http://thegiraffes.squarespace.com/merchandise/the-giraffes-usury-vinyl 
Hey All, Just to let you know we have 13 of the Usury on Vinyl with the digital download card left to order on our website. Go Go get em get em!

The Giraffes have shredded, burned, and leveled every audience from their hometown of Brooklyn, through the Lone Star State, to the Sunset Strip, and back again. 

 The Giraffes live shows, are notorious for their fierce musicality and unbridled audience participation and has generated an intense and extremely dedicated fan base.  Over the years the band has Toured alongside stalwarts such as Local-H, Eagles of Death Metal, The Vacation and Skeleton Key, as well as sharing the stage with Interpol, Fishbone, the Yeah Yeah Yeah's, the Strokes and bookings at the Amsterjam, Voodofest, Monolith, SXSW and  Bonnaroo festivals.

 With limited US show dates set for the fall, this one-off Omaha show at the Slowdown will be in support of their latest EP Usury.

"...A pile-driving riff-fest that's over before you wonder why your eardrums exploded."
- Metal Injection

 "Metallica and Black Sabbath are the obvious touchstones, but the rhythm section clearly owns a copy of The Who's Greatest Hits as well. Drug addiction and soccer riots provide fodder for the lyrics, while the flammable guitar work could have only come from someone that's walked some of life's hard roads."
-SpinMagazine.com

"...Crafting their driving, guttural rock songs since 1996. There are shades of Motorhead and Hot Water Music, so see the Giraffes play tonight in usual form: heavily intoxicated"
- The Village Voice

  "To put it simply: The Giraffes are what great rock ‘n’ roll forgot it was. They’re incomparable on CD, and in-your-face The Giraffes live shows deliver time after time, even if you’ve seen them over and over again. The show is dangerous, comical, sinister, raunchy, and over the top all at once – they’ll impress you technically while blowing out your ears, sharing cigs, whiskey, and beer, and of course, truly entertaining you in every sense of the word.’ 
-QRQ Magazine

  “A front row seat at a Giraffes show meant getting caught in a beer rainstorm, as the band and audience members alike went flying into the crowd with wild abandon. Beer and bottles of Jameson were passed. Aaron made a noose out of the mic cord, wrapped it around his neck and gave it to the crowd to choke him while he forced lyrics past his collapsing trachea. A Giraffes performance is a spectacle you will never forget’ 
~ Brooklyn Vegan

  "As much as the next guy, I’m tough and like to chug whiskey, crack skulls, put cigarettes out on my wrist, and screw chicks. Ok, well, maybe I’m not, but I like bands that are. And seeing the Giraffes’ live show is like getting shanked in the face with a soaring microphone. Booze swilling and all the rest, they display good theatrics, commandeering vocals, artful shredding, and it’s flat out impossible not to listen up’
 - L Magazine

They Were Angels began writing music together in the summer of 2009 with drummer Ashlee McCullough. Originally conceived simply as a rock act, McCullough's hardcore playing style and musical taste brought the band to pursue a more metal sound with such elements as breakdowns, gravity blasts, and down tuned guitars. Tinch eventually introduced the group to Richard McIntyre, a Nashville local with a talent for the vocal style that perfectly complemented this aggressive sound. This completed the line-up that would become known as False Prophet. The newly christened band played shows in Nashville as well as Greenbrier in the fall of 2009 and continued through the winter into the early days of 2010, writing a number of songs along the way. 

In March 2010, Ashlee McCullough's father, Scott, agreed to record the band at his home studio. Scott used his background in production and engineering to coach the young musicians during the project, challenging them to capture exceptional takes. Recording ended in April, and at the end of that month the band released their one and only EP, "For the Birds". 


False Prophet continued to play live in support of the EP, which featured 4 original songs and a live recording of the cover "Lose Yourself", originally by rap artist Eminem. During this time the band continued to write new material that indicated a progression in songwriting abilities, most notably with focus on the relationship between McCullough's drum grooves and  the guitar riffs. After a few months of dissatisfaction with this progression and his role in the band, bassist and back up vocalist Christian Garcia went on hiatus and left to focus on his school studies. 

