It's All About SNAILS Music..

MGMT: mgmt@officialsnails.com
North America Booking: mpuliz@corsonagency.com
Europe Booking: Paul@mbartists.co.uk
Promo: promo@officialsnails.com

http://www.hakunamatoma.com
https://linktr.ee/matoma

Booking North & South America: 
Ferry Rais-Shaghaghi | ferry.rais@caa.com

Booking Norway: 
Anita Wisløff | anita@allthingslive.com 

Booking Europe: 
Rolf Volkert | rolf@anna-agency.nl

Booking Asia Pacific: 
Sam Wald | SSW@wmeentertainment.com 

All other inquiries: 
matoma@miltonarcher.com

Can't Edit Your Soul

Stream "Eternity feat. Lena Leon (Honey & Badger Remix)" here: https://lnk.to/eternityrmx

Management : 
steve@guess-agency.com

North America Bookings :
lee@amonly.com
cody@amonly.com

European Bookings :
Paul McQueen: paul@primarytalent.com
Craig D'Souza: craig@primarytalent.com

“There’s this great duality to our band,” reflects Greensky Bluegrass mandolinist, vocalist, and songwriter Paul Hoffman. “We’re existing in a few different places at once: we’re a bluegrass band and a rock band, we’re song-driven and interested in extended improvisation.”

“We play acoustic instruments,” adds dobro player Anders Beck, “but we put on a rock’n’roll show. We play in bigger clubs and theaters, there’s a killer light show, and we’re as loud as your favorite rock band. It’s not easy to make five acoustic instruments sound like this – it’s something we’ve spent years working on.”

From these seemingly irreconcilable elements, the five members of Greensky Bluegrass have forged a defiant, powerful sound that, while rooted in classic stringband Americana, extends outwards with a fearless, exploratory zeal. The tension and release between these components – tradition and innovation, prearranged songs and improvisation, acoustic tones and electric volume – is what makes them so thrillingly dynamic, in concert and on record. “In theory,” Hoffman explains, “greensky is the complete opposite of bluegrass. So, by definition, we are contrasting everything that isn’t bluegrass with everything that is.”

Management:
thierry@blueventgroup.com

Demo:
demo@bakermatmusic.com

Music Management:
bob@bigtopamsterdam.com

Bookings North/South America:
cchapman@teamwass.com 
lchenfeld@teamwass.com

On their new LP Magic, jamband favorites The Werks transcend their roots while never losing their identity. Poignant songwriting and engaging melody come together on a record that showcases their maturation as a multidimensional group of uniquely creative musicians.

The virtuosic rhythm junkies of The Werks have released four highly acclaimed studio albums over the past ten years - Synapse (2009), The Werks (2012), Mr. Smalls Sessions EP (2014), and Inside a Dream (2015) - performed well over one thousand shows (including launching their own multi-day music festival The Werk Out), and released countless live recordings including last year’s Live at The Werk Out live album. In that time they’ve earned a devoted fan base across the world and reputation as one of the most energetic, compelling, and downright entertaining live acts in the business. They’ve developed a hard won confidence, and a willingness to fearlessly chart new sonic territory on Magic. 

“This is our first truly multi-genre album” says Chris Houser. “Each track has its own unique vibe and sound. We didn’t write these songs to please people, we wrote them because this is what we hear when we turn off the outside and let the creativity flow.” 

The songs on Magic started as sketches the band members crafted independently. Coming together in their sonic dojo The Werkspace, those seeds of groove were nurtured by the group, growing into fully wrought songs through holistic arrangement and organic improvisation. “Our writing is collaborative,” explains Dan Shaw, “but starting with demos written individually gives each band member a chance to leave their fingerprint on a tune.”

The songwriting finished, the band decamped to Sonic Lounge in Grove City, Ohio. There lead engineer and producer Joe Viers (Blues Traveler, Twenty One Pilots) settled down to work with the studio’s legendary Amek/Neve 9098i mixing console. One of only thirteen in the world, Sonic Lounge’s was originally installed in Olympic Studios in London, England, where it served to document the unique creative mojo of Eric Clapton, Pink Floyd, and more.

Joining Viers were assistant engineers and producers Aaron Oakley and B.J. Davis, and the unstoppable horns of Columbus’ own Hoodoo Soul Band - Chris Young (trumpet), Kevin O’Neil (tenor), and Phil Clark (Baritone) – while Kenny Holmes, tour manager and right hand man, was the gaff tape that held it all together.  Finally Columbus native and current Los Angeles, CA resident Brian Lucey (Train, Dr. Dog) mastered the record.

From those sessions emerged a rare jewel of a record; Magic is muse put to tape, a direct download of the creative spark. “This is a recording of the music that’s in our souls” explains Rob Chafin. “In a way, the past decade has been leading to this moment. We play and write together so seamlessly now, we’re able to channel the inspiration in our hearts out into our instruments, and come at this from a pure place.” Together, these visionaries have crafted a record where melodies take flight, dancing and twisting around the sonorous main of the tune itself. By fusing their spirited improvisation to a core of immediately engaging songwriting, The Werks have truly performed a feat of modern musical Magic.

Eli Winderman [keys, vocals], Rob Compa [guitar, vocals], Chuck Jones [bass] Neal “Fro” Evans [drums]

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