I have been able to catch up with your tv series, simply wonderful, most enjoyable!

What a fantastic soundscape! I feel the beauty of a futuristic, another space.

Epic, Cinematic and Orchestral Music
Franck C Production
Music by Franck Charles ©
ASCAP

Reprisal

Rust & Bones – Fetchflix TV Series – Mrs. Peacock

soundcloud.com/user-461764443/sets/rust-bones-new-tv-series-1

Miss. Peacock was a fantastic ballet dancer as well as a famous fashion model showing up on numerous magazine cover pages. Her ballet dancer career reached a peak when she performed Odette in the Swan Lake ballet by Pyotr Tchaikovsky and her fashion model career reached the top when she made the Decormag Cover Page in 1983. Twice upon a time during the performance of the Nutcracker by Sergey Prokofiev, Dick Boneman simply cracked for her and asked for her hand. He took both hands for a tango and got married with her. Later during a ballet performance Mrs. Peacock fell on the floor and badly broke her ego. After that pathetic event the White Swan wasn’t white anymore and her persistent dark mindset made Dick Boneman to divorce her. A year after the divorce and in order to earn enough money for her costly life style she became “Mistress Black Swan”, some kind of a sexy fetish influencer wearing latex and presenting herself in a very provocative way on Pornhub.  She was eventually able to invest a huge amount of money in Boneman & Sacks Relic Asset Management Inc. that now worth nothing after Mr. Boneman fraud declaration press release. Mrs. Peacock mindset is thus deep dark and she is now a suspect for the murder of Mr. Boneman.

“This story is a work of fiction. Any similarity to actual persons, living or dead, or actual events, is purely coincidental.” 

Music & Production: Syrel

Photography: Decormag Cover Page 1983 by Syrel

Musical Note:
Chord progression base on a jazz song I made 15 years ago. 
https://soundcloud.com/user-461764443/well-at-home

Rust & Bones

Rust & Bones – Fetchflix TV Series – Mrs. Peacock

Cast of Characters:
J.J. Terrell–@j-j-terrell –piano, synth, and composition
mistermark-- @user-432503709 -- Mark—synth effects, synth strings and flute, lyrics, and vocals
TexMex Shaman–@texmex-shaman –Stephen– electric and acoustic guitars, production, and mix
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four-string Fender P bass
--------------------
This is a song that JJ created late one Saturday night on the piano, drums, bass, and guitar. He then presented it to the rest of the Eclectic Collective so we could do our thing with it. Josh replaced JJ's rough bass with his interpretation of the line as soon as Ken replaced the drums with his interpretation of the beat. Interestingly, Ravel's Bolero had a lot to do with the inspiration for the second part of the song. After the rhythm section was done, we turned it over to Stephen, who came up with some really subtle, yet much needed guitar lines. 

 We then turned it over to our relatively new collaborator, Mark, who came up with the lyrics and vocals. This is a lyrical and vocal songwriting debut for Mark, who was inspired by his very first listen to JJ's rough draft. Thus, this song is extra special for him.  

Mark's lyrics are about our Earthly relatives in the far distant future. At that point life on Earth will have just about reached its limits, and so mankind embarks on a journey through space to find another place to call home.

We all hope you enjoy listening to this as much as we did creating it.
--------------------
LYRICS:
Part 1:
All you know, all you love is here today
Feel the sun, see the flowers embrace her rays
And you know, all we are must fade away
And now its time to go… away…

Part 2:
Here we are, flying high, flying high above the moons of Mars
And beyond another sunrise greets a world once again,
a million miles from where we are
To embrace the flowers of Jupiter, once again…

On and on we sail away, searching for another day,
the universe an endless sea
And you know that somewhere out there,
a brand new world, for you and me….

