noxpox - toytown by night

All About

Produced By Martin Reed.

Here Is The Amazing Mahan Mahan Remix, https://soundcloud.com/mahan-mahan/the-wave-dzan-martin-reed?in=its-tophonicus/sets/mysteries-of-the-blim-the-2021

Kung Flu

Credits to Andrew5DMII, freesound.org for ice crackling sound

Frozen

Behind The Cloud

https://music.apple.com/us/album/youre-still-in-that-day-single/1841971904
https://open.spotify.com/intl-ja/album/6ZBTlHF17ZIIAEbkaz3455
https://www.youtube.com/watch?v=vLTzdFWbj5s
https://touchofthewood.bandcamp.com/track/youre-still-in-that-day

This is an original song.
I hope you like it.
Thank you.

You’re Still In That day

Last night I saw you
it’s been a while
same like before
in my dream

Sometimes I wonder
what would have changed
if I could tell
I love you

I think I knew
this could be the last
that you are there

I always loved you
always loved you
I’d love to tell you
but I can’t

I always loved you
always loved you
I should tell you
since that day

You’re still in there
you’re still in there
you’re still in there for me

You’re still in that day
you’re still in that day
you’re still in that day for me
for me

（日本語訳）
昨晩、君を見かけたよ
久しぶりに
いつもと変わらない君を
夢の中で

時々思うんだ
何か変わっていただろうか
もし、思いを伝えることが出来たなら

わかってたんだ
これが最後かも知れないって
当たり前のように君がいる事が

君をずっと愛してた
ずっと愛してた
伝えたかった
でも出来なかったんだ

君をずっと愛してた
ずっと愛してた
伝えるべきだった
あの日から

君はそのまま
そのままなんだ
僕の中の君は
いつまでもそのままなんだ

君はあの日のまま
あの日のままなんだ
僕の中の君は
いつまでもあの日のままなんだ

You're Still In That Day

Produced by B. Word

Music Video: https://youtu.be/yEBrAhsORhU

Lyrics

Keep your negative energy
Away from me
It's not a part of me
I'm royalty
I gat some inner peace
You can't get rid of me
Give up and let it be

Royalty

As I already have done so previously, during this jam session I again experimented with a vast amount of different samples and employed a technique which I like to call "time-synchronized sampling of percussive sounds". I played back a drum and percussion sample at 100 BPM through my humble Eurorack which was also set to 100 BPM. The next step was feeding the sample through the Make Noise LxD module (which is a dual low pass gate that can function as a filter, and also be pinged to produce percussive sounds) and modulating it by a collection of different Eurorack modules. Due to the imperfections in the synchronising, the already percussive sound was "forced" into a slightly skewed percussive structure which results in these intricate glitchy raw rhythms. Additionally, an LFO at audio rates in conjunction with the LxD were used to create auxiliary drum and percussive sounds.

As so often the case, this jam session took a couple of hours, and I experimented with a vast amount of sounds, settings and samples. Unfortunately, I didn't make a note what samples exactly I was using here. The only thing I clearly can remember is that I took one of the rather rare interviews by Aphex Twin and played it back in order for his narration to fit the rhythm of my jam session, which is heard in the second half of the track. Also, at the beginning, samples from the 2007 documentary "What The Future Sounded Like" can be heard.

Again, I recorded the result of this jam session in Audacity, which I used in post-production to extract the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting and a high pass filter at 30 Hz was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

Glitchy Technoid [Jam session sections: RAW2021 - 1]

Polar Element

I came so close to naming this “Sound Czech Mix”- :D 
My mix of Tomas Horn’s open collaboration “sanskritual”- https://soundcloud.com/tomas-horn/sanskritual

Tomas Horn - sanskritual [Colors of Gaia mix]

mountain／full edition + august olsson   session2

Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!