Garcia recommended Adam Mullican, a friend of the band's and a particularly close friend of his, as his temporary replacement. The decision to leave was met with criticism by his bandmates, but ultimately the band chose not to harbor any animosity. They moved forward with Mullican at their side and continued to play shows into the fall of 2010. 

Shortly before the winter season, Garcia expressed interest in returning and was welcomed back into the group by his bandmates. His return coincided with an upcoming benefit concert for the Tennessee Kidney Foundaton at Hume-Fogg Academic High School, which the band had been scheduled to play through one of Hewson's friends.  Though hopes were high for performing, the show marked the first time that McIntyre would back out of a gig, citing throat problems as the primary cause of his inability to perform. The band played an instrumental set for the audience, and received praise from musicians and patrons alike for their energetic performance in the school's newspaper.  Shortly afterwards, in February 2011, the band competed in Guerilla Productions' Battle of the Bands competition at The Muse Nashville, in which they placed 2nd. 

Later that month, the band received an offer to play on the small stage of Rocketown's white building. They eagerly accepted, as it had been a goal of theirs to perform at the venue for since the group's inception. On March 12, the band opened for headliners WithHellAtOurBacks but was plagued by a sleuth of technical difficulties and mistakes. The most disheartening portion of the show came at the end, when the band debuted the song "Tombstone Dialogue"; the song, an assortment of complex riffs and structure, had only just recently been completed and rehearsed a few days prior to the show. The members struggled to perform the piece, and Garcia's bass pickups died shortly before his bass solo in the middle of the song. This occurrence and others in the set discouraged the band greatly.

Days after the failed gig at Rocketown, McCullough contacted his four bandmates and stated that he would be leaving the band in order to accept an offer by the headliners of that event, WIthHellAtOurBacks. Now short a drummer, the band explored auditioned local musicians until they found Cody Russell, a school mate of Garcia and Tinch's and an experienced drummer. Russell impressed the group and was asked to replace McCullough, an offer which he accepted.

By summer of 2011. the band had high hopes for their future and embraced the fresh dynamic that Russell brought to the old songs. Inspired by this change, they decided to rename the band "Along the Frontline", and began adopting a considerably more upbeat sound as compared to previous False Prophet material. It was during this time that they composed the songs "Frontlines" and "There Were Angels" (though at the time, they referred humorously to the latter as "Duck Sauce"). These compositions were faster than previous ones and focused more on melody than aggression. Elements from their early material lingered, as was made evident by the ending breakdown of There Were Angels, but generally the group sought to shift their interests away from these early characteristics. 

The new line-up continued to rehearse through all of summer, playing at another Benefit Concert for the Kidney Foundation as well as a house show organized by the members of psychedelic rock band In Mi Vida. In August 2011, the band played a show at Loudhouse Coffee in Greenbrier, TN, which had been one of their most frequented gigging locations since the winter of 2009. The performance was successful, and Along the Frontline received praise from patrons and other musicians for their first formal concert since the Rocketown event. 

Complications arose once again, however, when Russell left the band shortly following that concert in order to pursue a career in the U.S. Army. Without a clear replacement option in mind and not enough time to search for and audition drummers before school started back up, the group decided to go on hiatus indefinitely in order to focus on the rigors of senior year and prepare for the college application process. 

The inactivity lasted into the next summer, in 2012, when They Were Angels joined drummer Elliot Brown to form the rock/jazz/blues band UnderCurrent. At this point, we all agreed that the time had come to formally acknowledge that Along the Frontline was no more, and that our interests and musical tastes had changed considerably in the months following Russell's departure. We continued to focus on UnderCurrent material for that entire summer until August, when Tinch and Hewson departed for college and Garcia began applying to a spring semester at Vol State Community College.

On March 6, 2013, Hewson contacted Garcia and Tinch and asked if they would be interested in collaborating once again to rerecord material from False Prophet and Along the Frontline as well as from UnderCurrent. The two expressed great interest in doing so, and agreed to start in the summer on a self-produced recording project which would be funded, produced, engineered, mixed, and distributed solely by their own efforts. The decision to start the project marked the first creative collaboration between the three in nearly a year, and would be the first time working on False Prophet/Along the Frontline material in nearly 2 years. 

