As I already have done so previously, during this jam session I again experimented with a vast amount of different samples and employed a technique which I like to call "time-synchronized sampling of percussive sounds". I played back a drum and percussion sample at 100 BPM through my humble Eurorack which was also set to 100 BPM. The next step was feeding the sample through the Make Noise LxD module (which is a dual low pass gate that can function as a filter, and also be pinged to produce percussive sounds) and modulating it by a collection of different Eurorack modules. Due to the imperfections in the synchronising, the already percussive sound was "forced" into a slightly skewed percussive structure which results in these intricate glitchy raw rhythms. Additionally, an LFO at audio rates in conjunction with the LxD were used to create auxiliary drum and percussive sounds.

As so often the case, this jam session took a couple of hours, and I experimented with a vast amount of sounds, settings and samples. Unfortunately, I didn't make a note what samples exactly I was using here. The only thing I clearly can remember is that I took one of the rather rare interviews by Aphex Twin and played it back in order for his narration to fit the rhythm of my jam session, which is heard in the second half of the track. Also, at the beginning, samples from the 2007 documentary "What The Future Sounded Like" can be heard.

Again, I recorded the result of this jam session in Audacity, which I used in post-production to extract the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting and a high pass filter at 30 Hz was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

Glitchy Technoid [Jam session sections: RAW2021 - 1]

-Sélection Maison-
Passionate from the very beginning. He has shaped his culture while working with organisations and alternative projects for over fifteen years. His vibrant passion remains true to the frequency of the music.
An unmistakable electro feel. With groove and emotions in the movement, he’ll make you dance with an unwavering and liberating flair.
https://www.facebook.com/SELECTIONMAISON/
https://bandcamp.com/sollaone
https://www.instagram.com/selection_sol/
https://www.mixcloud.com/graberg/a1-sense-connections-027-selection-maison/

Independent Electronic Composer, Producer, & Songwriter

"Waking Life" now streaming on all music platforms!

"Euphoric Absence" slated to be released in 202?. 🎶 

2 LPs
7 EPs
2 compliation albums

more info & music at the link(s) below.

Thank you for listening 🎵 🙌



Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!

a moment of silence permeated with sound  
renoise dude

against war

a moment of sound permeated.

Ici on vit la tête dans les étoiles ...

Every emotion is worth turning into art ♪

Music is a Universal Language
Listen. Play. Dance. Create. ❤

Music accompanies each of us in one way or another.
There to be lived and shared together.

Since I was born, music has been part of my life.
Today ready to be shared  ▸ 

Do not hesitate to comment
◦
Close the eyes & be Free.
Good Travel

' Oriental Force ' is small Live / Dj Bar in Koenji , Tokyo .
This space is organized by Oriental Love a.k.a. Kaya Takada.
If you will visit Tokyo , Please come to my space

Hey there! Welcome to my page of musical wonders. :)


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Amomus means love for music. Also: 

╔═*.·:·.✧ ✦ ✧.·:·.*═╗
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ׂ╰┈➤ I dwell in exploratory kind of music. I explore musical places that may have their origins in some dreamworld, one or another. When I find a feeling, I follow it - sometimes this even leads to a completed new track. It can be a chaotic process. I like it very much. 

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ˏˋ°•*⁀➷ I'm all about allowing yourself to explore your own creativity - even through most amateurish ways. As long as there's that passion for music that drives you - it can be an exciting adventure. Just follow your .....((..(...heart...)..)).....

✦
˚₊· ͟͟͞͞➳❥ My passion for music is endless and goes a long way. While it is a subjective thing, I'm all about digging for gems on Soundcloud. It's something you can look for in my periodical repost playlists. There is a chance you could find my selection alluring and wonder-inducing. And perhaps always a chance to find someone new worth following. 

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⋆.ೃ࿔*:･ Music is free. Make it free. If you've made some music, let it have a life in as many ears as possible. Let them explore their own relation to it. Freedom of art is universal. I love Soundcloud, because anyone who thinks they created something valuable - can give others the opportunity to find their own reflection of that value. It's a mystery of life.

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.•*¨*•.¸¸♪ Soundcloud is a world of many interesting artists and creators. Once you start following them, you quickly realise that you will never be able to see all their latest uploads... because of the badly implemented repost syste... ://BOOM!//: Tuesday, APRIL 8TH 2025// I NOTICED THE ACTUAL Repost Toggle Button SLIDER// ON YOUR OWN FEED PAGE// After 10+ YEARS// MIRACLES ARE POSSIBLE// ((if you give them enough time)) :)))
╚═*.·:·.✧ ✦ ✧.·:·.*═╝

Cheers!

Panopticum – producer of electronic music, Warsaw, Poland. In his music, he tries to search for new, experimental rhythmic structures and colors. He explores the planes of IDM, techno, ambient, electro and experimental electronic music. In his publications, he cannot stay in one musical genre for too long. He searches for and travels the endless ocean of electronic music.

Released on Otake Records, Section27, Nenormalizm Records

https://www.youtube.com/watch?v=wPx30ba0VXw
https://nenormalizm.bandcamp.com/album/apophenia
https://section27.bandcamp.com/track/inventory-of-memories
https://open.spotify.com/artist/4wOnRSNimgP897GQTT8lyV

Music is a moral law.
It gives a soul to the universe, wings to the mind, flight to the imagination, a charm to sadness, gaiety, and life to everything.
It is the essence of order and leads to all that is good and just and beautiful.
-Plato-
Born in Mexico City in 1955, started playing at an early age. In Mexico, I played with many bands like "Batallón de San Patricio", "Atrás del Cosmos", "Queso Sagrado", "Syntoma", " Broken Heart", "Decibel", "Bardo Thodol", and "Kathmandu Ensemble". In New York City I played with Bands like "Volti", "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.

ⓉoneⒸrash is a pseudonym of my experimental, non-profit activities. 
I made my first tonal and musical experiments in the 80s with a Schneider (Amstrad) CPC6128 (Z80 CPU/128 kB RAM). The sound generator in the CPC was an AY-3-8912 (originally from General Instrument), a chip that produced stereo sound and had built-in envelope and noise generators.
(^_~)
Experimental electronic music and sound collages. 
Generative Music and Sound animation. 
Field recordings and Sample manipluation.

Sound design and "Art for the ears"