--------------------
Credit: Sample at 1:14 is from original Star Trek tv show theme ("Where No Man Has Gone Before") written by Alexander Courage

All comments welcome, and don't be shy to be critical or suggest ideas to help me improve.   :)
----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- 
here's some pictures I took: www.flickr.com/photos/mark_boucher/
my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

Flowers Of Jupiter (with The Eclectic Collective)

Christmas Morning Remastered

THE SAD CORONATION 👸
 
There was a King Milesint, 
Of whom I will tell you: 
He assassinated his brother's child, 
Wanted to wear the crown himself. 
The coronation was celebrated with pomp 
At Liffey Castle. 
O Ireland! Ireland! were you so blind? 

The king sits at midnight 
In the empty marble hall, 
Looks astray at all the new splendor, 
As if drunk with the feast; 
He speaks to his son: 
"Once more bring the crown! 
But look, who has opened the gates?"

Then comes a strange play of the dead, 
A procession with silent footsteps, 
Hooded guests great and many, 
A crown sways in the midst; 
It pushes through the gate 
With whispers without words; 
The king, he is so spiritually dizzy. 

And from the black crowd looks 
A child with a fresh wound; 
He smiles with dying pain and nods, 
He makes the rounds in the hall, 
He paces to the throne, 
He hands a crown 
To the king, whose heart is deeply shocked. 

Thereupon the procession swept away, 
Intoxicated by the morning air, 
The candles flicker whimsically, 
The moon at the window listens; 
The son with fear and silence 
To his father would lean, - 
He leans over a corpse.

----------------------------------------------------------------

Die traurige Krönung 
 
Es war ein König Milesint, 
Von dem will ich euch sagen: 
Der meuchelte sein Bruderskind, 
Wollte selbst die Krone tragen. 
Die Krönung ward mit Prangen 
Auf Liffey-Schloß begangen. 
O Irland! Irland! warest du so blind? 

Der König sitzt um Mitternacht 
Im leeren Marmorsaale, 
Sieht irr in all die neue Pracht, 
Wie trunken von dem Mahle; 
Er spricht zu seinem Sohne: 
"Noch einmal bring die Krone! 
Doch schau, wer hat die Pforten aufgemacht?"

Da kommt ein seltsam Totenspiel, 
Ein Zug mit leisen Tritten, 
Vermummte Gäste groß und viel, 
Eine Krone schwankt inmitten; 
Es drängt sich durch die Pforte 
Mit Flüstern ohne Worte; 
Dem Könige, dem wird so geisterschwül. 

Und aus der schwarzen Menge blickt 
Ein Kind mit frischer Wunde; 
Es lächelt sterbensweh und nickt, 
Es macht im Saal die Runde, 
Es trippelt zu dem Throne, 
Es reichet eine Krone 
Dem Könige, des Herze tief erschrickt. 

Darauf der Zug von dannen strich, 
Von Morgenluft berauschet, 
Die Kerzen flackern wunderlich, 
Der Mond am Fenster lauschet; 
Der Sohn mit Angst und Schweigen 
Zum Vater tät sich neigen, – 
Er neiget über eine Leiche sich.

𝐸𝒹𝓊𝒶𝓇𝒹 𝑀ö𝓇𝒾𝓀𝑒 (1804 - 1875), 𝒹𝑒𝓊𝓉𝓈𝒸𝒽𝑒𝓇 𝐸𝓇𝓏ä𝒽𝓁𝑒𝓇, 𝐿𝓎𝓇𝒾𝓀𝑒𝓇 𝓊𝓃𝒹 𝒟𝒾𝒸𝒽𝓉𝑒𝓇

par interim

In Color

John Stone: Music, lyrics, piano, lead vocals
Dave Wagoner: Production, backing vocals, guitar, accordion, six string banjo

She was born on an isle off an island
In the midst of the Emerald Sea
Her daddy spied a light in her eye
That showed what she was born to be

And they called the girl Virginia
Named for an ancient queen
Who knew how to fight in a world of men
And the lessons learned
Should be learned again

Oh Virginia, Virginia wild and free
Though waters flow and winds may blow
You should be what you were born to be

Now Virginia knew that she was loved
But she knew that she was poor
One morning when out gathering
Between the strand and the old sea shore
A pirate blown by cruel fate
Slipped his anchor close to land
When he spied the girl his pirate mind
Thought he’d take the girl in hand

Oh Virginia, Virginia wild and free
Though waters flow and winds may blow
You should be what you were born to be

He took our fair Virginia
Set course for the Isle of Man
He hoped that on the island
There he could complete his plan
But the ocean storms were brewing
And they blew them out to sea
Till the ship was was smashed on the distant shore
That we now call Cape Henry

And the land was called Virginia..

