Beautiful track, Rosa. Really great vocal. Great write up too including lyrics.

Lovely song beautifully sung, you do have a fabulous voice Rosa. Love the vocal delay on the second chorus, with the keys counter melody. Great guitar picking as usual.

lovely production with great vocal delivery

Wow ... you have great taste in music and are incredibly talented .. hope you get what you need out of this gift ! 🔥🔥🔥

Nice soundscape in this track. The main voice is admirably doubled at times. We enjoy listening.

Super vocal sound, to an extent reminiscent of S&Ah, and still your own with all the inflections.

It's a breakup tune, with angst, what more can I say?  One influence was The Police - So Lonely, early The Jam, and some Bowie influence as well, and some 80s influences, and some prog rock influences, and... and...  you get the idea.  Making music that is unique is everything. 

YOU'RE GONNA MISS ME
(c) JunkHeap Oct 01 2021 / Remix Sep 2023

It's such a nightmare being dumped, 
breakups are never easy. 
Insecurity feeds.
I know who I am,
I didn't deserve it,  
what you did to me.

The pain it turns, 
it's like a dagger twisted.
Til my heart bleeds.
I see your toxic,
convoluted optics.
So glad I'm free.

You're Gonna Miss Me.

Stone cold, not sure if you're alive.
Well, you made up your mind,
and it's goodbye.
I need to leave you in the past,
I must have been blind.
My soul gives me a high-five.

You're Gonna Miss Me.

You're Gonna Miss Me

You can download all kukan effect's songs for free on Bandcamp. I would be happy if you could listen to it.

https://kukaneffect.bandcamp.com/music

#ambient
#ambientguitar 
#drone
#electronica 
#Japan 

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silence - mastering ver.

Paraconsistent Logic

Dyons Homecoming

My new track ‘Sainte-Chapelle’; written, recorded and produced by myself. This track is a dreamy folk track and I made it using my acoustic guitar and 80s synth keyboard. The French chorus was originally going to be a backing vocal but I quickly realised that it sounded better on its own and so made it the main chorus. As with a lot of my songs, I originally plan on making them very minimal in terms of production but I always end up throwing much more than intended at them. However, I really tried to hold back with this one and purposefully made the production quite simple; just adding a few synths on the final chorus. For those who don’t know, the Sainte-Chapelle is a gothic-style chapel in Paris that was commissioned by Louise IX as his personal place of worship and it got me thinking about the contrast between the grandeur of these medieval cathedrals and the poverty of the surrounding cities. Even with these places of immense beauty, the misery of the people cannot be hidden. Not a political or religious message, I just find these kinds of things interesting. I studied it in university cos I am a huge nerd lol. I hope you enjoy.

Lyrics:
Dive from Heaven, golden waterfalls
Sing the light of Christ on these sacred walls
But what blood was spilled in His holy wars?
I guess beauty don’t conceal our Earthly chores

À la Sainte-Chapelle, je prie le Christ
À la Sainte-Chapelle, je prie le Christ

An amethyst jewel of the ancient city
A guardian sky, stars and saintly kings
But what of Paris and its wicked sins?
I guess beauty don’t conceal what lies within

À la Sainte-Chapelle, je prie le Christ
À la Sainte-Chapelle, je prie le Christ
Ooh

Sainte-Chapelle

A track about losing yourself and trying to find your way again. 

The End of the World

Those farmed horses look wild
with the sky leaning down low...
She's stayed put all of her life
but she's wild at heart you know.
The seasons have changed
but they're bathed in winter still
The air between them now a different animal

And you know life kept going, kept growing outside of the Grey Gardens
"Can't keep the line between the past and the present
It isn't easy
It isn't easy
Do you know what I mean?
Do you know what I mean?"

Living on memories and ancient melodies
- not nourishment enough, and the future waits always
Options open beyond her glazed mind's eye
"You don't see me as I see myself,
It's all gone with this soft life.."

Dig me out of the din of my dreams,
They are uneasy,
They are uneasy
My mind is a dangerous flame in flagrant dance,
Straining at the wick,
Aching for release,
Aching for release...

Little tethered heart, aching for release
Little tethered heart, aching for release
Little tethered heart, aching for release
Little tethered heart, aching for release

"When am I going to get out of here?
When am I going to get out of here?
When am I going to get out of here?
When am I going to get out of here?"

Little tethered heart...

Grey Gardens

Today is feelin’ like a desert
Even the smallest things hurt
I’m touching painful memories
Making real my reveries
Just to feel alive

Fill my glass
Before it gets too late
Your electric fantasies
Are running through my brain

Today is feeling like a jungle
Animal instincts on my mind
I’m humming all your melodies
Making real my fantasies 
Just to feel alive

Fill my glass
Before it gets too late
Your electric fantasies
Are running through my brain

You are my, my lullaby


Katie Scrantom - Voice
Max Canalda - Electric Guitar
Germán Ruiz-Alejos - Bass
Jorge Garrido - Drums

Produced, recorded, mixed and mastered by Hector Quidea

electric fantasy

for all gone

Return

Away

Written by Kathryn BERRY
Production and guitar Sari Dajani @psdmusique
Got a call from the doctor
This is what she said
I'd like to see you on Wednesday
I asked...if it could wait
You see... I've been feeling tired
I need some rest from sleeping too much
My min's in over drive
I've been really down on my luck
Could it wait

Chorus
My blood my bones and my senses know
My blood my bones and my senses know

And even though she didn't mind
She said I should really make some time
She had something to discuss
But, don't worry, it's not serious

Chorus

It reminded my of that time
You had me on the telephone line
and even though you weren't there
I felt the mourning in your stare
I felt it everywhere

You see my wants had grown too fat,
My ribs a cage for all that
All that desire

Chorus

And now you say it wasn't fate
that brought you to me
It was only chemistry
It was chemistry
and now you wanted to discuss
How it wasn't serious

Chorus

My Blood My Bones

Clutching at the coattails of gothic folk, Rosa Lavenne delivers a dreamy sound with melancholic lyricism. Heavy on reverbed synths, as well as the folk traditions of fingerstyle guitar and melodic harmonies, mean that Rosa stands at the crossroads between tradition and modernism. The intricate fingerstyle guitar and natural vibrato of Joan Baez combined with the ethereal sadness and dreampop inclinations of Marissa Nadler is one way to describe the sound of Rosa Lavenne. Under the influence of the acoustic masters such as Leonard Cohen, Townes Van Zandt, Sandy Denny and Bob Dylan, Rosa Lavenne adds her unique twist on folk pop melancholia. 

Rosa has been played multiple times on national radio (BBC Wales) and has been featured in the British folk magazine Folk Radio UK. She has been compared to folk greats such as Joni Mitchell, Stevie Nicks and Sandy Denny. 

It is important to Rosa that her art is entirely her own which is why she writes, records and produces all the sounds entirely herself. She frequently sings about the loneliness and hopelessness of youth as well as heartbreak, love loss and a longing to return to the past. Like herself, Rosa’s music is introspective, pensive and, at times, pretty gothic. She hopes listeners will come and explore this world with her.

rosalavenne@gmail.com

Sainte-Chapelle

Rosa Lavenne

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