Love your write-ups. Very informative. Its pretty cool that your jam session was of high enough quality to justify 3 final pieces. :)

Very cool series. I probably should have listened to them in the correct order. Haha. But I'm now curious to hear the final installment.

very nice futuristic atmosphere and texture

Always cool, brother. The beats are stellar 👌

Sonetimes things are just wilted.............

My thanks to Xtib as always for the friendship and his wonderful creative process please visit Russell at  @0pentrax

Wilted Stems   Gina & Xitb

If you ever read one of my descriptions, you know the drill: I conducted a jam session in which I used a vast amount of sounds, settings and samples, and recorded the stereo in Audacity, which I used in post-production to extract the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

This particular jam session was quite extensive, so that I decided to create three tracks from it, so this is the first one. In this particular part of the jam session, I was heavily relying on the Eurorack modules Radio Music and Turing Machine, both designed by the amazing Tom Whitwell. As always, Radio Music provided most of the samples, while the Turing Machine provided most of triggering and modulation of several modules; just to name a few: the aforementioned Radio Music, Basimilus Iteritas Alter, Mordax DATA, Doepfer A-147, Make Noise LxD and the still superb Mutable Instruments Clouds. Especially the interaction between the BIA, the A-147, the LxD and the Turing Machine created that distinct "broken" abstract rhythm that drives this whole soundscape. Additionally, I employed several guitar pedals to add flavour to the synth sounds; most prominently the Boss ML-2 Metal Core, that really makes the Arturia MicroBrute sound almost like an electric guitar.

During post-production when listening through the recording and picking the best parts to create this track, a civil defense sirene test took place in my region and the siren nearby my flat was very audible. Funnily enough, it was quite in tune with the track and in my opinion really matched the oveall sound structure. As I mentioned previously, working with a modular synth system often brings something extraordinary into being by means of those happy little accidents. This time, not only my gear surprisesd me, but also this siren test. 

Unfortunately, I couldn't record this siren sound at that time on the fly, so I decided to use a sample from one of the numerous free sample online sources to recreate that surreal feeling I had during the jam session. So I placed the sample roughly at the same position as it occured during the post-production.

MAB logo by @maxim-lichtenwald, check him out!

I hope you enjoy!

Roger (First Transmission) [Jam session sections: RAW2021 - 3]

Wanna do a song with us!
OK DOWNLOAD AND LETS DO IT !
Here are the rules!
1.You can't sell it or monetize the song
2.you can upload the track to your personal soundcloud only
4.When you upload the song you need to give us credit with this layout for the title - 
Mind Watching Your Elbow X (YOUR NAME)- STIMULUS
3.email us! weenernoose@gmail.com
5. Link us in the description!!!
6. ask us n we will make the album art 4 free

STIMULUS (Open Collab)(OPEN VERSE)(FREE DOWNLOAD)(READ DESCRIPTION)

Music, lyrics, vocal & acoustic guitar: Grave
Bass, drums, acoustic guitars & mix: PJ Project

Free ( The Naked Sacred ) W/ Grave

Daydream of Connections Between Spaces

CHA0S AND BEY0ND

ARTISTS: Maxwell Warren  McKibban, Brayan Mendez, Omar Morales, Victor D. Alba
WRITERS: Maxwell Warren McKibban, Brayan Mendez, Omar Morales, Victor D. Alba
PUBLISHING COMPANY: Ohmni Publishing
PRODUCED BY: Maxwell McKibban
RECORDED BY: Maxwell Warren McKibban, Brayan Mendez, Omar Morales, Victor D. Alba, Flow State Studios, Los Angeles, CA

INSTRUMENTATION BY:
Circuit Bent Computron- Maxwell Warren McKibban, Brayan Mendez                              
     Backup Vocals- Maxwell Warren McKibban, Victor Alba                                                                            
     Bass Guitar- Omar Morales
Midi Orchestration– Maxwell Warren McKibban                                                            
     Keyboard- Maxwell Warren McKibban 
Synthesizers- Maxwell Warren McKibban, Victor D. Alba                                                       
     Circuit Bent Baby Head- Maxwell Warren McKibban                                                           
     Circuit Bent Drum Machine- Maxwell Warren McKibban, Brayan Mendez 


SOUND DESIGN: Maxwell Warren McKibban, Victor D. Alba 
MIXED BY: Maxwell Warren McKibban Flow State Studios, Los Angeles, CA
MASTERED BY: Maxwell Warren McKibban Flow State Studios, Los Angeles, CA

SAMPLES:
“The Sound of the Large Hadron Collider”, Outer Places, Youtube. 
“Funny Scene in ‘The Mask’ 1994”, imlebaneez, Youtube  
“RELAX OR STUDY WITH NATURE SOUNDS:Ultimate Thunderstorm/1 hour”, Sounds of Nature and Beyond, Youtube

COVER BY:
Maxwell McKibban
PHOTO BY:
Jackson Zhao

Zeros and Ones

Enter the Number (Synchronization)

iTunes

Original Lyrics by Tony Harris (below)
Vocals, Music, Instruments and Mix by Glenny G's One Man Band   

I SAW HER WALKIN' DOWN THE HALL
THE PRETTIST GIRL OF THEM ALL
SHE DIDN'T EVEN LOOK AT ME
WHAT COULD THE PROBLEM BE

I ADMITT THAT I WAS SHY
A VERY QUITE KIND OF GUY
WHY DIDN'T SHE LOOK MY WAY
ON THAT PARTICULAR DAY

(CHORUS)
DON'T BE AFRAID TO ASK A PRETTY GIRL OUT
BELIEVE ME I KNOW WHAT I'M TALKIN' ABOUT
DON'T LET IT BE SOMETHING YOU'LL REGRET
DON'T BE AFRAID TO ASK A PRETTY GIRL OUT

WHY DIDN'T I TRY TO TALK TO HER
AND ASK FOR HER NUM-BER
WHY DIDN'T I GIVE IT A TRY
INSTEAD OF BEIN' SO SHY

THAT WAS A LONG TIME AGO
WILL NEVER FORGET THAT DAY 
DON'T BE A SHY KIND OF GUY
I'M TRYIN' TO TELL YOU WHY

(REPEAT CHORUS)

(SOLO)

(REPEAT CHORUS)

SAW HER WALKIN' DOWN THE HALL
PRETTIEST GIRL OF THEM ALL

2021 © Lyrics by Tony Harris (BMI)

Don't be afraid to ask a Pretty Girl out - Original Collab by Tony & Glenny G's "One Man Band"

SCENE 2 (2013)

Dunning–Kruger

original composition & final mix . Arma Ignifera @herronsound
instrumental with slight adjustments is open for collaboration here: https://soundcloud.com/herronsound/truenameopencollab
lyrics & vocals & cover art . Mariam Zohra D : Myrh

lyrics based on this poem: The Crow
https://nothingispersonal.wordpress.com/2016/02/24/the-crow/

included in this compilation
https://sindhurecords.bandcamp.com/track/arma-ignifera-myrh-your-true-name

Sindhu Records

Your True Name | Arma Ignifera & Myrh

Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!

Roger (First Transmission) [Jam session sections: RAW2021 - 3]

Mrs. Audio Boy

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