Due to space, budget, and time restrictions, They Were Angels decided not to recruit McCullough, Russell, or Brown to perform on the record. Instead, Hewson programed drums to recreate the styles of each drummer and the trio credited each drummer with his respective work on each of the songs. Due to a lack of communication with former vocalist McIntyre and a lack of equipment suitable to withstand the loud SPL of distorted, guttural vocals, all False Prophet/Along the Frontline songs were recorded as instrumentals and uploaded to online streaming services for free download.

They Were Angels now look forward to continuing to write and record songs. Whether with heavy metal or with UnderCurrent, they strive to create quality music that reflects their passion and creativity in ways like never before. All three members are currently attending college for a variety of disciplines, and they hope to use their post-secondary education in order to push their art to the next level of quality and professionalism.

BLOODHUNTER is an extreme metal band born in Galician lands (Spain) in 2008 from the hand of sole founding member and main songwriter, DANI ARCOS. After several changes in their lineup and concept, DIVA SATANICA joins the band in 2012, whose guttural vocal assault helped drift the band into more extreme territories.

They release a demo called THE FIRST INSURRECTION in 2013, garnering good reviews from the specialized media.

Their self-titled full-length album is released in May 2014, produced by DANIEL CARDOSO and PEDRO MENDES at ULTRASOUND STUDIOS. Eleven tracks that include updated versions of the 3 songs already present in the demo, as a result of a journey from the instinct that expresses the essence of this band: its versatility.

MARIOS ILIOPOULOS, founding member of the Death Metal band NIGHTRAGE, contributes the typical passion of a south European guitarist adorned by the subtlety of the Gothenburg school of playing, creating a magnificent guitar solo for the song “Bring Me Horror” which fits perfectly with the concept of the band. “Embrace the Dark Light” and “Dying Sun” videoclips are released in June 2014 and October 2015 respectively in order to push the album through the internet.

This album has been distributed physically in many countries around the world such as Japan, USA, Mexico, Brazil, Argentina, Spain, Portugal, UK, Germany, Sweden, France, among others.

In the Summer of 2015, their lead guitarist DANI ARCOS won the chance to participate in the “100 GUITARS FROM HEL” event, travelling to Finland in order to play an entire 30-minute piece with guitar shredder ALEXI LAIHO from CHILDREN OF BODOM, SAMY ELBANNAN from LOST SOCIETY and ARCHIE CRUZ from SANTA CRUZ among others. 

Later, the band would open for bands like Hemdale, Holy Moses, Avulsed, Ancient Rites, Rise to Fall or Aposento, before joining NIGHTRAGE (Sweden) and METHEDRAS (Italy) on their first weeklong Spanish trek called "THE BLOODY TOUR".

DIVA SATANICA participated in the TV Show “The Voice”, surprising the coaches by singing screaming and growling, being the first contestant to perform this type of singing. The international artist JUANES chose her to be part of his team, where she performed songs like “Sweet Dreams”, “Eye of the Tiger” or Lady Gaga’s “Bad Romance”.

DIVA SATANICA also did collaborations with international artists such as KAMELOT, MÄGO DE OZ, HOLY MOSES or NIGHTRAGE, among others.

THE END OF FAITH is the second full-length album of the band, produced by ÁLEX CAPPA and BLOODHUNTER at THE METAL FACTORY STUDIOS, which contains ten new tracks and a Crystal Mountain's Death cover where you can hear DIVA SATANICA's new broad vocal range. This album is the natural evolution of the band playing extreme metal without neglecting guitar melodies. “All These Souls Shall Serve… Forever!” is the cover letter of this album.

During the presentation of the album they participate in some of the main summer festivals of Spain like RESURRECTION FEST, LEYENDAS DEL ROCK, ROCK THE COAST and OTERO BRUTAL FEST among others, sharing the stage with bands such as Children of Bodom, At the Gates, Entombed, Suffocation… and other legendary bands like Rainbow, Megadeth or KISS.

