Great Ebo and synth sequences. If I had to choose between version one and version two I would choose this one. Right up my alley as they say.

This really sparkles, love how the ebow adds emotional depth. Transporting! Classy work!

Completely entranced by this piece. Love the melodic flourishes over the top, the harmonic shifts, the skill with the arp, panning, reverb, and just the musical ideas. A very patient beautiful work. I'm a guitarist and the Frippy stretches from around 5.00 are absolutely gorgeous. Thank you for sharing your work.

Creative excellence and wonderful production......Superb work.

Mixed for Lillithe

Album - Format: CD, Digital - Releases January 20, 2023

Everyday life is often filled with many small anxieties that we deal with by simply pretending they do not exist.
Sometimes they thicken beyond the horizon of our field of vision, turning into a sense of impending danger, a floating leviathan, an immense bird of prey hiding in the clouds above the skyscrapers ready to grab us. Our only defence is to try to ignore it, hoping that oblivion will slowly devour it, relegating it to another plane of existence.
And sometimes, it is simply like dreaming of suffocating...

Music by: Matteo Mariano (Macrogramma - macrogramma.com)
Mastered by: Andrea Porcu
Record label: Lᴏɴᴛᴀɴᴏ Series
Publisher: ROHS! RECORDS

Cat.#: LONTANO-S-CD29
Release date: 20/1/2023
Format: CD, Digital

Copyright © 2023 ROHS! RECORDS, All Rights Reserved

Asphyxia

Asphyxia - Section II

Use. Abuse. Obtuse.

tertiary vector calibration before descent

bouncing down backwards

Heartfelt thanks to Torbjørn for this composition that he invited Dairv and me to be a part of. With the poetry of Emily Brontë , this became a journey in nature, about hope and about light.
May we take care of our wonderful nature.

Torbjørn Vagle: instrumental composition, piano, organ, synth, strings and productionhttps://soundcloud.com/tobbenv
Oddrun Eikli: vocal and vocal composition
Dairv Dubbleyew: Guitarhttps://soundcloud.com/dairv-dubbleyew
Cover: Vetle Vagle
Poem by Emily Brontë (30 July 1818 – 19 December 1848)

VIII
The battle had passed from the height,
And still did evening fall;
While heaven with its restful night
Gloriously canopied all.

The dead around were sleeping
On heath and granite grey,
And the dying their last watch were keeping
In the closing of the day.
·⁠·⁠·⁠·⁠·
How golden bright from earth and heaven
The summer day declines!
How gloriously o'er land and sea
The parting sunbeam shines!
There is a voice in the wind that waves
Those bright rejoicing trees.
·⁠·⁠·⁠·⁠·
Not a vapour had stained the breezeless blue,
Not a cloud had dimmed the sun,
From the time of morning's earliest dew
Till the summer day was done.

And all as pure and all as bright
The sun of evening died,
And purer still its parting light
Shone on Lake Elnor's tide.

Emily Jane Brontë (30 July 1818 – 19 December 1848) was an English novelist and poet who is best known for her only novel, Wuthering Heights, now considered a classic of English literature. She also published one book of poetry with her sisters Charlotte and Anne titled Poems by Currer, Ellis and Acton Bell with her own poems finding regard as poetic genius.

Morning`s Earliest Dew . Torbjørn Vagle. Dairv Dubbleyew. Oddrun Eikli.

A Place To Be

I stumbled across this sample pack that featured an artist just rhythmically exhaling and I knew I HAD to do something with it! A few tutorials and new effects later and this mixed-genre, oud-infused song was born! 

I started learning about proper spacing and balance in the process!

Bass-ic Breathing

Old track found (just freeing up some space)

'GO'

Evenings in the Garden of Time II

Little excerpt from a gig a few weeks back. There was an old piano lurking at the side of stage so Dani wondered over and gave it a good bash mid set - i made some pretty average bass noises in the background : )  pardon the audio quality -  its a straight raw capture from my trusty zoom . Vibe is good though

Kirby/Ward Live @ The Polish Club (piano Improv)

This recording is a completed work of Wild Christopher's work "Jolene (Ever Find Your Forever Man)" with my guitar playing. "Jolene" is based on "Let Me Know", one of the "Paploviante Open Collab" pieces.
I received warm compliments and words of welcome from both of them. I am very grateful.I would like to thank them from the bottom of my heart for including me in their wonderful work.

This work is over 6 minutes long. My guitar playing starts with a low volume and rhythm. About a third of the way through, my guitar starts playing to complement Christopher's great singing.

Below are links to each work.

