Daniel Stefanik
"Signs"
[COR12119 Cocoon 119]
Release Date: 04.08.2014

[COR12119] Daniel Stefanik - A1 - Signs

The Unreleased Remixes, Vol. 1

Talking To You (Marc Romboy & André Winter Remix)

Crossing Souls

Santi Mossman - Exitz (Original Mix)

Inner Sunset” blends Afro house warmth with progressive, evolving grooves to create a soulful sunset vibe. Deep percussion, uplifting rhythms, and glowing synth layers guide you through a hypnotic journey that feels like the sun setting from the inside out. Perfect for sunset sessions, late-night drives, and anyone who loves rhythmic, emotional Afro-progressive energy. Enjoy the vibe ✨🌅

Inner Sunset

Heiko Laux & Joel Mull - Slight Munch (Original Mix) [Drumcode Limited / DCLTD19] Low Quality

The  release  opens  with  the  title  track,  The  Mask  Of  Sanity;  Over  8  minutes  of  haunting  synth work and expertly compiled drums that build to a bubbling crescendo of that Reset Robot sound we all know and adore. Track two is Bil'am's Donkey; A harder more-to-the-point weapon with pounding  drums  that  doesn't  mess  around.  Next  up  is Paradise  Lost;  This  is  more  of  a  driving affair with a house twist. Expect to hear this one on repeat across dancefloors this summer. The release  closes  with Oak  Ridge  Capsule;  Mechanical  yet  groovy,  moody  but  danceable,  this  is exactly why we love what Reset Robot encapsulates so much.

Reset Robot - Paradise Lost - Truesoul - TRUE1295

Blacklight Sleaze (Radio Slave Mixes)

Blacklight Sleaze (Radio Slave Dub Mix)

Cocoon 100

Beetle (Original Mix)

Cocoon Recordings is back in full force with the follow up to last year’s superb vinyl compilation ‘Dots & Pearls’. Providing a tracklisting that is nothing less than the modern interpretation of House, Techno and Tech-House ‘Dots & Pearls II’ eschews monotonous loops and predictable formulas and rather delivers a selection packed with energy and depth. 

Ilario Alicante and Todd Bodine have the honour of opening the record and very much set the tone for the feel of the album. "Modern Apocalypse" gives the impression that the duo wanted to produce a matching track to follow up Ambivalent's "Iwato" in a DJ set. The record has a wonderfully stripped and spacious feel to it, conjuring up an early hours feel with its entrancing effect and stabs plucking at the air around you. Next up we have Subb-an feat. Jacob Phono with "In The Night" a track that explores how the sound and atmosphere of big 90s Techno acts like Underworld can be transferred into our contemporary Minimal and Deep House universe, a task in which they succeeded brilliantly. Resonant beats and percussions, some 808 claps, funky fills and filtered layers match perfectly with the hypnotic vocals and form an impressing overall result that fits into the DJ's set at any time during the night. 
Mark Reeve's contribution "Carry Me" springs from typically Reeve-like UK-influenced House sounds. Softly filtered layers and cool vocal elements provide the right mood, and the long build-up with much patience and even more emotion makes "Carry Me" one of the best and deepest British Tech House tracks in recent times, a certain winner for fans of 20:20 Vision and Global Communication. 
With "Jellied Eels", Marco Effe steps up to try and win the prize of 'the fattest beats on the compilation'. The E-piano chords are a sure fire hit and the warm layers in the breaks loosen the heavily muscled beats a little, but they can't hide the fact that there is an energy packed affair, which erupts in a perfect surrounding and will take any dancefloor beyond the boiling point. It’s easy to hear why this has been sitting in the sets of Sven Väth and Luciano for some time. Danito & Agent! have just recently delivered their Cocoon debut and their mix of deep House elements and big-room Techno citations has already convinced the experts. Their track "Raw Symphony" is no exception here but rather travels further into the realms of cinematic techno. Detroit sends its regards with a fat bass/strings combination and much pathos, based on an elegant House-style beat that never demands too much and leaves enough space for the above mentioned big-room sound. With "Iwato", Minus figurehead Ambivalent contributes a slightly dark but still deep and minimal Techno track that lives on a juicy Chicago bass line and pays tribute to the compilation's motto by using uncommon sounds and effects. The pearls are literally hearable in the arrangement, setting accents in order to prevent the track from sounding too rounded-off. Hypnotic and kicking, but still unpredictably different. Berlin, 07:30 h in the morning – here's the matching soundtrack for a winter sunrise! 
Harvey McKay's "First Strike From Mars" sounds like its title suggests, and Captain McKay doesn't take prisoners. Demanding, massive and equipped with a mighty beat, the tune is reminiscent of recent Slam releases or some of the stronger Santos productions. A peak time production that has only one message: no escape and total madness on the dancefloor, this is a winner that has been getting plays from Sven Väth and Luciano! Sawlin's "Posay" is plumbs the depths of the Techno ocean, with plenty of echo and even more reverb, his remote metallic percussion sounds create an atmosphere that would also be perfect as the soundtrack for a big art installation. "Posay" shows that Techno in the year 2012/2013 does not only mean 'in-your-face', but rather depth and elegance. 