In September 2018 they release a new videoclip which contains a cover of Helloween’s “I Want Out”. LEO JIMENEZ, the best heavy metal Spanish singer, collaborates in this song with his spectacular voice.

During 2020, BLOODHUNTER released a reissue of their first album with a new artwork. This reissue included 6 live bonus tracks recorded in Madrid during THE TOUR OF FAITH (2018-2019).

The band released their 3rd full-length album named KNOWLEDGE WAS THE PRICE in 2022, which includes top notch collaborations such as TIM RIPPER OWENS (ex-JUDAS PRIEST, ex-ICED EARTH) in “Never Let It Rest” or ROSALÍA SAIREM (THERION) in “The Forsaken Idol”.

On early October of 2012, founding members Francis 'Chicha' Topia (Bass) and Gelvin 'Vin' Dalena (Lead) sought to find a singer that is capable of doing harsh/guttural vocals while at the same time hit clean notes. They found, Brian 'Bj' Ebit who was the vocals/writer of the former 'Volt Statique' and lead singer for 'Black and White'. Now, they needed a drummer to complete the mix. One such drummer was a friend of Chicha who filled the post briefly but unfortunately couldn't handle the schedule. Luckily, Bj had known a drummer back when he was playing in some other band. He was Christian 'Ian' Carreon. The band initially had many successes and was very active in producing new music such as 'Fall from Heaven', 'Destruction of the Pillars', 'Lord of the Necromancers', 'Laban' and '2 2' but due to personal reasons, Vin and Ian was needed to be dropped. It happened early Sept. 2013. It was a hard time for the band and it was even more harder to find new band mates. The band was slowly falling apart..

Then, Jerrick 'Jer' Gega came along. A former lead guitarist of the band 'Z-roma' he filled the post and the music came back. It was not the same music though, it became something much more than Death Metal. This became much more clear when Michael 'Eem' Andaya became the drummer. God vs the Kings' music was transformed into a mixture of Melodic Death Metal, Metalcore, NU Metal, Rap Metal, Jazz, Groove and Alternative Rock. Their first ever creation were 'Switch' and 'Lay on the ground' and it was first heard on Gabi ng Lagim - Nov.30,2013 held at 'The Hideout'.

But it seems misfortunes is a companion of the band. Because of the added load of schedules by another band to the bassist, he was unable to focus and cope up with the new genre. Ultimately, just after its first gig, Chicha Topia said his goodbyes.

Fortunately, all was not lost with the help of Jer who referred their former bassist Randolf 'Andong' Rafols to the team. With his knowledge of Arpeggios and Slap skills he proved to be a better fit for the band who now has two more new songs namely 'Facing the Giants' and 'Peste'. Together, they brought back the lost soul of God vs the Kings. Now even more RUTHLESS and UNKIND.

Listen and go fuck yourself.

The Coil Of Sihn was formed in St. Louis, Missouri in 2002 by trans-feminine artist Sihn Starr Cartia. Out of Rossi's handwritten journals came the concept that backdrops the music which is influenced by Nine Inch Nails, Judas Priest, Crass, Nick Cave and The Bad Seeds, Depeche Mode, Black Sabbath and Electric Light Orchestra. The concept is an Earth-like world where those who are born marked for a Sentinel Path are tested in a place of trial and survival, The Coil, where freedom and destiny is only granted if you can escape.

In 2004, "My World" was released and followed up quickly the same year with a remix album of tracks from My World and Enter, "Through".

Entertainment Death magazine had this to say about both releases that year:

"I can't think of a single band that some close to putting the heart and soul into their music to such great effect as The Coil of Sihn. More than merely technically superb there is the undeniable sense that every minuet aspect of each song has been long considered and intertwined until it was entirely perfectly balanced."

Sid Andruska of Playback magazine also had this to say:

"My World...is an angry yet sentimental beast, exploding with emotion and memory. Tales of despair play out like a novel with a total of 22 songs. Here, Cartia’s vocals are more pronounced and guttural. Mirroring the vocal range of Goth legends, Fields of the Nephilim, Cartia’s voice detonates above a bed of synthesized beats, overshadowing voice clips, the background chorus, and all else that gets in her way."

