Objet Trouvé

field recordings/ spoken word/ sonic works

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

“João Alegria is an essential figure in the Portuguese underground music scene. With a prolific career spanning over a decade, the guitarist – as he prefers to be called – embodies artistic commitment, resilience, and a deep devotion to crafting dark, experimental soundscapes. The numerous albums the Lisbon-based musician has released testify to a sonic vision akin to its object of study: unhurried and unperturbable, yet continuous and tempestuous."

— João Morado (Beats for Peeps, Cosmofonia, Jazz.pt)

“You paint for fame & status, I paint for freedom & awareness”, reads one of the vertical graffiti that Mr.Paradox Paradise painted on some Berlin building. Likewise, there is nothing in João Alegria’s art that is done with the intention of fame or likes. He spent more than a decade editing with recognition limited to the “community” of sound nomads. “I’ve been doing this for some time and I don’t have a very wide audience”, he admits. However, who knows, knows. And who knows, like it. João Alegria’s music is for connoisseurs. Perhaps that will always be the case.
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However, the unique contours of his art, combined with a stubborn aesthetic consistency and prolificacy, are the characteristics that simultaneously nest and vitalize it. The unconditional and obstinate way in which this “guitarist” – as he likes to be called – has created his work is a rare case of perseverance. His motivation? It’s not entirely explicit, but somewhere between the love of music and the physiological need to create lives the truth of João Alegria. If he lives because he breathes, he seems to make music because he has to live. One senses in his speech an inevitability of cathartic genesis that surreptitiously emerges between the lines like a figure wandering through the night.
João Alegria can also move through the shadows, but his music definitely points to the heavens, full of verticality” 

– João Morado (Beats for Peeps, Cosmofonia, Jazz.pt)

experimental musician/soundmaker from Apuliae
Born in 1978

Welcome here to everyone.

I hope what you'll hear inspires you.

For your growth or fall
Through the cathartic world of sounds 
that I try to propose. 

A test area 

A search for meaning 
Of this passage for ours.

Sound as a primordial frequency
Before any acquired significance

If what you hear resonates with your tuning fork
A like and a repost would be of great support.

May your journey be pleasant and constructive
in this sea of instants called life

The eternity of our days.



https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

"Live where your heart can be given and your life starts to unfold." – Tommy Hall.

#experimental #improvisation #nowave #stoner #psych #kraut #noiserock #punk #folklore.

Adam Majdecki-Janicki (1985) has been writing poetry, lyrics, composing, playing, and recording since 1998. His most important achievements to date include his debut poetry collection “Siva in Rags” (Kendra Steiner Editions, USA, 2008), the vinyl and CD “Second Hand Man” (Mimics Cool, Poland, 2011), the CD-R and vinyl “Stoned Gypsy Wanderer” (Kendra Steiner Editions, USA, 2014 / Ramble Records, Australia, 2021), the experimental/ambient album “Eimi” (Snow in Water Records, France, 2020), the vinyl album of his group Säure Adler (Ramble Records, Australia, 2021), and countless other physical and digital releases worldwide.

"I'm a mellow artist, ageing 69. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases:

https://whitelabrecs.bandcamp.com/album/the-book-of-dreams
https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli ‘amateurs’, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

Record-label ¥ Editorial de acciones sonoras.
Desde 2015.
-
Record-label ¥ Editorial of sound actions
Since 2015.

Home of sweet experimental slow music, sound and art practice by Nukumori Eugene / Nx - (always welcome demo for Living Room Tapes)

Nukumori Eugene / Nx ﾇｸﾓﾘ ﾕｰｼﾞﾝ / ぬくもりゆーじん is a Hong Kong - Japan Base Sound Artist, Researcher and  Architect. He is joining the sound & art projects around the world beside run his own label  "Living Room Tapes" - the sound & art collective. 

The project often highlights the sounds and arts placed between the nature and city's folklore - deconstructive city street culture and urban suburbia - related to the urban observation research project ~ Research and Practice of Alternative Art Space / Micro-Art Space  

featured projects :  Carl OG/ Strange Ordinary Necessities不思議な日用品 / Urban Observational Studies 都市観察学会 / Skmtt /  / HONG KONG SUBURBIA / 3am / Soundscape Saitama 100 / さいたま百景の音風景 / Edition 1/f / A TALE OF OUR CITIES / モノ派

Composer since 2008, I used to write music in about a hundred projects so far, classically trained professional musician, composition is for me a great source of joy, it is fascinating to be included in projects which require a beautiful collective energy, I hope that my music deposited here will allow me to share with you the enthusiasm that I put in creating them.
Komponist seit 2008, ich habe bisher in etwa hundert Projekten Musik geschrieben, klassisch ausgebildeter Berufsmusiker, Komposition ist für mich eine große Quelle der Freude, es ist faszinierend, in Projekte einbezogen zu werden, die eine schöne kollektive Energie erfordern, das hoffe ich meine hier hinterlegte Musik wird es mir ermöglichen, mit Ihnen die Begeisterung zu teilen, die ich in ihre Erstellung gesteckt habe.

Objet Trouvé

Teatro Sonoro Simultáneo