Wow Neno, this is beautiful. Wonderful composition, and so skillfully played. Very impressive, sparks is a great description of the listening experience.

Outstanding guitar playing, truly Beautiful!

Another wonderful work! Breathtakingly beautiful..!

Love your guitar work Neno - voice movement is superb!

Related tracks: Tendre

La marcha de los inconscientes

Conga and Bass brothers

I might as well 
be made of clay
behind closed doors
I hide away 
Hide away
https://open.spotify.com/album/4COtd8lAfsZKpAlg8ri41k?si=bAieCzHtQOWk2fPX0fuOKg

HideAway

Ray and I made another song together. Well, maybe it's not exactly a song. But it's something!

Please visit Ray here if you haven't already https://soundcloud.com/user-364196783-552705040 You'll be in for a treat.

Home Lonely

Romantic〔Lylics by Romi   Composed by Romi   Arrenged by Romi , Red＆Blue〕

This is actually the third version of the song. I felt the original idea I’d roughed out with the keyboard and computer could be more interesting. So I reworked the whole track again (twice) adding several ‘hooks’. These were some vocal ‘stabs’, some keyboard/synth riffs as well as writing ( what I hope ) is a more interesting bass line. I beefed up the drum section too. I hope the fun I had creating it is reflected in the overall vibe of the track. Having said all this, the question is: did it actually work? 


Get Up

I just redid the mix and fixed the drums, and some of the more glaring vocal problems, and got that cool guitar lead to shine a little. It sounds a lot better now.
Please pardon my vocals, this is actually for a female artist. Not autobiographical, just a story. My apologies to Irma Thomas.

You were my angel, and i was under your spell
And you promised life would be a fairytale
But i was no more than your possession
And you put me through hell
Though you called it heaven

And everytime i tried to leave, you’d just wave your hand
And I’d come crawling back on my knees
I would pray you’d treat me better
When you’d smile at me so sad and so sweet

But something’s changed inside, I can see now who you are
and that sweet smile aint gonna get you very far!

Now who’s the one? Who’s down on their knees?
No need to beg, there’s nothing left that you can take from me
You don’t have any power here no more
Well you’ve lost your wings, and I know just what you’re here for
You are no angel, you are a devil, to the core
And you ain’t welcome here no more

Don’t come back inside, don’t put your bags down on the floor
You ain’t welcome here no more

You ain't welcome here no more

Tendre

I started making this piece with the intention of it being a set of songs that could stand on their own as well as being an open collaboration, but then it took on a life of its own, and things just got out of hand from there, lol! 

But I still managed to control myself and didn’t add too many samples though, haha! 

I was listening to 1985 and 1986 hip hop singles when making this so….

You can download this for free as well as some of the unmixed stems on Bandcamp. The lyrics can also be found on Bandcamp since SC didn’t provide enough space in the song info. I reached my description limit!

Feel free to treat it as an open collaboration if you like. The song list, BPMs, and time signatures are listed below. 

I Like To Sample Old Drums Bandcamp Link: 
https://musiciselation.bandcamp.com/album/i-like-to-sample-old-drums

Funny we are now moving to Portland. Bye, bye Hillsboro. I guess this is now a farewell song. 

Track Credits:

The Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield

I Like To Sample Old Drums
Rap Attack: 112 BPM 4/4
Take The Max Down To Hillsboro: 189 BPM 4/4
Peach ’N Plum: 132 BPM 3/4
What, Would, When: 112 BPM 5/4
I Like To Sample Old Drums: N/A
This One Goes: 101 BPM 4/4
Bllll: 92 BPM 4/4
The Couch Can’t Help It: 87 BPM 4/4

Here are the lyrics just for: 

Rap Attack

I will
Put you in a tourniquet
Bleeding there’s no stopping it
Got a pimple 
I be popping it
Tripple nipple
Don’t be knocking it
I be chopping it off
Now blood is slopping  
I ain’t mopping 
You be dropping
When you slippin’ in it 
Finna sit and watch as I scoff
Maybe lickin’ ice cream soft serve, huh
What cha sayin’ I can only seem to catch ya gurgling brah
Nah, No one can hear you scream 
When you got a severe stream of
Foam bumbling, bubbling from your mouth, tumbling gravitationally south
Bro, i’m feeling bad for your health
See you reeling keeling over looking so sad 
had I know your noncongealinkg slow at healing
I might have
Not tried to put you in a tourniquet 
Tried to put you in a tourniquet
Tried to put you in a