"If you love the lowly crooning of the late Ian Curtis from Joy Division, you’ll enjoy COS; Cartia’s vocals are a dead-on match, especially in “Dream (Not a Monster remix),” although she doesn’t showcase her voice on all songs. Occasionally, she allows the music to speak for itself. In “HalfLife (30 Giger Clicks remix),” her vocals become faint, like a subliminal message or tiny ghost. Raw and compelling, the entire album leaves you wanting more, much like foreplay with no sex. Oh, the glorious torture!"

After an extensive regional touring, The Coil Of Sihn went back into the studio and released "These Closed Eyes" in 2009. This was the first time that Cartia worked with an sound engineer, Justin Fisher of SmithLee Studios in St. Louis and the local band Glitch Factor. The collaboration resulted in a theatrical based concept album based upon Cartia's abusive childhood.

Mark Kray of Heavy Metal Kitchen had this to say:

"The first track, "First Curse" is a horrid dramatization of a brutal physical and sexual attack that recounts one of Cartia's childhood memories; the second track Cartia unveils her lyrical genius. Her creative reign over the entire album induces some extraordinary highs and lows, like riding the wave of a wild acid trip. Lay back and submit until the demons have left the room, and watch out for the flashbacks. Or so I’ve heard. Expect nothing less from this album." 

Sid Andruska of Playback had this to say:

"COS’s sound, although unique by today’s standards, conjures fond recollections of early Ministry and KMFDM with hints of Nine Inch Nails throughout. The pulsating groove of synthesizer beats, blended with a cornucopia of voice clips from various movies, relay Cartia’s story, as if her life were a dramatic motion picture or a horror flick, depending on your perspective."

The Coil Of Sihn, after a 9 year hibernation, released "Covered In Blood And You" in 2018, a collection of 6 cover songs, with two tracks that are remixes. 

Cartia says that fans should expect to see a release in 2024 as well. Re-Enter My World will be a re-issue of 12 selected tracks from The Coil Of Sihn's first two albums. Then, a full album of new original songs, "The Fall", will hit the digital marketplaces to add yet another word to the sentence that all the titles of the albums form.

Three Seconds More is a Phoenix, AZ based melodic metal/hard rock trio established December 2002. Available now is their current full length album "The Machine" at the following links: 

I-tunes Store: https://itunes.apple.com/us/album/the-machine/id1039701646

Google Store: https://play.google.com/store/music/artist?id=A5b27ikc66vpeqvucccaqvujwwu

Amazon Store: https://www.amazon.com/gp/aw/d/B015D332C6?vs=1.

Hardcopy CDs and digital downloads also available at: https://www.cdbaby.com/cd/3secondsmore 

History:
Founding members Ryan Ritter (lead vocal and guitar) and Ed Bazaldua (bass and backing vocals) originally started the band back in December 2002 as a quartet with Mike States on rhythm guitar, and Joe Harris on drums. This original line up disbanded around April 2005 and the founding members pursued other projects until re-uniting as a trio with Crystal Tatham on drums in August 2008. Crystal added a death metal element with her low guttural backing vocals and deep and technical drum sounds. In June of 2010 3SM released their first studio album, a 6 song EP entitled "Dreams." 3SM continued playing in venues in the greater Phoenix area and in northern AZ expanding their fan base. Crystal Tatham eventually departed due to life changes and 3SM enlisted the drumming skills of Zack Sewell (Sicmonic, Eroticide, Souless). Along with Zack came a new level of technical drumming, giving 3SM an extreme metal dimension and a new rhythmic focus. They continued to push their creative boundaries combining extreme metal and rock influences with soulful melodic songwriting sensibilities. Most recently, after many years of dedicated contribution to the groups vision, Eddie decided to part ways for personal reasons and enlisted the talents of Dom Villegas to fill his duties. Now with Dom Villegas successfully transitioned to the fold, Three Seconds More now sets off to write their next studio album, “Victorious” due out fall 2018.

AEX was born out of the ashes of the known secular band, 23RAINYDAYS. Ian Kaine MacGregor and Ravi Rao had become disillusioned with record labels, promoters, showcases, MTV/VH1 performances, and years of touring without any spiritual reward. In their own time, they cut their losses and decided to walk away from the music industry.

