忍者Vtuber、芸能忍、武道家、日本語の勉強、ミュージシャン、尺八奏者、芸術家。コラボには気軽にＤＭしてお願いしますする。#忍者Vtuber #尺八 
Ninja Vtuber,  Ninja performer,  martial artist,  Japanese language learner,  musician,  shakuhachi player, artist,  If you would like to collaborate with me, feel free to message me.

In the early 90´s I formed the swedish electropop duo Daily Planet together with vocalist Jarmo Ollila. The singles "Milky Way" and "Radioactive love" was released in 1995-1996, followed by the first - and only - album "The Tide". Until 2014, that is. In september 2014 we released our second album, called "Two", on Swedish label Progress Productions. It was followed by our 3rd album, "Play Rewind Repeat" in May 2017. In between those two, my solo CD album"Like Before" was released on June 5th, 2015. Order your copy here:
http://progress-productions.com/product.php?pid=85&aid=120

For more info and updated news, visit:
facebook.com/bstrommusic

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For info on Daily Planet, please check out facebook.com/dailyplanetband

Oh, and for the synth geeks like myself here´s a list of the instruments I currently use:

Akai AX73
ARP Odyssey
ARP 2600
Arturia MiniBrute
Crumar Bit One
Dave Smith Instruments Prophet ´08
Korg MS-20mini
Korg Volca Bass
Korg Mono/Poly
Korg Poly-61
Modal Argon 8
Moog Little Phatty Stage II
Moog Minimoog Model D
Roland Juno 106
Roland Jupiter-6
Roland JX-3P/PG-200
Roland SH-09
Roland JV-1080
Roland P-330
Roland JD-800
Sequential Circuits Pro-One
Sequential Prophet-10 rev4
Waldorf Streichfett
Yamaha DX7
Yamaha CS-10

Flying Foxes are a musical duo based in Sydney comprising local Benjamin Maher and New Zealand expatriate Rachel Wintle. Their second album Beat Repeat is released on 9th April 2013. Jordy Lane (https://soundcloud.com/jordy_lane) returned to mix, record and produce the album while he wasn't busy with with own bands Shady Lane and Richard In Your Mind. Flying Foxes are blissfully independent artists - if you want to know more please get in touch with us.

The creative director, DJ & producer has a flair for reading and connecting with the crowd, creating that mercilessly upbeat and unpredictable sound that makes us feel emotion on the dance floor.

Simply put, Salah Sadeq’s music is the joy in a child's eyes when he does something naughty and knows he'll get away with it.

A passionate global artist who, for the last 24 years, has thrived in the field of music and design, he has developed his sound across time, collaborating with a number of high profile international and regional artists, venues, labels, agencies and brands.

An experience of Salah’s magical sets is one that remains with you for days, weeks and months. It’s from within his passionate soul that he reaches out, with a style of music that spans deep - house - groovy - electronica - techno - acid - disco - dub - abstract beats and pieces that get under your skin; a truly experienced versatile style that never fails to infect the listener with a dirty groove.

Born and raised in Bahrain, he developed his skills from the very young age of 14, performing at the infamous “Tameem” night club, varied underground gigs, which led to him becoming the weekend resident DJ at “Likwid” Bahrain from 1999. Gradually, he took over running his own nights at the club, on the island, and in the region, building a reputation that resonated with his Dutch audience in Amsterdam, where he began to make his mark on the international circuit.

Close to home, he has played alongside a number of big artists in Dubai, too many to list, with Laurent Garnier, Josh Wink, and Sven Väth being stand-out moments for Salah.

His adventures have seen him play in Berlin, Amsterdam, Toronto, and Tbilisi. He’s been behind the decks across Europe and the Middle East, and toured India.
Aside from repeat returns to Amsterdam Dance Event, he’s played at Pacha Festival Amsterdam, Silver Network Anniversary @ Showcase Paris, and Sven Väth’s 2015 Tour in Beirut, as well as at a few intimate gigs at the iconic Studio 80 Amsterdam, The Woods Brussels, and Lisi Woods Tbilisi.

Collaborations are some of his favourite things, working and sharing across artistic endeavours, and he’s been a part of projects with Beirut In The Mix, Half Baked in Dubai, Ohm Event’s Ill Communications, Electric Days, Infusion Magazine. He’s built the popular weekly radio show The Crate. His concept Techfui, born out of his early days in Bahrain, is the definitive ethos of his artistic and creative self, and has invited guest DJs like Ame (Frank Wiedemann), Peace Division, Mazi, and more. The Techfui ethos has lived on with his sets, collaborations and the family has grown, with the label launching in 2014.

