my SoundCloud marks in a playlist...no special order..newest additions at the end.
a new volume every 101 titles. this is the volume 13.

cloud.selector volume 13

Ladytime

Full album on Bandcamp. https://graphicsontelevisions.bandcamp.com/album/pun

⬇ Full Album ⬇

Drawing Game

Hooah

A remix of a track that's not actually a song. The opener from Graphics on Television's album "Pun" (http://graphicsontelevisions.bandcamp.com/album/pun), it's actually just some dialog and a "blooop" from the studio console. But that's the track I wanted to "remix" so that I could just make a mess.

Two Floors (Color Burn Remix)

SONIDO GALLO NEGRO - EUROPEAN TOUR 2015

15.03.2015 – ES – Lleida – Mud. Festival Músiques Disperses
20.03.2015 – FR – Lyon – ElectroChoc Festival
21.03.2015 – BE – Dixmuda – AB-Clubcircuit – AB @ 4AD

Sonido Gallo Negro (Black Rooster Sound) is a stunning 9-piece, instrumental combo from east Mexico City (Aragon) that channels both the mystique and mysticism of 1960’s Peruvian cumbia. The band integrates styles like Amazonian cumbia, huayno, sonidero cumbia, boogaloo and chicha with electric guitars, Farfisa organ, Theremin, flute and of course fluid Latin percussion. Spaghetti western soundtracks, psychedelia and surf music also echo in their compositions.

The name of the song 'Chamula (métete)' comes from San Juan Chamula, a little town in Chiapas (a Mexican state in the South of the country). Most of the people there are Chamulas and Tzetzales (Mexican first nation) and their lives are full of traditional sounds and a unique way of seeing the Universe. The song documents a cruel battle between the Chamulas and Tzetzales and the state Goverment in 1869. 



Sonido Gallo Negro - Chamula (métete)

This track is from the album “Another Pun,” which is a collaborative re-envisioning of our album “Pun.”

This track the work of pretzels malone. (Thank you so much, pretzels!!!) If you would like to listen to more of his music, please visit his SoundCloud profile here: https://soundcloud.com/pretzelsmalone

If you would like to hear more tracks from “Another Pun,” the full mastered album is free for download on Bandcamp, including two bonus tracks: https://graphicsontelevisions.bandcamp.com/album/another-pun

Thank you for listening! :)

pretzels malone - in wells we well plastic (From the free collaborative album “Another Pun.”)

Also done in Ashland Oregon, during those last innocent days of the summer of 2014...the SpaceRobots worked as consultants and deserve an executive producer credit.



To the Toppermost of the Poppermost (w SpaceRobots)

Hot air in my tree and a bed of books......Boom

Alright Now

www.TheEchoSociety.com is a Los Angeles-based collective that gathers to create and share new sonic and visual art. Our third concert "Bloom," featured a 20 piece chamber ensemble performing original works for the first time, alongside special guest composers Amon Tobin and Ryat.

The LA-based ensemble, comprised of traditional instrumentation mixed with electronics, was created for the show and conducted by our very own Joe Trapanese. The sold-out night showcased visual design by Brady McGowan & Effixx, and sound & mastering by Satoshi Noguchi. Recorded live March 12th, 2015 at Vibiana in Los Angeles. 

Deru (Benjamin Wynn) - One Long Night

Nebenwirkungen

Featuring Janelle Monáe, Deep Cotton, St. Beauty, Jidenna, Roman GianArthur, and George 2.0.

Hell You Talmbout

Track from the new Carter Tutti Void studio album f (x). 
Released 11th Sept 2015.
Pre-Order Now UK: http://cargorecordsdirect.co.uk/products/carter-tutti-void-f-x
Pre-Order Now USA: http://www.forcedexposure.com/SearchResult.html?SearchType=Basic&Type=artist&Key=CARTER%20TUTTI%20VOID

Details at http://www.industrial-records.com
YouTube link: http://youtu.be/zsRL5xUC-c0

f (x)

2.6.2 (edit)

Carter Tutti Void - f=(2.6.2) (edit)

Artist: I.B.M. (Insane Black Man)
Album: From The Land Of Rape & Honey (The Suppressed Tapes) 1995 - 2005 
Label: Interdimensional Transmissions
Catalog: IT 35

Jamal Moss (aka I.B.M. - Insane Black Man) is a lost warrior of sonic truth. We first uncovered his music through his own Mathematics Records, where we were shocked to find a unique permutation of the Chicago Jack gene. We came to find out that Jamal was educated in the biz by Adonis and Steve Poindexter, and the last of the line of producers directly inspired by two pillars of influence: Ron Hardy at the Muzic Box and the club Medusa’s. This makes him uniquely qualified to write a new chapter of Chicago's history.
 
