1st song on the album, Wheels in an Elsewhere, released 28/8/25
This song sprung from the idea that I/we may have ended up here by some accident whilst on our way somewhere else.... because at times it all does seem extremely strange, misaligned and as though we're trying to make the best of living in throw-together soup without drowning.

Here we go
Here we go again
Here we go
Here we go

Don't you wonder what on Earth you're doing here in the first place
Did you chance to lose your way
While heading to the other side
Where your home was
Waiting quietly among the stars
A million years or so
Not too late
But you got waylaid
Now you're here with the rest of us
What are we to do

Treading water
Round and round
Tracks don't lead you anywhere but back
Another day it's just the same oh
Here we go
Here we go again
Here we go
Here we go again
Here we go
Here we go again


Oh you asked and asked again
But never got any answer
Although the timing wasn't clear
You knew there had to be a place where you rested
Waiting quitety among the stars
It should have been right there where you left it.
Oh you were waylaid
Now you're here with the rest of us
What are we to do

Treading water
Round and round
Tracks don't lead you anywhere but back
Another day it's just the same oh
Here we go
Here we go again
Here we go
Here we go again
Here we go
Here we go again

Here we go
Here we go again
Here we go
Here we go again
Here we go
Here we go again
I just try to have fun
Don't hurt anyone
We just try to have fun
Don't hurt anyone
Here we go
Here we go again
Here we go
Here we go again
Here we go
Don't you ever wonder
What on earth we're doing here

What on Earth

Being musician and artist "since ages", the last two decades and all the developments in digital music broadened my interests and activities in doing music actively and passively. Not being shy of any genre (OK, leave off some Punk and Extreme Metal derivates) I engage in composing, arranging, mixing and collaborating. 

Oh, and I do all my artwork and designs as well. And as you may notice I regard AI as a friendly helper.

Have a few looks & listens into my repertoire and eventually gain some insights. I'm always open for collabs if the the interests match ...

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

Is Time a relative realm, or does it exist as unique, static & monolithic, and the things and beings pass in an illusory manner while it does not change at all ?
Who can say that time exists in any way other than intangible ? If this exists, can it be judging or helping in any other way than philosophically ....................................................
real music half composed with mouse, keyboard, mind and heart (No generative AI involved) and half played with my hands, in the case of keyboards and some synths.

I am amazed at the level of talented artists encountered on this site.  Sharing and providing feedback is such an effective way to nurture the creative process.  I am so inspired by many of you.  My songs consist of mostly live instruments and voice.  An organic approach to song writing with a few surprises in the mix.  Please feel free to comment and download if you like!  Todd

Loud and clear folks: Watchglass do NOT use any AI in any part of their song creation. Neither pitch correction or autotune are used on Gina's vocals. All nuance and emotional expression are preserved. All songs are 100% humanmade!

Hello, thankyou for stopping by! If you had a listen and liked what you heard, the best way to help us forward in the great sea of music would be to follow us on Bandcamp if you possibly can.... really depends on whether you have a Bandcamp account. If you can't then we still very much appreciate a show of love here in the form of likes, comments and re-posts... thank you very much for these :) 
Watchglass are a duo who like exploring 
musical directions and having fun making songs and albums. We have been working as a partnership since 2017, or most of the time since then. Gina is the singer and lyricist. Mark is the guitarist and everything else and makes the songs and is the one who Gina will forever hold responsible for showing her she could not only sing well enough to front a band but also write passable, and sometimes even excellent songs. 

We have 5 albums which earned acclaim from Chief Editor Bandcamp, Joseph E Keyes:

Every Conversation in June 
(Featured in BandCamp's Best of Spring collection 2023)
“The album plays out like one long, slightly spooky fairy tale…A magic spell drifting in from lands unknown, Every Conversation in June is a quiet marvel.” - JE Keyes, Chief Editor Bandcamp Daily

Beautiful Dust
“...delightfully enigmatic pop songs built from enchanting melodies and eternal optimism.” - Ben Salmon (Bandcamp Daily)
“..as hushed and evocative as a ghost story whispered around a campfire.”- JE Keyes, Chief Editor Bandcamp Daily

Raw Colours 
“It’s another irresistible album from a band that gets better with each go-round.”- JE Keyes, Chief Editor Bandcamp Daily

Longways Conversations
After listening to this album one of our fans took a dive into our back-catalog and had this to say:
"I’ll get around to writing something more formal, but I have been listening to Watchglass almost exclusively the past few weeks. I’m genuinely apologetic - songs like With a Trice, How Will You Know Me, what it means to believe, just to name a few, deserved a tonne of superlatives from myself, and I said nothing until now. Really, please pass on to Mark that his arrangements and production doesn’t go unnoticed - I delight in hearing something new each time.
You guys are seriously talented, and works class, really, and the new album is incredible. Let’s push it out there.

With a trice - that makes me teary. You’re such a nuanced singer and you guys are an amazing duo."

Wheels in an Elsewhere
"Another gorgeous new LP from Sydney's watchglass, this one branching out slightly into what Jon Hassell once called "fourth world music.""  JE Keyes Bandcamp New and Notable



All available on Bandcamp.