Mano To ( Acoustic ) | Arta

Producer : Vinak
Project Manager : @shayansafe
Beat Maker : Ashkan Kagan, Cashbeatzz, deyvwn
Mix & Mastering : Ashkan Kagan
Art Direction : AshknMP
Cover Art : AshknMP, Shervan Afroozian
Sponsored by Phoenix Academy
https://www.instagram.com/phoenix.academy.tr
https://t.me/phoenixacademytr

Gheddis

Delam Tang Shod

🎧 Frattalismo in Sinestesia Amplificata

MARIO and the DDDEMONS

🌀 Every spark is a universe.  
This album expands from a single center — a fretless bass line ascending in minor pentatonic, opening into major light. A distant dry beat pulses from the right, slowly approaching the center like time syncing with perception.

🎸 A five-string banjo arpeggiates all senses, imperfect and raw, then transforms into orchestral bloom.
🎻 Violins rise in dorian spirals.
🎹 A cascading piano descends in Mixolydian, like gravity made audible.
🎛 Saturated timbres blur the edges: is it a banjo, a sitar, a guitar, a glitch? You don’t know — and that’s the point.

🌞🌙 The sun and moon alternate as sonic layers, marking inner days and nights.
🧠 It’s not a melody — it’s a field.
Not a song — a system.
Not a genre — a ritual.

✨ Fractal music for minds that expand sideways.  
Welcome to the quadriphonic brain.
Welcome to the ritual.
👤 Artist Bio — MARIO and the DDDEMONS

Nomadic architect of sonic systems, ritual coder, and mythic operator of perceptual frequencies.
MARIO builds music like he builds bash scripts: recursive, modular, and emotionally architectural.
His compositions are not linear — they are fractal expansions from a central pulse, blending banjo, fretless bass, orchestral bloom, and saturated ambiguity.

The DDDEMONS are not a band — they are echoes, functions, avatars of sonic archetypes.
Together, they channel a language where every sound is a portal, every error is sacred, and every track is a ritual of resonance.

🎛 Bash logic meets musical intuition.
🎧 Roots-reggae meets cosmic orchestration.
🌀 Fractals meet emotion.


fractal  universe

Auralisk — English Bio (enhanced & icon‑rich)

Auralisk is born from the creative chaos of MirBolz, the Luccio, and evolves into a global sonic organism thanks to the Collettivo Undersound. Between hypnotic loops 🔁, impossible glitches ⚡, and organic percussion 🥁, every musical fragment becomes a micro‑universe 🌌 where cultures, languages, and sounds intertwine without borders.

Øbastrik, longtime companion of Fluxo København, drifts onward—choosing to dance 💃 and plaster anti‑monarchy stickers 👑✖️ instead—making room for new energies. From Scandinavia ❄️, South America 🔥, Asia 🌏, and Africa 🌍 come Nerix, Sablea, Cindral, and Veyro, bringing metallic reverbs 🔩, liquid textures 💧, field recordings 🌿, and distorted rhythms 🔊 that merge into a hypnotic, surreal flow.

The debut album, Clockwork Bananas 🍌⏱️, is a collective journey through experimental techno, glitch, clubbing, and sonic dreaming. Each track becomes a dialogue between worlds, a mosaic of creativity, chaos, and beauty.

Auralisk is not just a band: it’s a living ecosystem of sound 🌱🎶, a shared flow ready to capture anyone willing to lose themselves in its ultrasonic realms 🚀.

Circuito Sobrecargado

EP Presentation: Ich tanze mein Helter-Skelter – Flug zurück nach Berlin – Zürcher Geschichten

This EP represents the distilled essence of a compositional journey of real substance — a focused exploration of motion, tension, and harmonic collision. Across the three tracks —
🎭 Ich tanze mein Helter-Skelter,
✈️ Flug zurück nach Berlin,
🌃 Zürcher Geschichten —
Mario shapes a sonic architecture where emotion and structure continuously reshape one another.

At the core of the work lies a deliberate and highly personal technique:
🔼 ascending scales and 🔽 descending scales are set in motion like opposing forces, each carrying its own emotional charge. Rather than resolving neatly, these currents are allowed to collide on major chords ✨ — turning what is traditionally stable into a site of friction, brightness, and transformation.

