IMPROBABLE

Written and Produced by Dovydas Vasiliauskas
Mastered by Ian Hawgood
Photography by Alexander Kopatz
www.go70north.com
ARCHIVES72 // ARCHIVESCD53
Archives | 2021

Misleading Structures - Hanging Valley

This is the second track from the new album 'Seafields', release 260321 via Dronarivm.

Seafields

'Warm Kane' - Seafields - [Dronarivm, 2021]

Our third release is a collection of various artists.
"Tincture For The Soul part one" includes 5 ambient tracks for deep self-immersion.

Tracklist :
1. Symphocat - A Question To Reality (opus3) 
2. Vitaliy Koltygin - Hill Traveler 
3. Konstantin Beresnev - Liores 
4. Mind Landscape - Alchemy 
5. BOTN - Nostalgia 

Наш третий релиз - это коллекция разных артистов.
"Tincture For The Soul part one" включает в себя 5 эмбиентных треков для глубокого погружения в себя.

Music by Various Artists
Photo by N. Aniskin
Mastering and design: Sonus Fora

Tincture For The Soul part one

Symphocat - A Question To Reality (opus 3) [SF003]

Vitaliy Koltygin - Hill Traveler [SF003]

https://soundcloud.com/auraauraofficial (laura/vocals)

The original track can be found on this (free) compilation:  https://weareinvisiblenow.bandcamp.com/album/we-are-invisible-now-volume-2

Invisible Autumn (Vocal Mix Feat. Toska)

Second track from the 2016 album Eyes to the Height.

https://ultimae.com/product/james-murray-eyes-to-the-height-ultimae-cd/

https://ultimae.bandcamp.com/album/eyes-to-the-height-24bit

https://ultimae.bandcamp.com/album/eyes-to-the-height

Holloways

from 'Electric Stutter' [CD|2xLP|Digital]
Denovali Records · den281
available on all formats at [http://denovali.com/orsonhentschel]

Almost one year after his debut LP Feed The Tape, Orson Hentschel enters new musical terrain wearing old shoes. His second LP Electric Stutter, which is almost 55 minutes long, is only loosely connected to his debut. Whereas Feed The Tape was strongly shaped by Classical Minimal Music, Hentschel now incorporates influences of Trip-Hop and Electronic Pop Music. Since his childhood, he considers artists like Massive Attack, Portishead and Björk as some of his most important sources of inspiration. The influence of this kind of popular music is clearly audible. Hentschel’s new tracks are shorter, more shaped and reduced in the density of their sound material. Pattern-oriented repetitions, which where in the focus of Feed The Tape, now fulfil the function of sophisticated sub-components of the overall composition and are subordinate to the melodic forms or merge with them. Also the amount of sample-based material has decreased in order to create space for synthetically produced sounds with melodic character. Electric Stutter is more complex and more detailed than Feed The Tape. At the same time the reduced density of sound material and the higher amount of melodies form a kind of music that is more easily accessible.

Whereas the Düsseldorf-based composer started off with classical piano, he by now concentrates on electronic and experimental music and film compositions. Even though Hentschel has experienced a classical education, his composition techniques are anything but traditional. His creative starting point is rarely rooted in musical ideas, but consists of finding appropriate sound material. His sources are diverse: sounds and samples like soundtracks, film sounds, music albums or internet findings encounter polyphonic vocal-music from the 14th century and composition techniques of Minimal Music such as Steve Reich. In his compositions Hentschel draws a cross-section through the history of music and its genres in order to form his own musical expression. Considering his studies of music science in Düsseldorf and previously in Vienna and Dresden, his musical time-jumps appear less surprising.    

Describing Orson Hentschel only as a composer of contemporary music does not do him justice. In his self-conception as an audio-visual artist he creates his own live show, combining lights, visuals and fog to a stunning atmosphere, which cannot be eluded. Supported by live-drummer Lukas Baumgart, Hentschel delivers a sound, whose energy is physically palpable and electrifies the audience. A live-show generating an intense experience, going to the limit and erasing any sense of time. Orson Hentschel moves perceptions not merely through sheer volume, but with driving repetitions and extensive tension.

Electric Stutter

Orson Hentschel - Fade In, Fade Out

https://faintmusic.bandcamp.com/album/svalbard

Written and Produced by Agustín Mena.
Mastering by Neel.
Photography by Alexander Kopatz www.go70north.com
Faint001 // FaintCD001
Faint / 2016

SVLBRD - Hvit

This track is quoted from a compilation "ArtLism.JP vol.9 - supported by PURRE GOOHN".
Streaming the album and purchasing are available on Apple Music, iTunes, Spotify, Prime Music, LINE MUSIC, AWA, KKBOX etc.