Now Virginia swam towards the shore
Though the company was drowned
But she gathered strength and she walked the way
that leads to James’ town
Now Virginia saw Virginia
And knew that the land was good
And that she could build a better life
than ever she’d have thought she could

Oh Virginia, Virginia wild and free
Though waters flow and winds may blow
You should be what you were born to be

Now Virginia came with nothing
But nothing was enough
To build herself a better life
Though the going would be very tough
She had an eye for business
And she had an eye for style
And she became the richest soul
In the county by a country mile

Oh Virginia, Virginia wild and free
Though waters flow and winds may blow
You should be what you were born to be

Then one fateful morning
A stranger came to town
She saw at once the hated face
Of the man who’d tried to drag her down
A gun was on the table
She held it to his head
And as he begged for mercy
This is what the lady clearly said

“You brought me to Virginia
Named for an ancient queen
Who knew how to fight in a world of men
And the lessons learnt should be learned again
Its true that life’s been good to me
Since you took me from my home
But leaving all that I held dear
That choice was mine and mine alone”

Oh Virginia, Virginia wild and free
Though waters flow and winds may blow
You should be what you were born to be

Virginia  (John Stone + Del Wags)

The Hunting Wood by Jeamland & WÜST

Cast of characters:
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and composition
Llanpsych–@llanpsych –Tez– guitars, bass, production and composition
J.J. Terrell–@j-j-terrell -- organ and synth
Thanks to Entheogenic Psychonaut (Josh Clary) for the original inspiration

Ken sent Tez the drums for the track High Noon (with Entheogenic Psychonaut and TexMex Shaman) with the aim of building up a new track - a worthy challenge :))))
Tez did a touch of remixing of the drum track and added the guitars and bass before inviting J.J. to add the finishing touches with his keys adding a new sonic dimension.

Bad Noon Rising - when you wake up at noon you know something interesting has gone on the night before but if the sun rises at noon you know you're in serious trouble (or in the Arctic circle)
Hope you enjoy :)

Listen to High Noon here

High Noon - with Entheogenic Psychonaut (Josh Clary), K2 and the Three, and TexMex Shaman by Llanpsych
https://soundcloud.com/llanpsych/high-noon-with-entheogenic-psychonaut-josh-clary-k2-and-the-three-and-texmex-shaman?si=9ca78f1359414e75b5a1f6842c0521c8&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Bad Noon Rising (Eclectic Collective)

This Custom Shop SG came to me very cheap because the headstock was broken. I spent the last two weeks stripping it down and reparing it. Put it back together yeasterday and played some bottleneck on it. I put her through two delay units, tiddling the knobs as I played!

Bill Boethius; guitar

Composed, performed & produced by Bill Boethius

Big Delay Blues

Farewell To A Past Self

SYREL : C’est un algorithme de fiabilité symbolique basé sur la méthode des Cutset utilisées en ingénierie.

Mais sérieusement, Sy...rel était photographe publicitaire à Montréal dans une vie antérieure avant d'être ingénieur et maintenant compositeur et producteur de musique orchestrale, de bande sonore, de jazz et d'électro tout en profitant de sa retraite. 

SYREL: A Symbolic Reliability Algorithm Based on Path and Cutset Methods used in engineering.

But really, Sy...rel was an advertising photographer in a previous life before being an engineer and is now an orchestral, soundtrack, jazz and electro music composer and producer while enjoying retirement. 

https://soundcloud.com/user-461764443

Rust & Bones – Fetchflix TV Series – Mrs. Peacock

Syrel

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