Crystal 3

Uncanny Lobby is the 3rd track from my ep Adventures In Atlantis DLC. This project was part of a cross-disciplinary collaboration with Leftist Legume. They wrote a short science fiction story which was handed to me as it was being drafted and I created a soundscape to represent the narrative as it emerged.

You can read the full story here: https://www.decentralizeddossiers.com/post/virtual-beach-resort

The full Adventures In Atlantis DLC ep is available from Vacuum Noise Records: https://vacuumnoiserecords.bandcamp.com/album/adventures-in-atlantis-dlc

Thanks to Misha Boseby for adding some much needed extra sizzle to the cover art/design.

Uncanny Lobby (from Adventures In Atlantis DLC out on Vacuum Noise Records)

Sound materials from SYNTRX synthesiser, composed during the residency in EMS Stockholm in 2022. Originally 4-channel.

Cruelty of Obedience (stereo)

Made for Naviar Records' 487th Haiku Challenge, Details at https://www.naviarrecords.com/2023/05/03/naviarhaiku487-sound-of-mountain/

Made from treated elements of https://soundcloud.com/agnosturaelwar/mountain-puffs-naviarhaiku485   Thanks Ingvar!

Mountain ocean rain cycle [naviarhaiku487]

Acoustic Evening Session Pt.1

Little Outtake of a recording-jam with Dr. Nojoke in 2012. He mixed it with his Ableton. 
https://soundcloud.com/dr-nojoke
http://www.linktr.ee/Dr.Nojoke

Transformation / coop with Dr.Nojoke

An aural description of the evolutionary process of a butterfly for the Naviarhaiku challenge of the week 503.
Obtained with vcv rack/bespoke and repertoire recordings with guitar, fuzz and loopstation.
Editing with ableton live and final mixing with cubase.

Haiku by Darren Bourne https://ffm.bio/halfunusual

Picture by Ray Hennessy https://unsplash.com/photos/qZzJoiKHqmo

Evolving Mutation (naviarhaiku503) © 2023 by Nadìr is licensed under CC BY-NC-SA 4.0

Evolving Mutation (naviarhaiku503)

TRAMPELFÂD
rec.name: " no "
credit:
date 30-10-2023
https://trampelfad.bandcamp.com/track/la-tour-mobile

British  Rain Fields 1963

Haiku by Marco Sebastiano Alessi

Seven days to make music in response to the assigned haiku: to participate visit www.naviarrecords.com/about/naviar-haiku

Empty House Once Full Of Life (naviarhaiku512)

SenSen - Full Tied v2

SenSen - Lago

Spark

Happy New Year to everyone - for the first time in years I went overseas without working on a project  YAY - just a holiday so i kept the internet at arms length for a change and enjoyed the food, romance  and sites of Paris... and then i got married !  Carolyn and I were waiting forever for our plane home and there just happened to be a bright red public piano in one of the waiting lounges... so i embarrassed myself in front of the Parisians... i look forward to catching up on all of yr music as I am now home. All the best for the up coming year : )

Charles de Gaulle Airport -Live Piano Improv

Around 2000 I came up with this idea that I should start a project called Bleak Guitar - an instrumental "band" that would bring together all my preferences for shimmering guitars, dream pop, goth, postrock, folk etc. It never happened - until now.

Bleak Guitar - Throughout Spring

en fin de journée

Todays, or this nights composition.
I belive the title speeks for it self, or should do so :D
Classical guitars and synths.
Reworked photo.

Fragile World

A place for sound freaks and aural addicts. 
Music is like food to me: I like almost everything as long as it's well-seasoned and I don't eat the same thing every day, although it happens when I feel like it. 

So there's all kinds of stuff on my page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

Follow me here please: https://soundcloud.com/user-245474035
noksidam/ Nicolas A. Geneva, Switzerland and Thailand.
Ambient, Experimental music

en fin de journée

noksidam

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