On a brief hiatus in his homeland Bahrain after living between Dubai and Tbilisi, Salah is a regular at leading venues and nights in the scene. His love for mixing music has, in recent years, lead to regular productions and collaborations, seeing Salah release his first EP aptly titled “Techfui” on Gold Drama Recordings featuring Jef K, Salar Ansari, Hoolz, and Mi.Key in 2014. Shortly afterwards, he released his second EP “Paris with a K” on One28 Recordings with remixes from Jef K and Ronin & Nesta. Since then, he’s worked on a number of collaborations, 2016 seeing the release of EP “4 Blondes” on Stripped Off with Kay aka Khalil Touihri, “Ummm” on Enfant and 2017 starting off with “Sleep Smoker” on Proper Slap with Hoolz. 

His latest collaboration effort has seen him team up with Cheh as duo “Saché & Saché” with a V.A. EP out on Ukrainian label Nastroy, a couple of remixes under his Salacious alias for his brother Sadeq on Diametral and Rada on QM Allstars. Known for not sitting around Salah has kept himself busy during the said hiatus with new collars with Rashed Aldhaen seeing light in 2019.

I moved back to my first account-- hey, all 56 (now 80?) of my followers, please go follow.

Get a Wario Land 4 soundfont *with named presets* here: https://www.polyphone-soundfonts.com/en/files/27-instrument-sets/425-wario-land-4

tahutoa's actual second account.
Pride, Envy, and Anger are my vices.
https://soundcloud.com/tahutoa

Soundfonts that I use the most (in order of prominence):
Wario Land 4 (for pretty much anything, because I love WL4's sound)
OmegaGMGS2 (My go-to soundfont strictly because of how many High Quality out-of-the-way instruments there are)
SGM V2.01 (For when the OmegaGM variations of instruments are lacking)
Touhou (Flute, Saxophones, as well as some Basses and Harpsichord, otherwise same as SGM, where it's to stand in for OmegaGMGS2)
Earthbound (for Overdriven Guitar and other Pokey-related instruments)
Mother 3 (for 8-Bit and Synth stuff, usually)
Get a list of Preset names for (the original ver. of) the Wario Land 4 soundfont here*: https://warioforums.com/attachments/wario-land-4-soundfont-instrument-names-zip.6962/

*Appreciate it; altogether it took me something like 8/9 hours. The first 5/6 to listen, write down what I'm hearing, switch instruments, repeat over 200 times. Then, many months later, go through it all over again, this time to write down the Preset/Sound Bank relationships for each one, because I didn't the first time, and my laziness came back to haunt me once I started fiddling with Polyphone, intending to rename the WL4 presets and make my life easier.

The Classic Cluster was formed on January, 7 2008. Starting from friendship during high school who happened to be equally fond of classic rock ‘n roll music. And because the music like this rarely to be played on the radio or on television, then they casually but also serious to form a rock ‘n roll band, with include same elements of blues, rockabilly, and country …

Initially, 3 person, they are Agung (Vocals), Andy (Guitars), Adit (Bass). And 3 months later Didin (Guitars) and Eko (drums) joined. After 2 years of running, Eko leave the band, and positioned the drum has been replaced by Yugo.
For the name of The Classic Cluster it self has no special meaning. Originally started from the word ‘Cluster’ of such a nature type of headache pain sharp, dull, unilateral location and orbital (around the eyes), duration of pain between 15 minutes until 120 minutes, the attack frequency in groups with long remissions, symptoms accompanying ipsilateral lakrimasi (watery eyes on the same side of head pain that arises), red face and nasal congestion / Horner. Horror right? hahaha … then combine it with the word ‘Classic’ to give the impression of a vintage but still have value and quality.
Now, The Classic Cluster try to be consistent with his own music that they choose for the sake of idealism and satisfaction. Yeeaahh …

"The London Steve Reich Ensemble is an outstanding group of young musicians.
They have a superb feel for how to play my music. Their performances pulse with life" Steve Reich

The London Steve Reich Ensemble is the only group in the world that composer Steve Reich has allowed use of his name besides his own group. Founded and led by the artistic visions of Vincent Corver & Kevin Griffiths. Pianist/CEO and Conductor/Artistic Director.

The group came together in 2005 at the Royal Academy of Music in London, receiving immediate high acclaim from the Academy itself for its impeccable performances in the first year of its existence. The LSRE has moved forward in the years, performing throughout Europe’s renowned venues such as the London Duke’s Hall, Tonhalle Zurich, KKL Lucerne, Schönbergsaal The Hague, Cheltenham Festival UK and many others.