Digging through shoe boxes of cassettes, video tapes, and mini discs, we have collected the secret tapes of one Insane Black Man. This is an archive of the impetus of his genius, containing perhaps the holy grail of all Jamal Moss tunes “The Land of Rape and Honey” and “Tribal Retribution”. Artists on labels like LIES are still searching for these originals. We have taken them from their dusty and damaged condition and painfully & meticulously restored them, using the mastering labs of Neel’s Enisslab Studio in Rome, and for the few that even he couldn’t do, we had Carl at TruTone finish the restoration. Now we can present these fragile raw and pure visions with the greatest level of quality. Finally the full impact of these ideas can be felt. 

Jamal describes his music as “post industrial angst in an urban environment.” His first experience at the Muzic Box was standing outside the warehouse space on 326 Lower Michigan Ave just watching people come outside to catch air, fascinated by the energy he was experiencing. At a later location he was finally able to get in and describes the experience as “overstimulating, I never saw anything like that, you could see the heat, it was like a sauna of raw sweat.” Later, he would spend much of his formative years at Medusa’s experiencing the city’s more alternative culture. Many people may find this surprising, going from the Muzic Box to Medusa’s, from the roots of House Music (and Techno) to the home of the Industrial sound that perhaps Wax Trax best represents. But that kind of stereotypical thinking doesn’t allow for the truth of what actually happens, people cross boundaries, experience other scenes and cultures, absorb them and add to them. No one should be prescribed a set of interests because of where they are from or what race they are born.

Jamal reminds me that Duane Buford, creator of the first record on Dance Mania and co-writer with Jesse Saunders and sometimes Vince Lawrence of such early house songs as “Funk-U-Up” (Jes’say 1984) and Le’ Noiz’s horror house bad trip jam “I’m Scared” (Trax 1985), was also a member of the Revolting Cocks and Ministry. Before Mathematics took off, Jamal was in talks with 4AD to make an industrial record for the label. These towers of influence collide easily in the mind of the Insane Black Man. Why must we call him insane? That may be society’s futile view, which would prefer to put everyone in easy boxes, whereas we would be more likely to call him a visionary. 

In his own words:
Purpose & Reasoning of Collection of Works None just for therapeutic purposes 2 Exercise The Demons 2 keep oneself from going over The edge. 
All material collected from various cassette tapes / VHS / Mini Disc stored Away in Old grey shoe boxes.
Genre : Industrial / Experimental / Art / Tribal Noise / EBM / Social Distortion 

All Compositions created between 1995 - 2005 


09 Hate The Truth And Live The Lie

Wall Erected Side A

Remnants

irrid-cid-erate

It's a made up Bond theme. Have had several attempts - this is first one I think is passable. Know I don't have the voice for it, but hopefully gets the idea across. Mixing/mastering very difficult (orchestral stabs are world of stress, vocal is still not mixed right) - still working on that. Not sure to call it Let It Burn or The Devil May Care. I am a big fan of Bond themes/music and am hoping the new proper Sam Smith Bond theme (which is imminent) is a good 'un. Many thanks to @jonathan_beckenstein for his very helpful advice on an earlier version of this song and to @faerytale for her encouragement!

The Devil may care
To walk by your side
Your soul may be lost
But your heart’s open wide

You’d lay waste The Earth
You’d pull down the stars
A love that’s so pure
Is a love that destroys

What use a world that always turns away
When life’s so torn?

So let it burn
Yeah let it burn
Just let it burn

The Devil may care
To raise-up your pride
He’s seen through your eyes
Seen the tears left un-cried

And as your passion spins out of control
It’s like you reached out for the sun
But then it’s gone

So let it burn [etc.]

The Devil may care
To walk by your side
He’s seen through your eyes
See the tears left un-cried
A love so pure
A love that destroys
What use this world
When life’s so torn
So let it burn

The picture is a detail from http://www.nasa.gov/mission_pages/sunearth/news/News070712-X1.1flare.html

Made-Up-Bond-Theme: Let It Burn/The Devil May Care

Internecine III (Makee) from Resettled by Internecine: The Vanished Musicians

https://internecine.bandcamp.com/album/resettled

'Resettled' is a creative/procedural generative audio remix project, birthed from a piano loop from ‘Railway Spine’s “Damnatio Memoriae”, inspired by Werner Baer’s arrangement of Jewish hymn “Emet Ki Ata”. Stems were distributed internationally to seven sound designers and musicians in sequential order, with each participant reworking the arrangements of the previous – “a remix of a remix of a remix”.


The Vanished Musicians - Resettled - Internecine III (Makee)

GreyMatter - Big Kick Drum and created using the "Machine Gun.ensemble" playing slow at 60 BPM, then layered with the "Newscool.ens" for the clap in verb type sounds. Tiny snare and hi-hat made with the "SineBeats2.ens. The high spiral/phasey noisy effects where all from two instances of the "TG-8H" ensemble. The knocking wooden sounds in space are from Rick Scott's "sampleThrasher_v1.ens". 

cloud.selector volume 13

ulezak