TASCAM DR-100

Live from the Adriatic 2024: Paula Tape

Future City Punks is a collaboration between Melbourne-based artists Traxion & Sam In Space. Their distinct sound blends elements of indie dance with disco, post-punk, and a variety of band influences, all showcased in their live performances, which deliver high-energy and infectious experiences.

In 2024 they released their debut EP “Lust & Defiance” on Curses’ highly regarded label ‘Ombra International’. They also released an official remix for Australian band Northeast Party House’s ‘Enhancer’, alongside appearing on Rinse FM France.

Infused with attitude and a punk ethos, their music captures a raw, dystopian vibe that resonates strongly with crowds and fans of any genre. 

With a growing catalogue of studio material, the duo are set to release their next wave wave of releases in the very near future.

DOWNLOAD: https://hypeddit.com/feinstoff/bedsareburning

FREE DL

FREE DL: Midnight Oil - Beds Are Burning (Future City Punks Outback Dub Edit)

This track is a recording from DESPACIO by 2manydjs & James Murphy, during FTI Ghent on 16th of March. Full credit to DESPACIO IS HAPPINESS, 2manydjs, James Murphy for the original mix and performance.
Thanks to Despacio Discord community.

📻 Recorded live during FTI Ghent, DESPACIO IS HAPPINESS 2024

🙏 This upload is for promotional purposes only. If you’d like me to take it down, please reach out.

2024-03-16 - Wintercircus, Ghent

Despacio is Happiness (2ManyDjs +James Murphy) @ FTI Ghent - Day 1 16032024 - Gand

the worlds gone crazy™️ and 85% of shit has changed since 1992.

but this hasn’t, not really. this is what i do, and have been doing every night since i was 17.

i find records i love, i fly to a city. i take a nap. i play the records for people. they dance. i get paid i go home.

sometimes i actually think there might be something wrong with me to STILL be doing this. am i stupid?

HOW…. how could you STILL be playing records for people at 5am. shouldn’t you have developed an APP? A line of Wellness Products? surely you should have “sold your company” by now? WRITE A DECK? raise capital!!!! Get bored.
but then i play a set like this (link above) and remember that this is, in fact, as good as it gets, that the core idea i had as a 16year old was actually the BEST idea: to live a life surrounded and protected by MUSIC. armed with your favourite songs, the ones that keep you young and confidant, the ones you want to share with friends.

so that is DJing for me. simple. not particularly revolutionary… except for the fact that to be excited and happy seems revolutionary these days.

also: i’ve played about 4500 parties. and most are like 6 or 7 on tens….. sometimes an 8.

THIS WAS A 10. And the 10s never get recorded. there are lots of exclusives and THREE of my new tracks. and its been recorded WITH all the crowd noise…. trust me its a good one.

if you only listen to one of my 4 hour sets this year…. make it this one.



love from montreal via Offenbach/RJ (one of the best clubs on earth)

t

Tiga 4hr live from Robert Johnson with full crowd audio. Nov 2024

Artist: BITT
Title: Alters
Track Title: Break The Bank
Label: BITT
Cat #: BITT001
Release date: 18.04.2025
Format: vinyl

@barneyinthetunnel

BITT-ALTERS debuts on twelve inch with three spin to win on the Roulé wheel. A side "Break the Bank" gambles the spirit of Bangalter on a triple positive jackpot. B1 "Dream Run" hits the Falcons x Falcon force multiplier and B2 "The House Always Wins" plays the emotional wildcard.

grab your 12"

Premier | BITT - Break The Bank (BITT001)

ALL DONATIONS MADE ARE DONATED TO 'GIANT STEPS'

X-PRESSINGS 026: Gaps in Space (Tunnel Signs Edit)
Artist: @Tunnelsigns 
Charity: Giant Steps
Original track: DJ Spike – Gaps in Space (1989)

After a few months’ silence, we’re proud to break the stillness with our first edit of the year-and who better to set the tone than Australia’s own Tunnel Signs!