Wild Christopher-Jolene (Ever Find Your Forever Man) - Paploviante Open Collab
https://soundcloud.com/neon-blur/jolene-ever-find-your-forever-man-paploviante-open-collab

Let Me Know - Offer Open Collaboration 80 Bpm(Paploviante and friends)
https://soundcloud.com/paploviante-and-friends/let-me-know-offer-open-collaboration-80-bpm

"Let Me Know" by Paul (one of the "Paploviante Open Collab" pieces)
A few days after the release, he received a number of really excellent works. I was really surprised by the ability of the artists to finish such amazing works in such a short period of time.

Results Offer Open Collaboration Let Me Know(Paploviante)
https://soundcloud.com/paul-racle/sets/results-offer-open

Chord= A ,E
Key = E

After listening to the above works, I realized immediately. Simplifying the scales that form the melody, assuming the case of playing the guitar, it was divided into the case of  Cm/E pentatonic, and the case of  Cm/E and Em/G pentatonic. I thought, ``This is a great exercise for me. For example, putting four songs together on one track, listening to them all in order, and playing the guitar along with each scale is a very useful daily practice. I could imagine that this would be useful not only for myself, but also for most people who are learning to play the guitar.

For example, alternately play the following:
1)Cm/E　Pentatonic scale(Key = E)
2) Cm/E, Em/G Pentatonic scale(Chord = A7,E7)
2) '  Am/C,Cm/E,(Em/G) Pentatonic scale

It's easy to envision it that way, but first, what do I do with the first one? So I started playing guitar while listening to Wild Christopher's "Jolene".
I found it possible to use two chords, A and E7, and finish off with some rock'n'roll backing, but it's too simplistic a way to spice up Christopher's cool and passionate vocals. 

So I took the plunge and tried using the A7 and E7 chords to make a blues rock song. And I was convinced that depending on the way I played, I could proceed without discomfort. An image of the rough blues rock of the early 1970s came to mind. However, I was conscious of keeping the taste of the country blues that was popular before that.

I thought that Wild Christopher's wonderful singing voice would suit slightly rough guitar playing based on precise rhythm composition. A playing style that many great guitarists and predecessors have developed over the decades. I hope that people who come across this piece will want to listen to it again and again :))

Wild Christopher - Jolene - Paploviante Open Collab ft.JUNZO on electric guitars

Wild Christopher - Jolene - Paploviante(Let Me Know) ft.JUNZO on electric guitars

The Climb

https://youtu.be/3TewLxeac_o?si=-FyXJtTDmazdyq5w

Walk Away

Collaboration with the talented and hardworking Synline https://on.soundcloud.com/bzQWw

Synline reached out during a bout of extreme summer weather in Tokyo with the intention of writing a soothing chill track in resonance with the season. I was pleased to provide some guitar lines and layers to assist in his creation.

"Seeing The Sea" Synline=SeaShea

In Japan, there's a cultural tradition dating back to the Edo period that discussing ghost stories can bring a sense of coolness as a way to counter the summer heat. Consequently, during the summer, tales of ghosts and haunted houses remain a symbolic aspect. This summer is expected to be exceedingly hot worldwide, and Tokyo is no exception, enduring its share of heat. As you may know, this song respectfully includes a slight nod to Michael Jackson's 'Thriller' in its arrangement. The guitar solo was contributed by SeaShea, an Australian musician I've been collaborating with frequently. 
Setting aside whether this song can endure the heat, please stay healthy and enjoy your time without succumbing to the heat.

Composition and Sampling collage by Synline
Guitar Solo by SeaShea on.soundcloud.com/CnDF4
Photo by Nick Magwood

Featured on the my new album 'Chrome Logue' https://on.soundcloud.com/ATDQp

Ghost House (ft.SeaShea)

Mick mac on drums, Big Pharma on Guitar and bass

Firetwerks Demo 1

Music from the Seiko film, The Gift of Time directed by Paula Chowles.

The March of Time

An intimate frontier.  A melody lost on waking.  A memory from childhood.  A hope for forgiveness.  A season ended.  A photograph of a moment you don’t remember.  A treasured object found and lost.  A thought interrupted.  A mirror in an empty room.  The dust of an evening.  An incomplete equation.  A discussion with possibility.  A missing adversary.  My impression from our last meeting.

Additional Music and downloads available on Bandcamp: 

https://softlands1.bandcamp.com/

On Spotify

https://open.spotify.com/artist/5YG49h7BY6wDxSpnDZpHDo

Evenings in the Garden of Time II

Softlands

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