Gotta say it again - this sounds amazing!

Love the ambiance on this Mark, fabulous interplay with the guitar, the ethereal strings are just right!!

You really wrapped Remnant60's piece in wool. Well done again man 🙌🏽🔆

absolutely ethereal... all of the sounds compliment each other so well and send me to a cloud ☁️

Lovely, serene and introspective! It inspires visions of blissful environments; Afternoon in the woods or meadow, floating in a pool or lake, star gazing. Really nice!

Very cerebral and one of the best sonic experiences I have had in a long while...love it.

Entre la peur et le courage que ferions nous si nous devions choisir un camp .
Between fear and courage, what would we do if we had to choose sides?

Compositeur : Philippe SEGUINARD  Auteur : Guillaume DULER
Lyrics :
Pour une vraie salope combien d'amoureuses
dont le crane rasé portait la croix gammée
sous les rires vengeurs d'une foule odieuse
d'un peuple libéré suant la lâcheté

Pour un patriote combien de collabos
ont fait sonner les cloches de la liberté
sombre chant d'amnésie ou douloureux échos
mais soufflé par un vent chargé de lourds secrets

pour une rébellion combien de soumissions
dans un pays rongé par les rats de l'histoire
ils ont crié leur haine à la libération
cela même dénonçaient les humbles de la gloire

Pour un juste oublié combien de faux héros
Justiciers de papiers bataillons d'aboyeurs
Fossoyeurs d'innocents vipères de bistrot
Résistant de la dernière heure

Moi qu'aurais je été en ces temps là
Qu'aurais je fait sauver mon âme ou ma peau
Lâche ou héros...

For a real slut how many lovers
whose shaven heads bore the swastika
under the vengeful laughter of an odious crowd
of a liberated people sweating cowardice

For one patriot, how many collabos
rang the bells of freedom
a dark song of amnesia with painful echoes
but blown by a wind laden with heavy secrets

for one rebellion, how many submissions
in a country eaten away by the rats of history
they shouted their hatred at liberation
that even denounced the humble of glory

For a just forgotten how many false heroes
Paper vigilantes Battalions of barkers
Grave-diggers of innocent bar vipers
Resistance fighters of the last hour

What would I have been in those days
What would I have done to save my soul or my skin
Coward or hero...
© Philippe SEGUINARD / Guillaume DULER  Février 2025

Lâche ou Héros TRANSLATED

Hey all, I thought this fun experimental piece still felt minimal with open spaces ready for further development. So I'm sharing it out as an open collab and hoping others will be interested in taking up the challenge!

It's a bit of a weird one, but please feel free to use as many or as few elements as you would like. Here is a link to the stems:
https://drive.google.com/drive/folders/1THt60PCv9tYi2b6fxKciQcs-7ykBEf2b?usp=sharing

For inspiration, check out the totally different direction that E.P. Beats @lala-land-361191160 took with it on his crazy-cool phonk remix!
https://soundcloud.com/tea_are_sea/orange-mound/s-aIKH4o6kwzw?si=0ac79d337bea4ab5bb8dbca92ab28058&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

If anyone else makes their own mix I'll start a running playlist and link it here.

Sunset Circus - OPEN COLLAB

I must admit of late I haven’t been very productive and not so active on SC so I apologise if i have been vacant in listening to your new tunes.
I needed a hiatus for a while to clear the head get some renovations done around the house without having music to think about and distract me.
This tune was bubbling away a while ago and almost used  the lyrics for a Conscience Of Kings track but it didn’t work. I decided to persevere, wrote some cords and evolved it by just doing a little bit now and then.
Eventually I finished it and this is the final result. 
I’ve kept the original live vocal and acoustic guitar that was the guide because it catches the moment. Decided on no backing vocals and just to keep it solo and I don’t use auto tune either.
And added on top with electric and keys in the chorus. Put a house drum mix sound and I think it’s cool for a mini boss recording.
The songs about capturing that first moment of saying how you both feel about each other. I hope you like it comment & repost it .
Gaz Brownie gives you Consequences…

V1
You harvest the light so beautiful
With olive tones are Indisputable
Im totally wrapped and falling under
Is that the sound of you stealing my 
thunder 

Chorus
I like the   Consequences of my good intentions 
I like the consequences of the things I just mentioned 

V2 
There a choir of angels on your shoulder 
Harmonising to the things  I just told you.
Take a breath in the lungs of this City 
As night falls you’ve never looked so pretty 

