The official SoundCloud profile for Paris Paloma.

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

3KLEKT1K MUZ1K LØV3R DJ & PrØDUC3R 


* Reggae / Ragga / Dub
* Ghetto Funk / Glitch Hop
* Hip Hop / Rap
* House / Tech House / Organic House / Tribal
* Breakbeat
* Techno / Minimal
* Rock / Punk / Metal
* Jungle / Drum and Bass
* Uk Bassline / Uk Garage
* Tribe / Hard Techno
* Dance
* Calypso Jungle & more...

Music For The Struggled Generation...


For all booking information (UK / EU / ROW) please contact:
tom@clockworkartists.co.uk

General Enquiries:
burroakmusic@gmail.com

Burr Oak is the collaborative Drum & Bass project of French producers The Clamps and Opsen (formerly of Signs), uniting their visions around a dark, cinematic strain of Neurofunk. With releases on imprints such as Trendkill, Eatbrain, Blackout and Cause4Concern, they craft high-impact music where ruthless sound design, rock energy and emotive songwriting collide.

Their debut album "Somewhere We Belong" on Eatbrain marked a turning point, an 18-track odyssey that firmly positioned Burr Oak at the forefront of modern neurofunk. The record unfolds as a narrative built around their outlaw alter egos Scruggs and Sonny Jim, blending worldbuilding, dystopian atmospheres and dancefloor pressure into a cohesive universe.

Through a series of EPs, including "Hawkeye" and "Zero Alpha", and their remixed LP "Somewhere It’s Reborn", Burr Oak has continued to expand this sonic lore, pushing their hybrid of industrial textures, emotional melodies and razor-sharp groove. Their catalogue extends further via collaborations and remixes for labels like Blackout and Evolution Chamber, notably the single "I Want You" with Magnetude and their acclaimed remix of Pythius' "Erase Me" on Blackout, which brought a particularly fresh and forward-thinking twist to the original, alongside numerous high-profile reworks for scene heavyweights.

Rooted in the intensity of 90s alternative music and driven by a "music for the struggled generations" ethos, Burr Oak treats each release as a self-contained chapter: a blend of narrative, sound design and impact that looks unapologetically toward the future of Drum & Bass.

1 producteur, compositeur MAO Tribe/Mental/Hardteck
1 Platiniste Mix Minimal/Tribe/Hardteck/Hardcore

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