As I already have done so previously, during this jam session I again experimented with a vast amount of different samples and employed a technique which I like to call "time-synchronized sampling of percussive sounds". I played back a drum and percussion sample at 100 BPM through my humble Eurorack which was also set to 100 BPM. The next step was feeding the sample through the Make Noise LxD module (which is a dual low pass gate that can function as a filter, and also be pinged to produce percussive sounds) and modulating it by a collection of different Eurorack modules. Due to the imperfections in the synchronising, the already percussive sound was "forced" into a slightly skewed percussive structure which results in these intricate glitchy raw rhythms. Additionally, an LFO at audio rates in conjunction with the LxD were used to create auxiliary drum and percussive sounds.

As so often the case, this jam session took a couple of hours, and I experimented with a vast amount of sounds, settings and samples. Unfortunately, I didn't make a note what samples exactly I was using here. The only thing I clearly can remember is that I took one of the rather rare interviews by Aphex Twin and played it back in order for his narration to fit the rhythm of my jam session, which is heard in the second half of the track. Also, at the beginning, samples from the 2007 documentary "What The Future Sounded Like" can be heard.

Again, I recorded the result of this jam session in Audacity, which I used in post-production to extract the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting and a high pass filter at 30 Hz was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

Glitchy Technoid [Jam session sections: RAW2021 - 1]

Its an outlet of some sort..work with what you have,dont be jelly and it will swing your way one day:D Feedback welcome,love all kinds of music,have fun,listen and enjoy;)

A number of possible grooves...music I make to make myself move.  May you also be moved! Best on headphones...or in your car :D
Thank you for listening!

Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!

a moment of silence permeated with sound  
renoise dude

My page for re-posting great Souncloud music...whatever the genre. Listen to Pelegrim at https://www.soundcloud.com/belial-pelegrim

Dude from the hills. Thankyou for taking the time to listen and supporting my works, it is very much appreciated.

My new EP, 'random sidequest restarted' is now out under Woodland Tape Exchange. Check it out via the links below :-) if you'd like a free code for the Bandcamp release then just give us a shout
Still CRSY, just fancied a name change 😁

The best way to navigate our page is through our playlist page. Soundcloud.com/projectmusicsounds/sets
Project:Music, is a growing group of talented, and unique musicians, and sound designers from all around the world, independently striving to become better producers, composers, and engineers,   

This is our Music Project: "Project:Music", with a simple, yet infinite purpose, to design, and share the wonders of sound, that captivate us all. To project our music to the world!  We have come together, to build a new and exciting place, to catalog, and share our love of music with the world, and we are so happy to share it with you here!

Electronic music focused, from an eclectic set of minds.

The musicians we are proud to provide a Hub for, and be involved with include the following (in no particular order).

@tunafish
@usul-foundation
@ubqbuq
@tomas-horn
@crestofthesyndicate
@udiooy
@faet

Thankyou for checking out and enjoying my tracks!

Henry Wadsworth Longfellow: "Music is the universal language of mankind."

Welcome to the load-bearing wall of sound.

Music: No boundaries / Knows no boundaries. I don’t look anything like my profile photograph; I'm actually slightly shorter and a figment of my own delusions.

I’m also known as the wild man of transcendental meditation.

संगीत: कोई सीमा नहीं। / कोई सीमा नहीं जानता।. मैं अपनी प्रोफ़ाइल फ़ोटो की तरह कुछ भी नहीं देखता; मैं वास्तव में थोड़ा छोटा हूं।

Музыка: Без границ / не знает границ. Я совсем не похож на фотографию своего профиля; Я на самом деле немного короче.

الموسيقى: بلا حدود / لا تعرف حدود. لا أبدو مثل صورة ملفي الشخصي ؛ أنا في الواقع أقصر قليلاً.

音乐：无界限/无界限。我看上去不像我的个人资料照片；我实际上略矮一些。

(Translation by Google)

Music is a moral law.
It gives a soul to the universe, wings to the mind, flight to the imagination, a charm to sadness, gaiety, and life to everything.
It is the essence of order and leads to all that is good and just and beautiful.
-Plato-
Born in Mexico City in 1955, started playing at an early age. In Mexico, I played with many bands like "Batallón de San Patricio", "Atrás del Cosmos", "Queso Sagrado", "Syntoma", " Broken Heart", "Decibel", "Bardo Thodol", and "Kathmandu Ensemble". In New York City I played with Bands like "Volti", "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.