Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Daniel Dreier has played an integral role in Berlins techno scene since the early 2000’s. 
Since his very first release on Highgrade records Chick 'n Chips which was a huge summer hit 2005 , played by the likes of Luciano and Richie Hawtin. Luciano even featured it on his charts on number 2.
It followed a residency for 5 years at Watergate, Bar25 and in the infamous Panoramabar. 
Collaborations with Guido Schneider , Tom Clark and Lee Jones followed on labels such as Bar 25 , Klang Elektronik (sublabel of Playhouse) and Sender Records. 
He counts Ricardo Villalobos as a huge influence who he saw play the first time in places such as E-werk and Panoramabar. 
Daniel has played all around the world and can adapt and sense what the crowd needs whatever the situation is.

BOOKING CONTACT: daniel.dreier3er@gmail.com

Co-owned by Jamie Jones and Lee Foss, groundbreaking independent dance label Hot Creations has gained global notoriety in recent years through pioneering a new and unique sound born of its founders deep affinity with old disco records and soulful beats. 2013 will see the duo take their label to even greater planes upon the major label release of their band Hot Natured’s truly unique debut album and a mile long waiting list of incredible music from incredibly successful talent such as Digitaria, Greg Pidcock, Richy Ahmed, Robert James and wAFF.

For consideration for release on Hot Creations and Hottrax, please upload demos here for review: https://tstack.app/hotcreations

Sign up to our newsletter an receive a free 3 track EP here - http://www.hotcreations.com

Management: nicole.richyahmed@gmail.com

Bookings: Will@nge-booking.com

USA Bookings: rs@thebullittagency.com

DEMOS | GENERAL ENQUIRIES 
immigrantmusic@me.com

WEBSITE
https://soundcloud.com/weareimmigrant

HISTORY
Immigrant Records was founded in 1998 in California by British DJ/Producer @robinporter and has since released 40+ releases from 75+ international artists on vinyl, CD and digital formats. The label now operates from Manchester, UK.

The sound of the label was shaped in the late 90's by established artists such as John Tejada, Casey Hogan, Alexi Delano, Kenneth Graham and Jamie Anderson, who layed the foundation for new talent to emerge - artists such as Subb-an, Jamie Jones  Maetrik, Lucas Rodenbush, Noah Pred, Todd Bodine, Franklin De Costa, Jens Bond, Felipe Venegas, Jay Bliss, Mihai Popoviciu and Santos Resiak to name a few.

Producer, selector, raver & founder of @fuselondon

Worldwide Bookings:
jim.oregan@teamwass.com

Management:
george@fuselondon.net 

Latest mixes, releases, events & more👇
linktr.ee/enzosiragusa

Management:
info@djkura.com



KURA’s dance music expedition begins at 11 years old when a classmate’s Walkman playing Carl Cox’s “Fact 2” captured his attention. This was the first EDM CD that KURA bought, and by the early 2000s he became inspired by the musical diversity of the Martin Solveig, Modjo, Black Legend, and his all-time musical heroes, Daft Punk.
Since then the producer and DJ has fully flourished. Signed by Spinnin’ Records, the world’s leading EDM label, and amassing two #1 chart toppers on Beatport. KURA continues to take electronic music to unprecedented heights, with several releases under his belt are for labels such as Hardwell’s Revealed Recordings, Spinnin Records, Tiesto’s Musical Freedom, Nicky Romero’s Protocol Recordings, Afrojack’s Wall Recordings, and Armin Van Buuren’s Trice/Armada Music, as well as Ultra Music, and Smash The House, among others, and lots more are on the way.
Today KURA is currently one of the most hyped DJ and producers worldwide. He has played on stages at many of the planet’s premier festivals including RFM Somnii, Panama Amsterdam at Amsterdam Dance Event, Ultra Europe, Ultra Miami, Tomorrowland, and more! He has ranked on DJ Mag’s Top 100 in 2014, 2015, and his best ever ranking at #39 place in 2018 -  a sign that much more is coming.  Add to this his remarkable charisma and talents on a DJ booth and you have the key ingredients to make it in today’s competitive and worldwide Electronic scene.

TREMOR - THE NEW ALBUM - OUT NOW

https://danielavery.ffm.to/tremor

Revered producer and composer Daniel Avery returns with a new album and live show, his most ambitious works to date. Channelling every corner of his sound, Tremor is a bold and transportive body of work through euphoric shoegaze, submerged techno, ambient soundscape and industrial bliss. It remains unmistakably Avery, yet dramatically evolved.


With the album Avery has welcomed an inspiring cast of collaborators, including the likes of Alison Mosshart (The Kills), Walter Schreifels (Quicksand / Rival Schools), bdrmm, Julie Dawson (NewDad), yeule, Ellie, Art School Girlfriend, yunè pinku, and Cecile Believe. Each artist leaves their indelible mark, yet the record’s true power lies in the communal spirit at its core.

“This is a living and breathing collective,” says Avery. “Since the earliest recordings, Tremor felt like a studio in the sky, a space in time through which we could all pass as artists”, he reflects. “It’s the welcoming spirit of acid house with the doors flung open wider still to allow in every influence from my musical journey: the warmth of distortion, the stillness inside intensity, the transcendental beauty of noise... They have always been there in my music but now it feels like those ideas are being transmitted in Technicolor. This is a record for the post-rave comedown kids, the guitar heads and anyone else who wants to come along for the ride. Everyone is welcome.”

Tremor will be released by Avery’s new home of Domino on 31st October.

Studio ATX is following