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DJ PYTHON DROP (WET)

Logos - weather system
Valance Drakes - weak humas wise demons
Tightening Knots - stutter
Moor Mother and Olof Melander - ABRIN
Philip Jeck - Arc
Sun Ra - Dreams Come True
Space Afrika - where is it pt2
Ken Ishii - flurry
Pa Salieu - Bang Out
Low End Activist - Muzikon
loveliescrushing - valerian
Claude Young - green
Space Afrika - 16e Tears
Alice Coltrane - Blue Nile
Philip D Kick - Clouds
Dean Blunt - AVAILABLE
Jasmine Infiniti - Ghettro
Richard Devine - sch005
Cygnus - Sit Back & Relax (feat. Xavier Gladstone)
Dean Blunt - BENIDORM
Valance Drakes - weak humas wise demons
Daniel OG - Remedies
Claude Young - Dear1
Pendant - ibx bzc
Cindytalk - disintegrate
Space Afrika - judge
Jasmine Infiniti - hott
Nkisi - YOKA
Autechre - warp tapes 89-93
AYLN - They Dont Touch
Push Button Objects - Washington Avenue
The Durrutti Column - for patti
Ian O'Brien - Dayride

Lee Gamble JUN NTS 2020

AceMo - live on c- TV

“Stereomodernism” is a mix that frames techno as embodied aural history, from a Black theoretical perspective—and as a direct foil to Rainhald Goetz's “Rave,” an attempt to counter the fantasy that is the white, Eurocentric view of a distinctly African American artform. DeForrest Brown, Jr., who produces music and other media as Speaker Music, draws on the poet Tsitsi Ella Jaji’s concept of “dubbing in stereo for solidarity”: his mix melds Detroit techno and adjacent sounds of African-American culture, illuminating the relationship between techno and “centuries of attempts to evade and subvert the status quo in America.” With an illustration by Abdul Qadim Haqq.

1. Alabama A&M University Marching Maroon & White Band, “Homecoming Marching In/Tunnel,” live recording, October 5, 2019
2. Bookworms, “Appropriation Loops,” Appropriation Loops (2018)
3. Atlantis, “Words from Atlantis,” Interstellar Fugitives - Destruction of Order (2005)
4. YATTA, “Cowboys,” WAHALA (2019)
5. The Detroit Escalator Co., “Folding Space,” Black Buildings (2001)
6. Mad Mike (ft. Atlantis), “Chaos & Order,” Interstellar Fugitives - Destruction of Order (2005) (Speaker Music’s Black Atlantic edit)
7. Population One, “Free Falling Forever,” Unknown Black Shapes (1994)
8. Arpanet, “The Analyst,” Wireless Internet (2002)
9. Aybee, “The Professor,” The Odyssey (2017)
10. Dopplereffekt, “Scientist,” Gesamtkunstwerk (1999)
11. Der Zyklus, “Facial Vectors,” Biometry (2004)
12. Urban Tribe, “Biohazard,” Authorized Clinical Trials (2006)
13. Lab Rat XL, “Lab Rat 2,” Mice or Cyborg (2003)
14. Derrick May, “Feel Surreal Ends the Feel Surreal,” Innovator (1998)
15. L.A.M. (Life After Mutation), “Nuclear Facelift,” Balance of Terror (1992)
16. DJ Di’Jital, “Mutant Creations Compute,” Finyl Frontier of Electro (2017)
17. Alice Coltrane, “Ptah, the El Daoud,” Ptah, the El Daoud (1970)
18. DJ S² and Von Floyd, “ISF2 Post Emancipation Psychosis,” Interstellar Fugitives - Destruction of Order (2005)
19. AceMoMA, “Start the Riot,” A New Dawn (2020)
20. Suburban Knight, “Maroon,” Interstellar Fugitives (1998)
21. Andre Holland, “Unabomber,” Interstellar Fugitives (1998)
22. The Vision, “Crush, Kill, Destroy,” Gyroscopic (1991)
23. DJ Stingray 313, “Interest Rates,” F.T.N.W.O. (2012)
24. Underground Resistance (Mike “Mad” Banks), interview, Slices: The Electronic Music Magazine 3-06, September 10, 2006
25. Joe McPhee, “Cosmic Love,” Cosmic Love (1970)
26. The Clark Sisters, “Is My Living in Vain? (Live),” Gospel (1983)

 
Composed and recorded between Laika Lane Studio at the Rauschenberg Residency in Captiva, Florida, and DeForrest Brown Jr.’s home studio in New York.

