Focus is described by our crowd as a place with an unrivaled sound system, a deep underground vibe, and an intimate setting between the DJ & the dance floor. 

We're all about the music, and the people that attend our weekly events. 

For Booking/General Inquiries: info@focus-oc.com


Wicked founder, Full Moon Party pioneer and musical mischief maker since the 80s. Currently host of the enigmatic "Noise From The VOID" radio show, with a 20 yr run of live broadcasting. Relaunched Wicked Records in 2016 with both vinyl/digital releases. Check it - wickedrecords.net

grown in Chicago, rooted in Aus

Booking:
James@greens-keepers.com

James Curd began his DJing career in Chicago when he was only fifteen years old. Being underage, Curd was snuck into events to play at raves and clubs he was not legally allowed in. He played along side some of electronic music’s most respected acts and DJs. Through his love of DJing and music Curd began to write and produce for himself. At nineteen Curd released his first track on the globally respected label “Basenotic” out of Paris. From there Curd created “Greenskeepers”, a name to represent himself and the wide range of music he wrote and the artists he collaborated with.

As “Greenskeepers” Curd released an array of music on Classic records. He made his mark on the dance music world by infusing swing music and Chicago house to invent the term G-Swing, being short for Greenskeepers Swing. Curd focused on G-Swing and started a label by that same name to feature this unique sound. Around this same time Curd also owned and operated two other record labels “Igloo” and “Greenskeepers Music”.

Curd has released four full length albums under Greenskeepers, “Ziggy Franklin Radio Show”, “Pleetch”, “Polo Club” and “Live Like You Want To Live”. Curd has also had phenomenal individual success with releases on DFA, Permanent Vacation, Exploited, Eskimo, ETC ETC, Bang Gang, OM, Ministry Of Sound, to name a few. Curd is also highly sought after for his remixes. He has remixed artist such as Juan Maclean, PNAU, Midnight Magic, Poolside, Kaskade, Hercules & Love Affair, Groove Armada, Flight Facilities and more. Curd’s music has also been remixed by great artist like Poolside, Flosstradamus, Juan Maclean, Gigamesh, Treasure Fingers, Pepe Bradock, The Rapture, Dimitri From Paris, Flight Facilities and Derrick Carter.

Four of Curd’s songs have been featured on “Grey’s Anatomy”, while others have appeared on T.V shows such as C.S.I Miami, Point Pleasant, MTV Real World and Keeping Up With The Kardashians. His music can also be found in foreign films as well as main stream movies such as “What Happens In Vegas”,”The Vow” and the hugely successful animation “The Incredibles”. If you listen carefully, you will even find Curd’s work on BBC documentaries and American Airlines inflight radio! His work in T.V. and Film has enabled him to work behind the scenes as a music supervisor. His latest film “Crush” is produced by Intrepid Pictures and features an amazing array of artist from around the world hand picked by Curd to fit each scene perfectly.

Curd has toured the world over, renown for his energy behind the decks and his ability to make a party. Curd has performed at some of the world’s most respected clubs. From Fabric in London, The Avalon in Los Angeles, Home in Sydney to The Arches in Glasgow. Curd has also been part of festivals such as Park Life in Australia, Lollapalooza In Chicago, T In The Park in Scotland and Electric Picnic in Ireland.

Curd continues to consistently release quality new music by pushing his sound while also staying true to his roots. He has started a new band called “Favored Nations” with singer Morgan Phalen who has also worked with Justice and Phenomenal Handclap Band. The third bandmate is Sid Who?, who also plays bass and guitar for Empire Of The Sun. Curd is also putting together a mix CD coming soon on Ministry Of Sound. With Curd anything and everything can be expected. Whether it’s Rockstar Games using his song for the “Grand Theft Auto 4” Ad campaign or his latest EP sitting at number one on Juno, you never know what to expect from the talented Curd or where his music might pop up.

Witness DJ Finesse’s artistry on the turntables, hear his work in a blockbuster film or experience his meld of musical selections alongside celebrity clientele. The Brooklyn-born, Queens-raised record spinner exhibits his talents on a wealth of platforms, all with the same skill and flair that his moniker exemplifies. With more than 15 years solidifying his brand in the entertainment industry, Finesse’s reputation speaks for itself.

As a Puerto Rican kid raised in a tight-knit family, music was the soundtrack to his life. His mother had a passion for Spanish boleros, his sister grooved to ‘80s pop records and his father, whose musical palette was widespread, served as a drummer with a local Latin band. Before Finesse put his hand on two turntables, he laid eyes on his dad’s equipment, which kickstarted his appreciation for the many aspects of producing quality sounds. His father’s inspiration and the gift of a DJ setup fostered his creative energy.