The LSRE received the Diapason D’Or Award for its first CD under the CPO label, only 2 years later being contracted under Warner Classics (Formally: EMI Classics) for its second CD. The CD includes the string ensemble pieces Triple Quartet and Different Trains by Reich, conducted by Kevin Griffiths for acoustic ensemble. The CD also features the World Premiere arrangement of the 1973 work “Six Pianos” by Steve Reich, now released under the new name “Piano Counterpoint” in 2012. A work that received its World Premiere Performance on The Pearl – Qatar in December 2012, by Vincent Corver, who was personally commissioned by Reich to make the arrangement. In January 2013 the work was taken into the official hire-library of the music publisher Boosey & Hawkes. Various global premiere performances are due throughout 2015 and 2016.

The Ensemble has set new ways in the collaboration with the London Royal Ballet, and the choreographer William Tuckett. A new world premiere choreography has been set for 2016. 

The London Steve Reich Ensemble is known for performing not only Steve Reich, but programming his music alongside other repertoire, complimenting the music of Reich. The performances are recognized by international critics for their intense vitality and precision, whilst keeping the natural flow of sound and where the repeat is not performed as a repeat, but as a micro incremental development.

Steve Reich's style of composition has been hugely influential to many composers and musical groups. He is also equated as the Andy Warhol of classical music. Described by The Guardian as one of "a handful of living composers who can legitimately claim to have altered the direction of musical history". Many critics including Kyle Gann quoted "may...be considered, by general acclamation, America's greatest living composer".

For those who dont know, those who dont want to know, and those who never will know but actually want to but don’t already and wont ever.

2024:
29.06 -  Summer Solsztice Deep Forest Listening from Music For Airports (Live) - West of East Swampland 
13.07 - Slurp Of The Antics -  Bungalowdorf of the Deep South (Live) @
19.07 - Suck The Lemon - At the heart of central swampland (DJing)
17.08 - Friendly Gathering TBA - North-Westswamphalia (Live + DJing)
24.03  Carpet Airlines- Studio db 6hr rotation mix with Amanita, Glu, Nipuna, Valcat & Ceremonial Rite
3.03 - Fandango - in the Lighthouse w/ Siofra, DJ Chichi, JM Moser
11.02 Carpet Airlines -- Studio db w/Amanita, Sister Effect, Margeux Gazur, Wutu & DJ-16
10.02 - Fuck The Lemon (formerly suck) Kirsche Von Unten - Storkower Str. w/ MOSH, God69, Kindeyes & Pierre this Party (its a family affair
2023:
29-12 Hens Teeth  w/DCFSL, Shauna, Rory Bowens, Transmigration 
27-12 - The Big Romance /all night long
30.11 Giri (Hermannstr 14)
14.11 - Cashmere (live improvised electronics)
08.09 Paloma Bar - First Second Label night!
07.09 - The Aquarium @ Zur Klappe (Davemantel 2o023)
12.07 The Big Romance - Dublin
1.07 - Blue Velvet - Britz 

27.05 Cashmere Radio - Fresh Fruit (subbing For The Frosch Prince) 
22.04 Suck The Lemon - Blue Velvet (Britz)
17.02 - Paloma Bar - First Second Label Night
12.02 Fandango @ Strandbad Plötzensee - in the Aquarium
19.12 Hang Dai - Dublin with First SecondLabel & AllCity Records
11.11 Suck the Lemon - DM for location
05.10 Baleiric Dungeon @ Bar O Tannenbaum w/Nadia Wise all night long
22.09 - Zweiners - an Evening im Tschungel - DOQ in effexct
05.08 Suck The Lemon 6 - Lichtenberg

19.03 Improvised tape loops and Modular Synth - Skalitzer Strasse w/Dj Küsse 

Digital Lighter Recordings - Release 001 - tba
DJ SETS @
July 27 - Promenade Eck w/Pat - all night long
June 26 - Unilitro - Renate
June 16 - Zweiners-Boddinstr.
April 1st Heiners Bar W/ Fifi, all nightt longg
SUCK THE LEMON 5 -- March 19 - (JUNGLE Special) The usual spot---
Refuge Radio - Feb 5th 
30.10.2021 SUCK THE LEMON Part 4 @ Don Xuan-
03.09.21 Sucking the Lemon Part 3
19.07.2021 Suck the Lemon // Part 2
21.05.2021 - Suck the Lemon W/FIFI-DJLOQUAL&THARIM&ZACK-D-CRAZY_VIDEO SELECTAZ
27.02.2020 - An Evening im Tschungle @ Oh Calcutta Koloniestraße 9, 13357 Berlin.