To read ”Stereomodernism,” visit: https://www.canopycanopycanopy.com/issues/26/contents/stereomodernism

To read ”Rave,” visit:
https://www.canopycanopycanopy.com/issues/26/contents/rave

DeForrest Brown, Jr. is a New York-based theorist, journalist, and curator. Learn more at: https://www.canopycanopycanopy.com/contributors/b#de-forrest-brown-jr

Abdul Qadim Haqq is an American visual artist who was born and raised in Detroit, Michigan. Learn more at: https://www.canopycanopycanopy.com/contributors/h#abdul-qadim-haqq

“Stereomodernism” was published as part of Two Ears and One Mouth, Triple Canopy’s twenty-sixth issue, which is made possible through the generous support of the Stolbun Collection, the Andy Warhol Foundation for the Visual Arts, the National Endowment for the Arts, the New York State Council on the Arts, and the New York City Department of Cultural Affairs in partnership with the City Council.

DeForrest Brown, Jr.: Stereomodernism

Dark, glacial and suspended in stasis, Tomás Uruieta's mix further explores the moods and textures of his own productions, and teases releases from his new label, Filiae.

Get the full tracklist at https://crackaud.io

To keep going, we need your help. Become a Crack Magazine Supporter: https://crackm.ag/support

Crack Mix 366: Tomás Urquieta

monthly NTS show..

Long Ago - A Relic
Wax Doctor - Another Dimension
Dj Delish - Musical Chairs
Blawan - Emulsion
choppers x screwers
Jasmine Infiniti - 3 (Heart)
India Jordan - Westbourne Avenue
Balil - nort route
XR Spools - Void Lands
ayln - they dont touch
turning torso  - apex
object blue & TSVI - thought experiment
Mani Festo - Depths od eternity
Evol - Goofy Tape
Kelman Duran - X ANS M
John Hassell - timeless
turning torso - drip
the durutti column - english landscape tradition
ZULI - bombardino
underground resistance - nation 2 nation - the theory (mind mix)
Prince - a case of you
Kelman Duran - X club 66
madvillian - rhinestone cowboy instrumental
LFO - Blown
Mark Leckey - In This Lingering Twilight Sparkle
Tor5y - Bashar
lorraine james - my future
Dj Delish - identity
otik - clairvoyant
underground resistance - nation 2 nation - 303 sunset

Lee Gamble NTS AUG 2020

Authentically Plastic for Black Science Fiction

Authentically Plastic Black Science Fiction DJ Set

100 NIGHTS MIX // C POWERS REPORTING FROM THE GROUND

WORDS FROM C POWERS: This mix documents the passing of over 100 days of being inundated in the  uprising here in Portland OR. I wish to be following what Mac Smiff (who's speech in early August is featured prominently in this mix) and other local black organizers (also featured in the mix) have said, that the concept of "We take care of Us" is central to creating wholesome and lasting change for Black lives. This this mix also functions as just another gift, item of use, or document to be shared via the network of mutual aid that has been sustaining us and keeping us safe while the agents of neoliberal fascism attempt to close in. By creating these networks and systems of trust we are offering and actualizing a vision of community unhampered by an illegitimate and racist state.

@cpowers
https://twitter.com/cpowers1986

MX084 - C POWERS

A hypnotic ride presented by Amelia Holt (@ameliaholt), Mexican born DJ, collector, and Brooklyn's Public Records resident. 

`I am currently enjoying the last weeks of summer in Upstate New York with my best friend and her family. I been taking it easy and planning some music projects for the next year and hopefully some traveling plans too.

I am also flying to Texas end of September to visit my family and spend the rest of 2020 there. Anyway, this mix is called Drive Thru, as it was made for the journey upstate. My favorite place to listen to music beyond the club is a car, since there are no limitations to how high you can pump up the volume.´

Recorded on Tivoli in June of 2020. 

Artwork x @iq94

FR067 Amelia Holt (Río Bravo, México)

Paradoxe Club is a record label of Parisian artists drawing influences from a global palette of club styles. Since 2016, Birol, Le Dom, Sunareht and De Grandi have been releasing innovative and bold electronic music from France.

Tune in for Paradoxe Club every 1st & 3rd Wednesday of the month, from 22h to 23h [CET] on rinse.fr

Rinse France Podcast

Download

Paradoxe Club : Le Dom - 18 Novembre 2020

Triple Canopy is a magazine based in New York. Since 2007, Triple Canopy has advanced a model for publication that encompasses digital works of art and literature, public conversations, exhibitions, and books. This model hinges on the development of publishing systems that incorporate networked forms of production and circulation. Working closely with artists, writers, technologists, and designers, Triple Canopy produces projects that demand considered reading and viewing. Triple Canopy resists the atomization of culture and, through sustained inquiry and creative research, strives to enrich the public sphere.

Triple Canopy is a nonprofit 501(c)(3) organization and has been certified by W.A.G.E.