Besides the vinyl edition, ‘Dots & Pearls II’ is also released in a digital version, which contains four extra pearls, in addition to the eight tracks of the vinyl version: With "Sequence Of Moments", Martinez sends the listener back to the high times of that DBX-influenced Detroit sound full of bleeps and blonks, like Daniel Bell or Fred Gianelli perfected at the time. However, he doesn't deliver a retro piece at all, but combines the raw and direct vibe of Bell with modern sounds, layers and pads, and thus moves himself a little towards the Reboot or Johnny D corner. With their contribution "The Gate", Patrick Kunkel & Sascha Barth follow the current sound of now: matching parts of House, Minimal and Techno, in a skilful mix that, on the one hand is reminiscent of the hypnotic-minimal DJ sets of Ricardo Villalobos and on the other hand releases energy galore, in order to make demanding ravers happy. This is definitely one for fans of Pele and Matthias Tanzmann. Next Ross Evana pays tribute to fat Chicago beats and follows Sneak & Co. with his superb production "Cheget". The kick drum pumps, the claps and hi-hats clack heavily and the thick, pitched-down organ stabs in combination with the percussive staccato vocal fragments make the whole thing even more driving. And as if this wasn't enough, Evana adds some industrial sounds and effects that would easily fit in any big Depeche Mode remix, just lacking Dave Gahan's vocals in order to make the crowd freak out. Playing, dancing, partying, you have everything in here. With their track "Still Laughing", Fumihiro Hoshi & Tadac present their unique and different sound and provide a perfect closing opus to this outstanding compilation.

Marco Effe – Jellied Eels

Vinyl & Digital available here: https://lnk.to/4WDG720

Musically we are exploring the ‘power or powerlessness people feel over the things that shape their world’

Building on the success of Vol 1, Detroit pioneers Octave One now serve up Locus of Control Volume 2, continuing their journey of exploration of power or powerlessness over what moves one’s world. 
This EP comes after a busy series of shows for the most famous live act in all of techno, with them recently having played everywhere from Piknic Électronik Montréal to Movement to Dimensions Festival and many more. The show is an all new audio-visual experience for 2019 and continues to keep them at the forefront of the scene despite more than 30 years of experience. Locus of Control Part 2 follows a remix of Giorgia Angiuli and lands on their own 430 West label once more. 

This EP series takes its name from a psychological concept that refers to how strongly people believe they have control over the situations and experiences that affect their lives. Part 1 showcased euphoric piano stabs and uplifting drum lines, and Part 2 explores more propulsive techno. 

Up first, ‘Afrotech’ is a seven minute techno adventure. It’s built on sleek, crisp drums with twisted synths writhing about up top. The devil is in the detail and the way the synths are subtly tweaked throughout to make for a most dynamic journey once more from these brillaint brothers. 

The excellent ‘Detune’ is a futuristic track with layers of shiny metallic drums and taught synth riffs that make for a tense and thrilling ride. Big drums power things along and the whole thing is the sort of sensory overload that will blow up even the biggest warehouse parties and festival stages. 

These are two more powerful tracks from the ever essential Octave One.