This track has played with Martin 00-45 lefty, and recorded with Sony ICD-SX1000.

dancing queen_20130720

A small group of programmers wants to change how we code—before catastrophe strikes.

The Coming Software Apocalypse - The Atlantic - James Somers

As America has turned away from searching for extraterrestrial intelligence, China has built the world’s largest radio dish for precisely that purpose.

What Happens If China Makes First Contact? - The Atlantic - Ross Andersen

Will the vice president—and the religious right—be rewarded for their embrace of Donald Trump?

God's Plan for Mike Pence - The Atlantic - McKay Coppins

A long-running inferiority complex, vast statutory power, a chilling new directive from the top—inside America’s unfolding immigration tragedy.

How ICE Went Rogue - The Atlantic - Franklin Foer

སྒྲ་ཨང་། KADZO2070351
སྤྱིའི་ཨང་། ༤༧༩
འཁྲིད་མཁན། དགེ་བཤེས་ཟླ་བ་ཚེ་རིང་། 
ཁྲིད་གཞུང་གི་མཚན་ཆ་ཚང་། དམ་པའི་ཆོས་མངོན་པའི་མཛོད་ཀྱི་རྣམ་པར་བཤད་པ་ཐར་ལམ་གསལ་བྱེད་ཅེས་བྱ་བ་བཞུགས་སོ།། 
ཁྲིད་མཚམས། གནས་བཞི་ལྔ། 
མཛོད་གནས་བཞི་པ། Track-01 to Track-07
མཛོད་གནས་ལྔ་པའི་ཡོངས་ཤེས། Track-08 to Track-17
མཛོད་གནས་ལྔ་པ་ཆ་ཚང་། Track-18 to Track-52
མཛད་པ་པོ། རྒྱལ་བ་དགེ་འདུན་གྲུབ། ༼༡༣༩༡-༡༤༧༤༽ བཀྲ་ཤིས་ལྷུན་པོ་དཔལ་གྱི་ཆོས་འཁོར་གླིང་བཏབ་ཅིང་།ལོ་ཉི་ཤུ་རྩ་བརྒྱད་ཀྱི་བར་བསྟན་པའི་བདག་པོར་མཛད་དེ་འཆད་མཉན་ནམ་ཡང་ཆག་པ་མེད་པར་གནང་། ༧རྒྱལ་བ་རིན་པོ་ཆེ་སྐུ་ཕྲེང་དང་པོ། 
སྒྲིག་དུས།༢༠༡༨ལོའི་ཟླ་ལྔ་པ།

Zod- Ney Zhi-Nga

མཛོད་ཊཱིཀ་ཐར་ལམ་གསལ་བྱེད་གནས་བཞི་ལྔ། ཁ ༼༥༡༽

He turned politics into a vicious blood sport, broke Congress, and paved the way for Trump's rise. Now he's reveling in his achievements.

Newt Gingrich Says You're Welcome - The Atlantic - McKay Coppins

Iz ugla odbrane od zaraze, kaže Kon, nema boljeg dana za početak školske godine od 1. septembra. Dakle, zdravstvena situacija je sve bolja da bi vrhunac zdravlja bio dostignut baš 1. septembra.

Dejan Ilić – Konzumacija zaraze

I den här episoden får du lära känna några av Avanzas produktägare och vår produktchef som berättar om vad som bubblar i innovationslabbet och svarar på dina frågor. Aldrig tidigare har vi så öppet pratat om vad vi håller på med, hur vi själva hittade till börsen och vad vi skulle vilja utveckla framåt.

Önskar dig en delikat lyssning,
Nicklas

Episod 171 - Vad bubblar i Avanzas utvecklingslabb?

Manja Ristić: Sonic Ontology of Negligence
7 Nov 2021–8 Jan 2021
FM exhibition, exhibition of 8-channel sound installation

7 Nov 2020 at 12.00 (noon) on FM 88.8 MHz – in-situ FM walk (at Park Tivoli)
10 Nov 2020 at 18.00 p.m. on FM 88.8 MHz – in-situ FM walk (at Park Tivoli)
18 Nov 2020 at 20.00 p.m. on programme Ars – radio exhibition opening

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For more please point your cursor to:
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Sonic Ontology of negligence is a continuous research evolving from listening to abandoned places and landscapes reshaped by extensive intervention of human presence and exploitation, and eventually “given over“ to Nature to reclaim the space. In the process of conceptualizing Sonic Ontology of negligence, Manja Ristić resided in places that were heavily exploited and forever changed by the human urge to build, comprising thousand years-old quarries as well as present-day mega-structures, abandoned as a result of corruption and consumerist socio-political turmoil. The nucleus of the compositional structure is devoted to abandoned construction building site of the Stožice mega-structure, while layers of mnemopoetic sonic imprints are derived from an old lime-stone quarries from the island of Korčula in South Dalmatia, such are Glogovac, Lenga, Defora and Vrnik, but also abandoned mineral mines and lime pits from Fruška gora in Vojvodina, North Serbia, and other sites such is the military compound placed in the middle of the Avala forest in the suburbs of Belgrade. The poetical accent is given to the dynamics and textures of waters and aquatic micro spaces, which are building the formative/reproductive environments in the process of re-establishing bio diversities.

Manja Ristić graduated from the Belgrade Academy of Music and later also completed her post-graduate diploma in Solo-Ensemble Recital at the Royal College of Music, London. Besides performing in the field of instrumental electroacoustic music, her sound-related research is focused on an interdisciplinary approach to sound art, field recordings and experimental radio art.

Credits:
Artist: Manja Ristić
Curated by: Irena Pivka, Brane Zorman
Organisation: Irena Pivka, Katarina Radaljac
Translation and editing: Katja Kosi, Melita Silič
Public relations: Katarina Radaljac
Production: Cona, Institute for Contemporary Arts Processing, 2020
Venue: Steklenik gallery for sound bioacoustics and art, FM 88.8MHz, 3rd programme of Radio Slovenia – programme Ars

Exhibition is being part of the Acoustic Commons project support from the European Union’s Creative Europe program.

What Happens If China Makes First Contact? - The Atlantic - Ross Andersen

TheAtlantic