea that the
space he had unlocked would fast become one of Berlin's most influential and enduring techno clubs. "We didn't know what would
happen 10 months later," he says. "We signed a lease for a year. Which eventually got renewed for another three months, and another
three months…”

As Tresor celebrates its 25th anniversary with this work of artists from the US, Germany, China, France, Austria, Italy and the UK, it is
worth dwelling on how the cultural conditions that birthed Detroit techno – economic neglect and broken industry – were mirrored by
the disused bunkers and impromptu parties of post-unification East Berlin, where techno found new, vigorous expression.

Today, though the boom and bust of globalised capitalism has filled the void that followed the Berlin Wall, and techno has become a
worldwide industry, we face a new political chapter, one defined by populism, nationalism and mistrust. Contemporary creatives should
take inspiration from Tresor's story, an extraordinary experiment born from improvisation, resourcefulness and social neglect that
uplifted the spirits of inner city communities for a quarter-century.

This record marks the spirit of those 25 years of creativity, a paean to the psychedelic music of Dimitri’s youth. From the signature
magnetic soundscapes of Vainqueur to the dark textures of upcoming Being producer Shao; from Jon Hassell’s slow epicurean volutes,
to the ritual auras of Marcelus and Claudia Anderson’s contributions; from the dub-infused pioneering programming of Juan Atkins and
Moritz von Oswald, to Mønic’s enthralling cadences, it represents some of the old and new names that continually epitomise Tresor's
perennial spirit of ingenuity. “We were space pioneers," says Dimitri.

The East Berlin of 1991 may have disappeared to gentrification, with Tresor's lonely vanguard joined by an army of venues catering to an
international array of clubbers benefiting from low cost travel, many of whom settle in the city for good. Berlin is Europe's economic
engine, headquarters to global industry and sole traders alike, where Polish, Kurdish and English are as likely to be spoken as German.
That range of influences is felt in all areas of life, not least in the city's music.

"Without Tresor, Berlin would not be what it is today," concludes Dimitri. "Even though it sounds a bit pretentious, it is true. Tresor was
the prototype for an extraordinary club. It was only possible as a combination of the right time, the right place, the right content and
determined people."

Excerpt of liner notes, by Rob Sharp - November 2016.

Dreamy Harbor

Shao - Sensi (edit)

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.