Ch 
I like the  Consequences of my good intentions 
I like the the consequences of the things I just mentioned 

Middle 8/outro
You have the flare for the dramatic 
You make me feel fantastic 
It’s starts with us 
and it ends with us 
There nothing in between 
Only us x4

Consequences -Gaz Brownie

One of my favourite Soundcloud artists @remnant60 posted a gorgeous track that he left open for collaboration, so I jumped at the chance to try and add something that might fit with his ambient, mystical guitar sound. I settled on some ethereal cello chords (played on keyboard with some pitch bend modulation) and this is the result. I try to recommend listening with headphones when I think it's worth it, and I think it applies in this case.  :)

Check out his playlist where he compiled various other really cool adaptations of his original tune. Thanks Bill for continuing to inspire us with your magic! 

PLAYLIST: Variations On A Dream
https://soundcloud.com/remnant60/sets/variations-on-a-dream

Universal Language (collab with Remnant60)

Original
I first sang this about a year ago. But it was with a little bad English and bad sound, so I tried again :)
Vocals and Lyrics by me
Music made in Garageband


Lyrics:

1
They said she was a temptress
That she would seduce all men
She had a bad reputation
And not a single friend...

2
She had a perfect body
Nice make up on her face
Always so stylishly dressed
But the women called her trash...

Chorus:
She was exposed to jealousy
Was never taken seriously
She was way to pretty
In a world full of jealousy

3
All the men loved her
The way she moved and looked
But the women hated her
Was afraid their men would get hooked...

4
She tried to tone it down
The nice clothes and make up were thrown
But no matter what she did
She was still way to pretty...

Chorus x 2:
She was exposed to jealousy
Was never taken seriously
She was way to pretty
In a world full of jealousy

In a world full of jealousy...

In a world full of jealousy...

Jealousy   (Original ,Remix)

Cast of characters:
TexMex Shaman– @texmex-shaman –Stephen– Taylor T5z acoustic guitar, Tom Anderson Custom T electric guitar, Gibson Earle Scruggs banjo, Eastwood MandoCaster mix, mastering, production, and composition
J.J. Terrell-- @j-j-terrell—JJ-- organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass, played with a plectrum 
Mistermark-- @user-432503709 -- Mark – harmonica, jaw harp, timpani, hambone percussion, and production editing     
This song began with Stephen, who recorded it on his acoustic guitar and bass to a programmed drum track a few months ago. We were all thrilled to work on it, even though it sat in BandLab as a project for almost a month before Stephen separated the tracks, thus allowing us to trickle in our parts. JJ was first to jump on it, because he could before the tracks were separated, as his part is completely his idea. He added the organ that really set up the entire sound of both dominant sections of the song. 
  Ken was first up to the project once the tracks were replaceable, making the wild, driving beat his own. Inspired by both JPJ and Michael Ivins, Josh laid down his bass line, trying to match Ken's energy. Last, but not least, Mark jumped in with the rumbling timpani. He also added the flavorful harmonica, and unique jaw harp you hear throughout, as well. Finally, Stephen also got the idea to add the hambone percussion at the very end of the song, which we all consider a treat, and after showing us how it's done, Mark volunteered his percussion skills to give it a go. Stephen wasn't done, though, and still had some magic to sprinkle. He went in and added the howling electric guitar you hear prominently in the second main section. Also, he added the tempting intro with his acoustic guitar and electric mandolin. 
  Once it was in the bag, we thought it appropriate for our master mixer Stephen to put it to bed, which he did in his always expert manner. 
  This is a gift from Stephen to all of us, and you, too. It took a lot of teamwork to make the dream work, as always for Eclectic Collective. We hope you enjoy listening to this as much as we enjoyed creating it.

Here's an isolated track of just the hambone bit at the very end of the song (thanks for showing us this technique Stephen!):
https://on.soundcloud.com/QdPGGUnJsHfowXdV9

Country Ham (The Eclectic Collective)

In Euripides' tragedy 'The Suppliants', a group of Argive mothers travels to Eleusis to plead with Theseus, king of Athens, to help them recover the bodies of their sons, who fell during the failed assault on Thebes. The Thebans, in fact, refuse to return the corpses for burial. These mothers, immersed in profound grief, represent the universal symbol of maternal mourning in the face of the loss of their children in war.