I Like To Sample Old Drums

Bandcamp

Russell Sinfield and the Couch King -I Like To Sample Old Drums

pour Benjamin Fontaine


En février, alors qu'il neige encore en Sibérie, l'ajonc fleurit en Bretagne.

version vidéo:
https://youtube.com/shorts/cvyRrJ_Dcy8?si=M9yGj-PpfCbP5wqv

la musique de Benjamin :
https://on.soundcloud.com/hAl7RVNaqO5dRKg7WO

quand les ajoncs fleurissent

Cast of characters:
Llanpsych -- @llanpsych -- Tez – Fender Telecaster electric guitar, mix, production, and composition
Mistermark-- @user-432503709 -- Mark – synthesizer, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T electric guitar, sometimes with an ebow
J.J. Terrell– @j-j-terrell – synth (bridge sections)

This song began as an idea Tez came up with on his guitar while on holiday not far from his home in Wales. It had such a punchy 80's rock sound that inspired Mark to write lyrics and come up with vocal melodies within a few days of hearing it for the first time. The two of them have written several songs like this, making them a solid songwriting source for Eclectic Collective. 
  Once the song had a more solid form, Ken added his dynamic, driving groove drums to it. As soon as Ken had the drums down, Josh took his turn, adding the fretless bass and solidifying the groove. Now that the basic framework was done, Stephen added some trippy electric guitar. Next up was JJ, adding his dancing organ and the really cool, psych synth lead part in the bridge sections. Mark also added some 80's sounding backing synth in the chorus parts. To wrap things up, Tez also dropped in the hot guitar solos towards the end and outro.
  Once we had it all in the can, it was time to turn it over to Tez for his expert production and mix. He came up with the idea of adding reverb to the drums, as well as some other compression tricks, which he employed with subtle style. 
   This, as mentioned, is a great example of what Eclectic Collective can do in house with the composition and songwriting skills of Tez and Mark. The rest of us really had fun working on this one, too, of course. We hope you enjoy listening to this as much as we enjoyed making it.

Original lyrics by mistermark:

There’s something I’m seeking that I’ve never found
but the seed that you planted went deep in the ground 
there’s a journey that I’m on but the path is uncertain 
the magic fades when you pull back the curtain 

Wherever you go I will follow
there’s always another tomorrow 

There will never come a time when I do you harm
cause my soul is steady when I’m in your arms
and never have I heard music like your Voice 
when you call me to you I have no choice

Wherever you go I will follow
there’s always another tomorrow 

Like a puzzle on the table all the pieces fit
like I’m standing in the dark and a match is lit 
and what it all means man I just don’t know
but it’s a Powerful feeling and it’s starting to grow

Wherever you go I will follow
there’s always another tomorrow

Wherever U Go (Eclectic Collective)

Sitting alone at night around a remote campfire in the Bieszczady Mountains, a fascinating area with free-roaming wolves and bears, you feel much more at ease when you can hear a group of horses grazing behind you and enjoy the peace and coolness of the night after a hot day spent carrying riders on long journeys over hills, fields, and meadows.

Horsepower

Sparks (For two + guitars)

Arm-in-ARM, America moves on!  
www.americanrosiemovement.org  
Additionnal Vocals Barbara Browning