Fifteen years old marked a significant milestone for Finesse. Armed with his first Technic 1200 – just a single turntable at the time – he began traveling the road to DJ credibility. An avid sports fan, he parted with a hefty baseball card collection to score a second turntable. Practice makes perfect and with the right equipment, Finesse was on his way to following in the footsteps of lauded mixers that influenced his abilities -- DJ Premier, Kid Capri, Red Alert, Funkmaster Flex, Stretch Armstrong and John Robinson, among them. 

Since scoring his first New York City gig at Club Expo years ago, DJ Finesse has come a long way. Many of Manhattan’s hotspots have since shut their doors, but during their prime, he captivated crowds with his soundscape. From hip-hop to house, Finesse played tunes during residencies at The Tunnel, Crobar, Spa, Pangaea, Gustovino’s, One and Mansion. Clubgoers at venues like Juliet, Tenjune, Home and M2 have also been privy to his talents. He currently showcases his turntable techniques at New York City nightclubs Amnesia, Gunbar and Crimson, where he holds residencies, in addition to spinning monthly at Providence in the Tropicana Hotel in Atlantic City.

On a larger scale, he’s rocked the house at Madison Square Garden, The Silverdome, Miami Arena, The Superdome, The Alamodome, Texas Stadium, The Target Center and The Continental Airlines Arena. In 2002, he landed Cancun gigs (The City, Bulldog and Fat Tuesdays) for both spring and summer breaks – which continue yearly -- and since 2003, holidays like Memorial and Labor Day weekends have brought him to Las Vegas, where he’s mixed records at LAX, Foundation Room and more.

Party rockers have undoubtedly experienced his quality mixing, but so have Hollywood’s elite and the entertainment industry’s frontrunners. Finesse has earned headlining DJ credits at shows for Rihanna, LMFAO, 50 Cent and T.I., among others. With a history of spinning events like ‘N Sync’s MTV Awards after-party and MTV’s “Millennium Bash,” there’s more than one solid reason why he’s chosen over his competitors: precision, originality and versatility. 

His resume includes performing at the Bud Bowl party with Snoop Dogg for Super Bowl XLII, was featured in the hip-hop documentary “The Freshest Kidz” and on the MTV LP compilation Masters of the 1 & 2: History's Greatest DJs and since 2010 serves as DJ Premier’s resident substitute on Premier's Sirius XM radio show "Live From Headqcourterz,".

Some of his most respected work to date comes from a collaboration with rapper Ghostface Killah of Wu-Tang Clan fame. Blending artists’ records is second nature for DJ Finesse, but so is crafting original records, which he’s done for the rhymer. In April 2008, Finesse produced Ghostface’s “Slept on Tony," a song featured in Paramount Pictures’ blockbuster movie Ironman. The track was also featured on Ghostface's Greatest Hits album. Two years prior, in 2006, another successful project with Ghostface earned him placement on the rapper’s More Fish LP: he performed the scratches featured on “You Know I’m No Good,” which featured celebrated singer Amy Winehouse.

A true definition of a creative New Yorker, DJ Finesse’s passion lies in delivering quality music to eager listeners. His collective talents, from turntablism to production, will come to fruition on his debut solo album, which he’s currently crafting. His name stems from having skill in handling a difficult situation -- after all, only a few can master the art of the mix – but it’s artful management of his technique that truly defines what he’s about.



Keep Bouncing.

Drawing inspiration from decades of Funk, Latin, Jazz and Hip-Hop music, Altered Tapes remixes / re-edits / reworks the classics. Extracting their basic elements and then reconstructing into dance floor bangers.

The production / DJ duo consists of Maker & DJ Trew. Fueled by a passion for crate digging, original breaks, and timeless music, the overall concept of the project is to elevate the art of the remix to unexplored levels. Their creations remain true to the original artists & songs, while at the same time becoming completely new compositions.

Live and direct from the Windy City...

Booking/Remix/Press inquiries --> info@alteredtapes.com

From 1996 through 2005 Moody Recordings regularly released tracks from some of the most influential players in house music. Hailing from Chicago, Moody became known by DJs as the go to label for the purest of house sounds. After taking a few years off, the Moody team is reuniting and ready to resume releasing only the highest quality house music. Thanks for your support. 

Rhythm Scholar Remixes available at:
www.rhythmscholar.com

Join the Rhythm Scholar mailing list to be alerted when new remixes are posted. Send an email to music@rhythmscholar.com.  Subject = Subscribe

Contact:
rsremix@yahoo.com
www.facebook.com/rhythmscholar
twitter: @RhythmScholar
www.rhythmscholar.com

Persnickety
Blue Cucaracha
Derrick Carter
B.H.Q.
The Innocent
Sound Patrol
Classic Music Company
Class Act

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