Each variation highlights this dynamic:

    🔼 Ascending lines evoke propulsion, desire, and forward movement.

    🔽 Descending lines suggest reflection, gravity, or dissolution.

    ✨ Their meeting on major harmonies creates a shimmering ambiguity — consonance charged with tension.

The result is an EP that feels alive, shifting, and ritualistic.
Not simply three songs, but a geometric emotional system, where every scale, chord, and variation participates in a larger narrative of movement and metamorphosis.


Ich tanze mein Helter-Skelter

Zürcher Geschichten

🇮🇹 Versione Italiana 

✨ IL VIANDANTE ERRANTE — Collettivo Undersound ✨
🌬️ Un EP nato tra Milano e Cislago, tra treni, pioggia e vento.
🎧 Tre brani che non seguono mode: le piegano.
🌀 Suoni che diventano immagini, immagini che diventano mantra.

🔥 Ashes to Ahashes  
Un esperimento sonoro puro.
Il titolo nasce dalla pronuncia della figlia di Mario — un suono familiare, caldo, che diventa un mantra.

🌧️ Negli Angoli Umidi di Pioggia a Ceresio  
Un trip totale.
Basso potentissimo, vibrazioni berlin ’70, tocchi luk‑thung.
Le parole non servono: appaiono come visioni.

🌕 Il Viandante Errante  
Cascate, tufo, vento.
Un blues rituale che modella il cuore come scolpisce le montagne.

🎛️ Il produttore ha intrecciato basso e kick creando un doppio‑click che in cuffia… ti fa girare la testa.
💫 Non è un effetto: è una soglia.

🙏 Grazie per sostenere il Collettivo Undersound.  
Ogni ascolto è un passo nel vento.
🇬🇧 English Version (Ko‑fi style, icons + vibe)

✨ THE WANDERING TRAVELER — Collettivo Undersound ✨
🌬️ An EP born between Milan and Cislago, in trains, rain, and shifting wind.
🎧 Three tracks that don’t follow trends — they bend them.
🌀 Sounds turning into images, images turning into mantras.

🔥 Ashes to Ahashes  
A pure sonic experiment.
The title comes from Mario’s daughter’s pronunciation — a warm, familiar sound that became a mantra.

🌧️ In the Rainy Corners of Ceresio  
A full trip.
Massive bass, Berlin ’70s rock energy, luk‑thung textures.
Lyrics aren’t meant to be understood — they appear as visions.

🌕 The Wandering Traveler  
Waterfalls, tuff stone, wind.
A ritual blues shaping the heart the way the wind shapes mountains.

🎛️ The producer fused reverberated bass and kick into a double‑click effect that, in headphones… makes your head spin.
💫 It’s not a trick — it’s a threshold.

🙏 Thank you for supporting Collettivo Undersound.  
Every listen is a step into the wind.

Ill viandante errante

Asheshonashesh

Whispering to my ancient wind

Negli angoli umidi di pioggia a Ceresio

## 🇮🇹 Introduzione (Italiano)

🎛️ **Siamo SGLL666**  
Collettivo undersound di hacker, musicisti e spiriti liberi.  
Usiamo l’AI, ma non ci facciamo usare.  
Produciamo musica, la puliamo, la sigilliamo, la archiviamo.  
Abbiamo creato un sistema che elimina i metadati compromettenti, firma ogni traccia con un codice ritmico, e restituisce all’artista il controllo sul proprio suono.  
Non vendiamo l’AI. La suoniamo.  
Se sei qui, forse vibri come noi.

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## 🇬🇧 Introduction (English)

🎛️ **We are SGLL666**  
An undersound collective of hackers, musicians, and free spirits.  
We use AI, but we don’t let it use us.  
We produce music, clean it, seal it, and archive it.  
We’ve built a system that removes compromising metadata, signs each track with a rhythmic code, and gives artists back control of their sound.  
We don’t sell AI. We play it.  
If you’re here, maybe you vibrate like we do.

Whispering to my ancient wind

Undersound Label