ArtLism.JP
http://artlism-jp.tumblr.com

Album trailer
https://www.youtube.com/watch?v=Lk-GjSHA5ho

syunsui

My contribution to "Context: Remixed", the new release by Hotel Neon where a bunch of artists have their own go at the tracks from their previous album "Context". Check it out!
https://hotelneon.bandcamp.com/
Mastered by Taylor Deupree
Artwork by Gregory Euclide

Album tracklist:
1. 12:41 AM (Arafúra Remix) 10:41 
2. 1:57 AM (The Green Kingdom Remix) 06:15
3. 3:04 AM (Warmth Remix) 11:56
4. 4:10 AM (Coastlands Remix) 07:20
5. 5:20 AM (Tobias Hellkvist Remix) 07:26
6. 6:37 AM (The Sight Below Remix) 07:49
7. 6:59 AM (Slow Meadow Remix) 06:13
8. 7:42 AM (Lowercase Noises Remix) 07:43
9. 8:30 AM (Benoît Pioulard Remix) 06:23

5:20 AM (Tobias Hellkvist Remix)

Taken from the album "Deep Ground" [SSD03]

Deep Ground

Watts

out on December 6th on limited edition CS / DL
dronarivm.bandcamp.com

Pre-orders start Nov. 22nd

DR-64 : SNUFMUMRIKO - Sekunder, eoner

Explorations into dreamy, texturally rich environments and dub flavoured landscapes through the use of rhythm and subtle melody.

Mastered by Tobias Lorsbach (Logic Moon)

Buy CS / DL

Snufmumriko - Sekunder, eoner

The tracks that have published in only soundcloud and some places so far are finally released.
They consist of 7 tracks created during the period from 2015 to 2019.

Hope more and more people would enjoy them.

[track list]
I. Lapis lazuli-2019
II. Circumnavigate-2017
III. Kaleidoscope-2019
IV. Bliss of solitude-2016
V. Nautilus-2019
VI. Drift the current-2015
VII. Aerial garden-2019

HARVEST [2015-2019]

HARVEST [2015-2019] Excerpt/ tomonari nozaki

Track taken from the upcoming album 'The Sound of Someone Leaving'...

www.fluidaudio.bigcartel.com/mailing-list

The Sound of Someone Leaving

Phil Tomsett & Aaron Martin - The Sound of Someone Leaving

Over the past year, a selection of artists have been digging through the depths of their creative pursuits, for material they either cannot finish, or else would like to see adapted. These same artists and more have delved into the resulting repertoire, and emerged with new, repurposed pieces.

Out of this births the first volume of the Sustain Series: a means for artists to make use of old sounds, hoping to bring forward music that might have otherwise not seen the light of day. Thanks to the input from a variety of fantastic musicians, old material can breathe new life, sometimes in more than one form.

Find it here: bit.ly/3nW52x3

In keeping with this 'recycling' of ideas, all proceeds of the compilation here on Bandcamp will go to Conservation International, promoting sustainability and conservation across the world.

www.conservation.org/

It’s ever more important to think sustainably for the sake of our planet, and every effort we make will help curb the cataclysmic events we see shaping in front of us. Give what is feasible in these tough times, but most of all please enjoy this collection of recovered gems.

Donate

Snufmumriko - Untitled (Lauge Recycle)

my remix from “Soledad” by @PepoGalan

https://stereoscenic.bandcamp.com/album/soledad

Soledad

Pepo Galán - Tristeza (furnish remix)

~ IIKKI 013 ~

music : Toàn
photography : Gilles Roudière
album/book : Volta No Vento
duration : 35.52 mn (vinyl) 36.52 mn (cd)
date : November 2020

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Composed, recorded and mixed by Anthony Elfort between 2017 and 2019 in Cruguel, France.

Mastered by Taylor Deupree
Artwork by Gilles Roudière
Design by sprflxgrfzm

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edition :
vinyl : limited to 250 copies hand numbered
cd : limited to 200 cd (glass mastered) hand numbered
book : limited to 400 copies hand numbered + hand stamped

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pre-order : October 29th, 2020 / official release : November 29th, 2020

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Links :
https://ambientoan.bandcamp.com/
https://soundcloud.com/toan-3
https://www.gillesroudiere.com/
https://www.iikki-books.com/
https://iikki.bandcamp.com/music
https://www.facebook.com/iikki.books/
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℗ & © 2 0 2 0 - I I K K I - I I K K I 0 1 3

Toàn - Volta No Vento (album preview)

track 7 from “Abstract Elegies” by Rahikka (@iamrahikka )

https://rahikka.bandcamp.com/album/abstract-elegies

Abstract Elegies

Rahikka - Elegy VII

https://hshirptsubaki.bandcamp.com/album/music-for-late-night-highways
It's the longest 60 minutes of my career.
It is a work that reexamines ambient music, which has recently become more subjective and too much development.

If you listen to it on the highway late at night, it will either make your head clear or put you to sleep.

Drive safely.

Music for Late Night Highways - Sample

~ IIKKI 014 ~

music : Observatories (Ian Hawgood & Craig Tattersall)
photography : Miho Kajioka
album/book : Flowers Bloom, Butterflies Come
duration : 40.58 mn (vinyl) 45.10 mn (cd)
date : March 2021

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All music by Ian Hawgood & Craig Tattersall.

Mastered by Ian Hawgood
Artwork by Miho Kajioka
Design by sprflxgrfzm

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edition :
vinyl : limited to 300 copies hand numbered
cd : limited to 200 cd (glass mastered) hand numbered
book : limited to 750 copies hand numbered + hand stamped

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pre-order : February 15th, 2021 / official release : March 25th, 2021

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Links :
https://www.leavings.co.uk/
https://www.folkreels.com/
https://www.mihokajioka.com/
https://www.iikki-books.com/
https://iikki.bandcamp.com/music

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℗ & © 2 0 2 1 - I I K K I - I I K K I 0 1 4

IMPROBABLE

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