Insane track ScribeLight, you should google 'bulletrank', they give out free plays right now.

Alan BROADBENT: Diablada Variations (2020) for solo guitar
written and dedicated to Sergio Puccini

Introducciòn
Sueño (Tema)
Bailando con el Diablo
Vals Triste
La Mosca Negra
Lacrimae
Intermezzo sardonico 
Duende Nocturno (finale: Presto-Rumia-Presto)

Alan BROADBENT: Diablada Variations, for solo guitar

A tender one-movement work about eternal love. Poem by Walt Whitman.
Suitable for young or professional singers and high school, college, or professional English horn and piano players. 

A version for viola is in the works. Ask at email address below.

Pre-premiere audio rendition: Dorico and NotePerformer. (Vocal sounds are indeed lacking! Want to make a demo for me?!)

"Wow, this is gorgeous! The English horn sounds very vocal and I really love it." Beth Wheeler, principal English horn, Arkansas Symphony Orchestra

"Sensitive text setting, awareness of the voice's most natural moves up and down, intervals spelled intelligently, great harmonic support. Suitable for a professional or younger singers…I say, brava! This is wonderful!" Lisa Neher, soprano/vocal coach/composer

Score and parts available at Trevco Music. 
For more information, email: musicshopATscribelightmusicDOTcom.
Score and parts available at J. W. Pepper.
https://judithmarkovich.com

Came a Drop Gently

Markovich: Came a Drop Gently

III. Soaring. I am blessed to occasionally witness an eagle (sometimes a pair) as it soars in the air high above the trees, peacefully and effortlessly riding the winds.

III. Soaring

Agustìn BARRIOS (1885-1944): Las Abejas (estudio para guitarra sola)

Sergio PUCCINI, guitarra
rec: 2021, Jorge Ojeda (In Situ Estudios, Rosario, Argentina)

Agustìn BARRIOS (1885-1944): Las Abejas (estudio)

This is one of 3 compositions I'd started writing back in 2006. I took a master class with Michael Partington and was inspired to write for him. I never did share my compositions with him, mainly because I never finished some sections, but I did continue to work on them over the years.

3 Wines - I. Pinot Noir - For Solo Guitar

These are just a few etudes I've written over the years. They each focus on something specific in technique.

Etude No. 1 - For Solo Guitar

Live performance ChamberFest Cleveland 2012
Franklin Cohen, Clarinet
Diana Cohen, Violin
Matan Porat, Piano

Currier, Verge for Clarinet, Violin and Piano

Five Songs on Poems of Robert Herrick, 1. Amaryllis
Elisa Doughty, soprano and Sinfonia Calcania of Boston, Gary Peterson, Director

Full score and piano/vocal score available from Theodore Presser. 

Herrick Songs: 1. Amaryllis

Ashley Smith- clarinet 
Rebecca Jackson- violin 1 
Benjamin Hoffman- violin 2 
Isabella Mensz- viola 
Arnold Choi- cello 
Suzana Bartal, Scott MacIsaac- pianos 
Peter Rini- narration 
Polina Nazaylinskaya - conductor

Polina Nazaykinskaya "Haim" (intro) for clarinet, string quartet, two pianos and narration

'My Tears Are Becoming A Sea' is taken from the album 'Hurry Up We're Dreaming', which also includes Midnight City, Reunion, Wait, Steve McQueen, Outro and More... 

http://m83.it/hurryupSo
 
- - - - - -

More here: http://ilovem83.com

Hurry Up, We're Dreaming [Disc 2]

M83 - My Tears Are Becoming A Sea

live rehearsal recording with The National Ensemble of soloists "Kyivska kamerata", conductor - Valeriy Matyukhin
dedicated to Niklas Eklund
2018

The Prayer for the Light

With an M.M. in performance from The Juilliard School, Judith Pauley Markovich, American composer of orchestral, choral, improvisational, and chamber works, began studying composition at 65. "It's never too late to find yourself. I hope to be a bridge between worthy ancient and future sound. Thanks for your hearts and comments! Feel free to share."

Markovich: Came a Drop Gently

JUDITH MARKOVICH • COMPOSER

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