ROSIE THE RIVETER ROSIE THE RIVETER
RIVETING INSPECTING WELDING CONNECTING GETTING ALONG AND PULLING TOGETHER
ROSIES THE RIVETERS ROSIES THE RIVETERS ASSEMBLING PERFECTING ERECTING PROTECTING NEVER ALONE COS PULLING TOGETHER
JUNE ROBBINS ROSE SHELENGIAN GLADYS REESE BUDDIE CURNUTTE DOT FOSTER PAULINE ADKINS I COULD NAME THEM ALL
BUT THEY ALL ARE ONE
BERTHA GLAVIN NEVA REES KRISTINE VROOMAN MARY ANN DIAMOND THE GOODYEAR AIRCRAFT SQUADRON
I COULDN’T NAME THEM ALL
COS THEY ALL ARE ONE
ROSIE THE RIVETER ROSIE THE RIVETER PROTECTING COMBINING UNITING PRODUCING GETTING ALONG AND PULLING TOGETHER BELIEVING
RIVETING RIVETING
AFRICAN AMERICAN HISPANIC WHITE AND ASIAN PULLING TOGETHER THREE SHIFT ROTATION
ALL AROUND THE CLOCK COOPERATION
OH ARM IN ARM FREEDOM IS THE KEY
GETTING ALONG NEVER ALONE
ALL AROUND THE CLOCK WHATEVER THE LOCK FREEDOM IS THE KEY
ROSIE THE RIVETER ROSIE THE RIVETER RIVETING INSPECTING WELDING CONNECTING GETTING ALONG AND PULLING TOGETHER ROSIES THE RIVETERS ROSIES THE RIVETERS PULLING TOGETHER
GETTING ALONG AND PULLING TOGETHER
RIVETING INSPECTING WELDING CONNECTING ASSEMBLING PERFECTING ERECTING PROTECTING COMBINING UNITING PRODUCING
BELIEVING
COS IF YOU CAN USE AN ELECTRIC MIXER
YOU SURE CAN OPERATE A DRILL
DOING THE BEST QUALITY WORK
ARM IN ARM THE AMERICAN ROSIE MOVEMENT
FREEDOM TAKES WORK TO GET AND KEEP
RIVETING RIVETING RIVETING RIVETING
SHARING THE CHORES OF COOKING CLEANING AND BABY-SITTING DOING THE BEST
SQUARE DANCE ON THE SATURDAY NIGHTS IT WAS DIFFERENT TIMES
BELIEVING
WHATEVER THE LOCK FREEDOM IS THE KEY BELIEVING
RIVETING RIVETING RIVETING RIVETING

ROSIE THE RIVETER (Lyrics) + B.Browning. Song for the Rosie Team

Recording sessions from  13/05/2025 - 03/08/2025.
presets, mixing, processing and editing: Pier WILL.

*** ALL TITLES ARE DOWNLOADABLE***
________________________________________________________________________
🛠 - Made with various Modular Synths / Multi-tracks / No I.A.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, Marantz, M-Audio, MSI, Samsung, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

⚙️ - #Ambient #Movies #Experimental

I'm almost back...
After the death of a loved one, I found myself unable to play music... so I opened a small attic room deep in my unbalanced mind and played other types of instruments... it had to happen...
So here's a track, "ATTIC ROOM" (37 minutes), composed and produced, bringing together 10 very different and surprising tracks... I feel like I was in another dimension for a while, and I hope you enjoy it.
Have a great listen. Thank you.
Pier WILL

Me voici presque de retour...
Après le décès de l'un de mes proches, je me suis retrouvé dans l'incapacité de jouer de la musique... alors j'ai ouvert une petite chambre mansardée tout au fond de mon esprit en déséquilibre et j'ai joué sur d'autres types d'instruments... il fallait que cela se réalise...
Voici donc un titre "ATTIC ROOM" (37minutes) composé et réalisé rassemblant 10 titres tellement différents et surprenants... je pense avoir été dans une autre dimension pendant un certain temps et j'espère que vous allez apprécier.
Très bonne écoute à vous. Merci
Pier WILL

Attic Room

Spanish flamenco style, dance version compo.

Starts slowly, and builds into a dancing mayhem distortion, for my followers to dance and enjoy.
My style, copy compo goes into overdrive, fun and still my passion for classical Spanish guitar, always there.

Malaguena Flamenco ( The alternative copy track)

Guitarist, multi-genre composer, keyboard & bass player (mostly self-taught). Music librarian and philosopher.
Music is new dimension of life.
“That is an artist as I love artists, modest in his needs: he really wants only two things, his bread and his art - panem et Circen.”
― Friedrich Nietzsche, Twilight of the Idols

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Sparks (For two + guitars)

Neno J.

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