Auftragswerk vom Emsenble Zeitfluss
Uraufführung am 27. März 2023
Minoritensaal, Graz
Edo Micic und Ensemble Zeitfluss
Score: https://db.musicaustria.at/node/207821

(Diese Aufnahme ist ein Zusammenschnitt von Uraufführung und Generalprobe)
Aufnahme der Uraufführung: https://soundcloud.com/d0fk1tvtyma1/mittschnittmusik-fur-kammerorchester
Aufnahme der Generalprobe: https://soundcloud.com/d0fk1tvtyma1/gpmusik-fur-kammerorchester

Musik Für Kammerorchester (2022-2023)

Premiered at the ATTACCA FESTIVAL on June 6th in the Druckereihalle-Ackermannshof St. Johanns-Vorstadt, Basel (Switzerland)

Performed by María Alejandra Jiménez
mariaalejandrajimenez.com/

The initial musical gesture that opens this piece is a regular pulsation that appears in the distance and fades away, very soft, as if we were listening to the air breathing, or the perception of the dripping of water when we move away from it and only the echo remains. This pulsation gradually breaks up and blurs into complex textures and harmonies. Throughout the piece there are several attempts to bring the purity of the beginning back, but the passage of time and the cracks in the musical discourse - as in human life - prevent us from the exact reconstruction of an image or a sound from the past. 

This piece is inspired by the aesthetic experience of watching Andrei Tarkovsky's film Nostalghia (1983).

Nostalghia for solo violin

Composer: Benyamin Kashani
Peerformed by: Student of University of Music and Performing Arts Graz

Dedicated to "Mirenga"
16.06.2023
Graz

"Elk Scream" (2023) for ensemnle

TWENTY-FOUR HOKKU ON A MODERN THEME
is a cycle of 24 songs for soprano and double bass based on the homonymous literary work by the American poet Amy Lawrence Lowell (1874 - 1925).

It was commissioned by OSIC (Departament de Cultura de Catalunya).
Premiered on 18 October 2023 at the Sala d'Orquestra del Conservatori Superior del Liceu, Barcelona.
Recorded at La Atlántida Estudio, Barcelona.

Lyrics: Amy Lawrence Lowell
Composer: Sergi Puig
Soprano: Karera Fujita
Double bass: Louis Siracusa-Schneider
Sound engineer: Jose González González
Album cover: Marc Oller

Premiere of the piece in Ensems Festival
Performers: Arxis Ensemble

Sergi Bayarri, clarinet
Álvaro Prieto, bassoon
Adrián Albaladejo, trombone
Noè Rodrigo, percussion
Magdalena Cerezo, piano
Anna Grenzner, violoncello
Zacharias Fasshauer, double bass

.Conductor:  Nacho de Paz

Gran hotel abismo, for 7 instruments

Premiere in open public of the piece at KULTUM, Graz

Performers:
Judith Fliedl and Ana Ostojic

7 formas de decir lo mismo, for violin and piano

premiere of the piece at Theater im Palais, Graz.

Performers:
Kate Lasmane - Flutes
 Évi Holes - Oboe
 Cristian Molina Ávila, Joan Fenollar- Clarinets
 Julia Rakos - Saxophones
 Cynthia Anaid Pérez Cossío - Bassoons
 Stefan Žunić - Horn
 Daniel Majbaum - Trumpet
 Chloé Ryo - Trombone
 Ana Ostojic - Piano
Vanda Šabaková - Harp
Mario Porcar Rueda - Percussion
Álvaro Vallejo Larre, Szymon Kałużny - Violin
Paula Rosenberg - Viola
Irati Goñi Leoz - Cello
Juan Pablo Trad Hasbun - Double Bass

En cambio - a cambio de, for big ensemble

Coure a la brasa

Ensemble Intercontemporain

Martin Adámek – bass clarinet
Julia Sinoimeri – XAMP microtonal accordion
Aurélien Gignoux – percussion
Vincent Desille – e-guitar
Nicolò Umberto Foron – cond.

01/12/2023, Conservatoire de Paris CNSMDP
rec & mix: Lucas Bergeret

photo: B.Champeaux

Poem Code (2023) | Ensemble Intercontemporain

Codex de Monsieur Günter Brus 
for vocal quartet (2024)

performed by Cantando Admont 
Cordula Bürgi, Conductor
April 30, 2024, Wiener Hofburgkapelle, Vienna

Elina Viluma-Helling - Soprano
Aleksander Rewinski - Tenor
Benjamin Harasko - Baritone
Ulfried Staber - Bass

Audio by Mehmet Ali Uzunselvi

Nostalghia for solo violin

Sergi Puig

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