A master of moody electronics, Moses brings his signature blend of reverb-soaked post-punk, hypnotic techno, and cosmic disco to this deeply atmospheric rework of DJ Spike’s Gaps in Space (1989).

Tunnel Signs has released on cutting-edge labels like IOHYOU!, Cutters Records, Clouded Vision, Darkroom Dubs, and Motorik, continuously evolving his sound while drawing praise from the likes of Skatebard, Gerd Janson, Paul Woolford, James Murphy, and Massimiliano Pagliara. His project Barney In The Tunnel with Barney Kato even landed sync placement in a global Pandora campaign.

This edit is Tunnel Signs at his finest. A fitting way to launch into the next phase of the X-PRESSINGS journey.

AVAILABLE NOW ON BANDCAMP, NAME YOUR PRICE!!
All donations go to Giant Steps, supporting children and adults on the autism spectrum. Every contribution helps. support the music, support the mission.

Mastering: Eddie Example

DOWNLOAD

X-PRESSINGS 026: Gaps In Space (Tunnel Signs Edit)

Bring back the blog. We do a little weekly write-up on the Electronic Music Australia website — give it a little peek here: www.electronicmusicaustralia.com

1.	XPRESS – Gaps In Space (Tunnel Signs Edit)
2.	Harry Hayes – Get ‘Em Up *TOTW
3.	Danny Tanaglia - Dancin (Rubber People Remix)
4.	Peewee Ferris & John Ferris - Time To Make the Floor Burn 2025 (Club Mix) [Two Tribes Records]
5.	Weirdtechnogirlfriend & PAUL LE BAY-CHOP CHOP (Original_Mix)
6.	Okayden - Well Okayden [Desinformant Remix]
7.	Erotika Dabra - I Wonder (For Me) (2025) - James Northwood
8.	Ninajirachi, MGNA Crrrta – Angel Music (umru Remix) 
9.	Tenobi, Ko-ja - I Wanna Feel It (Suburb Beat Remix)
10.	Late June – aura 
11.	AJ – Healing 
12.	Ben Barwick - Fault [Part 2_ Release] [Feat. I Think They Hate Me] 


EMA #153 Week 2 June 2025

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

https://hothothot.no/
https://www.instagram.com/tellerecords/

New track out on Tellé Records! 
https://www.youtube.com/watch?v=sNpxJbek6gU
https://www.beatport.com/track/it-goes-on-on-the-bassline/21545038

Foto: Kai Kahuun

Skatebård at Hot! Festival, Bergen 6. september 2025

HAKT MIX/021

There's a Devil in My Attic Mix (2015)

Free Download

Brian Eno & David Byrne - Regiment ( La Décadanse Edit ) COV-EDIT01

Bookings AU/World: hello@ashmoses.com

Tunnel Signs is the alias of Ash Moses, an Australian-born DJ and producer whose music explores the darker shades of elegant electronics. A lover of both the brooding and the beautiful, Moses crafts tracks that exist between the shadows of reverb-drenched post-punk, hypnotic techno, and cosmic disco. His early releases found a home on labels like IOHYOU!, Clouded Vision and Cut Copy’s Cutters Records.

Moses has continued to evolve his sound with recent releases on Darkroom Dubs, the legendary label founded by Silicone Soul and has teamed up with enfant terrible DJ Reenie for a collaboration on the iconic Motorik label. His music has earned support from influential figures like Skatebard, Paul Woolford, Gerd Janson, James Murphy, Massimiliano Pagliara and even landed as the soundtrack for an international ad campaign for Pandora through his Barney In The Tunnel project with Sydney/Eora hero Barney Kato.

With a knack for balancing disassociated depth and infectious dancefloor energy, Moses's work as Tunnel Signs continues to carve out a unique space in the global electronic scene. Whether crafting late-night jams or sending listeners on a trip through twisted rhythms and wonky reveries, his sound remains ever-evolving and distinct.

There's a Devil in My Attic Mix (2015)

Tunnel Signs

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