Cover picture: Theseus and Amphitrite with Athena looking on. Interior from an Attic red-figure cup, 500–490 BC. Currently housed at the Louvre Museum of Paris (inventory G 105).

Composed by Michele Ansani (2023-2025).
Female vocals courtesy of VOX.
Posted on SoundCloud: 2025, April 4.

The Suppliants *

Vidéo par Muette : https://youtu.be/TirWU1LibgI

By The Way             (Translated after the French text )
Texte et chant : Muette
Musique : Alain Illos

T’as vu, d’puis quelques temps,
J'te prends plus dans mes bras.
Lorsque tu rentreras,
Tu trouv'ras dans l'frigo
Un gigot piqué d'ail.
By the way, faut qu'j'm’en aille.

Je s'rai plus là dimanche
Mais embrasse tes parents
Qui m'aimaient bien je crois.
Dis-leur qu'c'est moi qui flanche,
Que c'est moi la méchante.
By the way, je m'en vais,

Avec le minimum,
Sans meubles et puis sans homme
Aux angles obtus et durs.
Je m'en vais habiter
Une maison sans murs.
By the way, j'en suis sûre.

Le linge est repassé,
La vaisselle est rangée.
Je n'ai pas su ôter
La petite poussière
Qui t'avait recouverte.
By the way, j’fais place nette.

J'ai beaucoup réfléchi
Mais tes mots sont du bruit
Qui ne frappent plus au cœur
Mais seul'ment au tympan
Et je sais qu'il est temps.
By the way, il est l’heure.

By The Way

You've seen, for a while now,
I can't hold you anymore.
When you come home
You'll find in the fridge
A leg of lamb spiked with garlic.
By the way, I've got to go.

I won't be here on Sunday
But give your parents a kiss
I think they liked me.
Tell them I'm the one who's flinching,
I'm the bad guy.
By the way, I'm leaving,

With the bare minimum,
No furniture and no man
With hard obtuse angles.
I'm going to live
A house without walls.
By the way, I'm sure of it.

The laundry is ironed,
The dishes are put away.
I haven't been able to remove
The little dust
That covered you.
By the way, I'm tidying up.

I've thought a lot
But your words are noise
That no longer strike at the heart
But only to the eardrum
And I know it's time.
By the way, it's time

By The Way  avec Muette

Inspired by “The New Colossus” by Emma Lazarus, 1883.
Copyright 2025

They got on boats, and they sailed across the ocean hoping for a better life
They left behind poverty, famine, hardship and strife
She lifted her lamp behind the golden door
She welcomed them with open arms 
But we don’t need those people any more 
We’ll use robots to tend our farms
There’s an angry mob wearing red caps
And they’re pulling on a rope
They’re trying to knock down that statue that gave so many people hope.
They say a rising tide lifts all boats but now it’s every nation for itself
As the billionaires and oligarchs accumulate more wealth
We’re all just living on this rock floating in the vastness of space
You’d think we’d find a way to co-exist as one human race
There’s an angry mob wearing red caps
And they’re pulling on a rope
They’re trying to knock down that statue that gave so many people hope.
Someday if you’re standing there waiting at the pearly gates
With a bunch of other people waiting in line to get into heaven
And you’re filling out God’s paperwork so you can immigrate 
How will answer that question did you love or did you hate 
There are people who call themselves Christians who don’t practice what they preach
They see a man whose down on his luck, and they consider him a human leech
There’s an angry mob wearing red caps
And they’re pulling on a rope
They’re trying to knock down that statue that gave so many people hope.
There’s an angry mob wearing red caps
And they’re pulling on a rope
They’re trying to knock down that statue that gave so many people hope.

Angry Mob Wearing Red Caps

Recorded in Modesto, Ca.   Featuring Vibraphone solo, Hammond B3 Electric Organ solo. Soprano Saxophone solo. Acoustic Stand-up Bass Rhythm. Hammond B3 Organ Rhythm with Bass Peddles. Drums Full Acoustic drums kit. Percussion Rain Tree, Tree Chimes, 22" Zildjian Crash Cymbal. 

Carmel

Summer Breeze

Lyrics,Produced, Music, All instruments by Nakita Demir.Vocal Arrangements,Vocals,
Mixing,Mastering,Engineering,Recorded, etc 
Powered By Nb Nakita for Nb Nakita Productions


Universal Language (collab with Remnant60)

mistermark

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Electric Hokum

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