The proportion of the world's population that haven't heard of The Graveltones is shrinking rapidly with every passing day. Where on earth did these guys spring from?
Well... picture this (preferably whilst cueing up some Gravel-tunes...)
Two boys from two towns in Australia run away to London, each in search of a channel for their immense musical talents. A chance meeting on London's famous Tin Pan Alley, where the likes of The Rolling Stones and The Sex Pistols were part of the furniture back in the day, brings them together into a music studio for an exploratory Jam session... No-one knows what happened in that room on that day, but the world, or at least most of central London certainly heard what happened next: three days later, the pair were tearing the roof off the 100 Club, and in a couple more days, phone-made videos of that first gig were circulating the cyber waves. For those lucky enough to have been taken by the ears and dragged around that room by this band, Jimmy O (guitars/vocals) and Mikey Sorbello (Drums/noises) left a lasting impression. This was a rock epiphany. The Graveltones had arrived. Three years have passed since those embryonic days, and in that relatively short period of time, the Graveltones story-so-far has unfolded in epic proportions. They are knocking on the door of 1000 live shows worldwide, with tours of the UK, Australia, Scandinavia and most of Europe embellishing the UK and London gig CV, an astonishing feat of Beatle-esque proportions. The band were soon nominated for 'Best New Band' at the 2013 Classic Rock Awards. 2014 showed no signs of any downturn in live outings with several big dates and festivals already confirmed including a repeat of their 2013 appearance at Download, Nova Rock in Austria and Jersey Live and starting the year with a headline European Tour. The later part of 2014 saw the guys non-stop tour work ethic in full swing with another hugely successful UK & European tour, including a packed out performance at DOWNLOAD FESTIVAL's Pepsi Max stage, winning the BEST BAND AWARD at Camden Rocks Festival (voted by the public) with their astonishing performance at the Jazz Cafe.
As well as success on the road, this two-piece nouveau-blues freight train have also been very busy gracing us with some stunning studio performances. The eponymous debut EP, recorded in just two days and followed shortly after by their single 'I Want Your Love', both proving to be a great success with media and fans. Following all this, the turning of the page, the coming of age, the first long player in the shape of the scarily good 'Don't Wait Down', an album eagerly awaited and rapturously received by fans and critics alike. Produced by Charlie Francis, who has been in the chair for the likes of REM, John Paul Jones and the Noisettes, the mission was to capture the raw live energy of The Graveltones' live performances and embellish that with some sweet studio icing on a very Gravely cake. Mission accomplished.
With three singles, the bouncy shuffle 'Catch Me On The Fly', Bang Bang and the raging 'Forget About The Trouble' (which comes complete with a stunning music video shot on location in East London) recorded in just eight days in the Monnow Valley studios in deepest darkest Wales. With plenty of them over the airwaves too, Team Rock Radio, Planet Rock, BBC6 & Kerrang have featured them in live shows and made singles a regular fixture on their playlists. And if you ever find yourself forced to take a flight to a faraway place, make sure to fly Virgin Airways, as the Graveltones have kindly parked 'Don't Wait Down' on the in-flight playlist as of June 2014, for your delectation.
Their studio work saw more success with 'I want your Love' featuring on a six month advertising campaign for Irish Lotto Bet's famous 'happy Reg' commercials, and also on Rimmel's 2014 commercial featuring Kate Moss. "Forget about the trouble" featured on NHL15 PS4/XBOX ONE /PC Game (released September 9th 2014) Every time a goal is scored the track is played. 'Bang Bang' & 'Lightning Bolt' will be featured in a Major Motion Picture due for release in 2015. They also managed to fit in recording a cover of John Lee Hookers 'Boom Boom' with the BOSS HOSS in Germany (due for release 2015).
British sound company KEF also began working with the guys using the band as the face of their latest advertising campaign being launched 2014. An impressive list of companies that are working with The Graveltones includes Orange Amplifiers, Yamaha Drums, Zildjian Cymbals, Vater Percussion, Ernie Ball Strings, Converse Shoes & Red bull.
Amongst their headline tours and major festival slots around the world the band has toured with the likes of The Rival Sons, The Boss Hoss, The Temperance Movement, Monster Truck and many more.
2015 will see the release of The Graveltones second full length studio Album entitled 'Love Lies Dying'.
And in the midst of this phantasmagorical narrative, one thing will always remain the same: these are two of the nicest guys you could ever wish to meet. If you're at a show, or you spot them on the street, don't be afraid to say hello.
Words by Jimmy-James Hayward. April 2015.

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