1st song on the album, Wheels in an Elsewhere, released 28/8/25
This song sprung from the idea that I/we may have ended up here by some accident whilst on our way somewhere else.... because at times it all does seem extremely strange, misaligned and as though we're trying to make the best of living in throw-together soup without drowning.

Here we go
Here we go again
Here we go
Here we go

Don't you wonder what on Earth you're doing here in the first place
Did you chance to lose your way
While heading to the other side
Where your home was
Waiting quietly among the stars
A million years or so
Not too late
But you got waylaid
Now you're here with the rest of us
What are we to do

Treading water
Round and round
Tracks don't lead you anywhere but back
Another day it's just the same oh
Here we go
Here we go again
Here we go
Here we go again
Here we go
Here we go again


Oh you asked and asked again
But never got any answer
Although the timing wasn't clear
You knew there had to be a place where you rested
Waiting quitety among the stars
It should have been right there where you left it.
Oh you were waylaid
Now you're here with the rest of us
What are we to do

Treading water
Round and round
Tracks don't lead you anywhere but back
Another day it's just the same oh
Here we go
Here we go again
Here we go
Here we go again
Here we go
Here we go again

Here we go
Here we go again
Here we go
Here we go again
Here we go
Here we go again
I just try to have fun
Don't hurt anyone
We just try to have fun
Don't hurt anyone
Here we go
Here we go again
Here we go
Here we go again
Here we go
Don't you ever wonder
What on earth we're doing here

What on Earth

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

We are Netta&McGill and consist of Nettamoon and Jim McGill based in Norway and Australia - an independent songwriter duo. We celebrate music in it’s simplicity, and tell stories of friendship, love and longing. We are blessed to be two of the same mind, and want our music to be created with no fuss and no fences. 

Thank you for listening!

'Magic Mountain' OUT SOON! Autumn 2025

Hello and welcome to White Fawn 🪶

White Fawn is a Percussive Avant-garde music project that began in 2012 as part of a creative sound & music degree at University of South Wales, Newport.

You can find my Free Improvisation project here - @havannanative

Inbox or email for collaborations/remixes - Hannahamyevans@gmail.com

Discography - https://whitefawnnative.bandcamp.com

Thanks for listening, comments & support.

🏴󠁧󠁢󠁷󠁬󠁳󠁿 Bridgend, South Wales, United Kingdom

Musician. Can't really sing but I do it anyway.

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio using vintage gear gathered over many years.


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound.

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit Through Roland TD20 Sound Module
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
1972 Yamaha FG180 Red Label acoustic guitar
Martin performance acoustic guitar
Yamaha FGX5 Acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

A laboratory with an open bar and floating altar. Come on in! 

Here are various solo and collaborative projects - songs, soundscapes, live looped solo guitar improvisations. 

This project used to be called "imaginary friends", but it became too real for that name, as did many of you.

I hope you enjoy something you find here. Do feel free to be in touch, you never know what might happen.  

I also invite you to attend @hypnopompetus, a duo project with the illustrious Cheesemont Paisley-Paisley https://soundcloud.com/sel-sync, and Fictive Sisters, a transatlantic band with  the incomparable Wheelwright https://fictivesisters.bandcamp.com/album/immaculate-distraction.

Demos and sketches of songs, mostly recorded in my home studio.
Part of the Netta&McGill duo.
Thanks for having a listen.

I am amazed at the level of talented artists encountered on this site.  Sharing and providing feedback is such an effective way to nurture the creative process.  I am so inspired by many of you.  My songs consist of mostly live instruments and voice.  An organic approach to song writing with a few surprises in the mix.  Please feel free to comment and download if you like!  Todd

Didgerdioo, mouth harp, singing, poem, spoken word & soulful inspirations & chant mantras & photos & video clips & camera by Amanitalinda 🧚 🧚‍♀️ 🧚‍♂️

Music production by Jeamland℗2019-2025

Child of Nature: https://soundcloud.com/childofnature
Amanitalinda: @amanitalinda
Morten Jeamland: https://soundcloud.com/mortenjeamland

Love & Light ✨🌟❤️🌟✨

Loud and clear folks: Watchglass do NOT use any AI in any part of their song creation. Neither pitch correction or autotune are used on Gina's vocals. All nuance and emotional expression are preserved. All songs are 100% humanmade!

Hello, thankyou for stopping by! If you had a listen and liked what you heard, the best way to help us forward in the great sea of music would be to follow us on Bandcamp if you possibly can.... really depends on whether you have a Bandcamp account. If you can't then we still very much appreciate a show of love here in the form of likes, comments and re-posts... thank you very much for these :) 
Watchglass are a duo who like exploring 
musical directions and having fun making songs and albums. We have been working as a partnership since 2017, or most of the time since then. Gina is the singer and lyricist. Mark is the guitarist and everything else and makes the songs and is the one who Gina will forever hold responsible for showing her she could not only sing well enough to front a band but also write passable, and sometimes even excellent songs. 

We have 5 albums which earned acclaim from Chief Editor Bandcamp, Joseph E Keyes:

Every Conversation in June 
(Featured in BandCamp's Best of Spring collection 2023)
“The album plays out like one long, slightly spooky fairy tale…A magic spell drifting in from lands unknown, Every Conversation in June is a quiet marvel.” - JE Keyes, Chief Editor Bandcamp Daily

Beautiful Dust
“...delightfully enigmatic pop songs built from enchanting melodies and eternal optimism.” - Ben Salmon (Bandcamp Daily)
“..as hushed and evocative as a ghost story whispered around a campfire.”- JE Keyes, Chief Editor Bandcamp Daily

Raw Colours 
“It’s another irresistible album from a band that gets better with each go-round.”- JE Keyes, Chief Editor Bandcamp Daily

Longways Conversations
After listening to this album one of our fans took a dive into our back-catalog and had this to say:
"I’ll get around to writing something more formal, but I have been listening to Watchglass almost exclusively the past few weeks. I’m genuinely apologetic - songs like With a Trice, How Will You Know Me, what it means to believe, just to name a few, deserved a tonne of superlatives from myself, and I said nothing until now. Really, please pass on to Mark that his arrangements and production doesn’t go unnoticed - I delight in hearing something new each time.
You guys are seriously talented, and works class, really, and the new album is incredible. Let’s push it out there.

With a trice - that makes me teary. You’re such a nuanced singer and you guys are an amazing duo."

Wheels in an Elsewhere
"Another gorgeous new LP from Sydney's watchglass, this one branching out slightly into what Jon Hassell once called "fourth world music.""  JE Keyes Bandcamp New and Notable



All available on Bandcamp.