Several years later, the two reconnected and discovered a shared vision of ministry through music. With new goals and a new sound, they added vocalist Devin Patrick, and AEX released their debut album "First Shall Be Last" on 05/23/18.

The album has been well received by fans and the Christian Metal media. Dan from The Christian Metal Forum wrote “I’ve been listening to this record all day. Christian metal has needed this sound for a while.” AEX have been featured on COR Radio, Reanimated Radio, and are being added to rotation on Tri-Rock Radio.

Drifting between alternative and nu metal styles, AEX signature is a hybrid of melodic and guttural vocals. Their songs are also hallmarks as they focus on themes of worship, eschatology, and biblical storytelling over a backdrop of powerful production and cinematic sound design. 

Download "First Shall Be Last" free on BandCamp and look for AEX on tour late Summer/Fall 2018.

AEX is:
Ian Kaine MacGregor (Guitar, Vocals, Piano)
Ravi Rao (Bass, Backing Vocals)
Devin Patrick (Vocals)

*Unapologetic Christian metal from Reston, VA

Our band is located in an area Citayam established on 20 May 2008. Our first formation consisted of bhoni (vocals), Weni (vocals), kupak (guitar), Nawi (guitar), arie (bass) and ghephe (drums). Over time Weni (vocals), Nawi (guitar), arie (bass) came out because there is a particular problem, so we are looking for vacancies in the tragedy of death and we eventually met up with kiki (vocals), achonk (bass) to fill a void in the tragedy of death and finally our new formation is bhoni (vocals), kiki (vocals), aconk (bass), kupak (guitar) and ghepe (drums) with bergenrekan "slamming death metal" and the lyrics of the theme of politics and the rebels in our country, we are ready to advance the underground music scene in our region and our country.

personnel:
- Bhoni as Voc Pigsqueal
- Kiki as Voc Guttural
- Kupak as String Guitar
- Bodat as String Guitar
- Aconk as String Bass
- Ghephe as Blastbeat

Song:
- Regeneration of fuckin' slam (intro)
- The new of god
- Decay in Government
- goreverment
- Freedom or Rebellion
- Humanity fall

Discography:
- The new of god (single 2008)
- Promo 4 song demo (2009)
- Regeneration of fuckin' slam (EP album 2011)

Hanshotfirst are a band from Guildford, Surrey. 

Debut Album - To Those We Have Loved And Lost - out 22.08.15.

LISTEN AND DOWNLOAD HERE: https://hanshotfirstofficial.bandcamp.com/

The band members include:
•	Zander Dale – Vocals
•	Mike Thomas – Guitar, Vocals
•	Ed Robinson– Guitar, Vocals
•	Will Asson - Drums
•	Marek Fengler - Bass

All hailing from the home-counties, previously home to influences including Reuben and YouMeAtSix, Hanshotfirst have evolved into the area’s most promising new band, armed with a stock of sweaty anthems and a growing reputation for intense live shows.

Zander Dale, Mike Thomas and Ed Robinson have played together for several years, originally bonding over a mutual love for Finch’s What It Is To Burn. The band has since grown and grown, adding drummer Will Asson and bassist Marek Fengler to their ranks.

Described as "really special" by Alex Baker (Kerrang! Fresh Blood) Hanshotfirst have already become one of Surreys most explosive and entertaining bands, armed with an array of sweaty anthems and a growing reputation for intense live shows. To Those We Have Loved And Lost showcases another step forward for Hanshotfirst. Ranging from the melancholic singalong pop punk of ‘Vagabonds’, to the scream your head off riffage of ‘Jessica’ via the haunting, grand piano led, single ‘We Fall Down’, Hanshotfirst’s debut album takes the listener on a journey evoking a multitude of emotions. The lyrical themes of the album follow closely the trials and tribulations that the band has encountered over the past year. These include brutally honest confessions about the breakdown of a long term relationship, friends moving away to the big city, being alone and the frustrations of trying to achieve your dreams but being held back at every opportunity. 

With an album launch show at The Boileroom, Guildford on August 22nd and a tour in September (details below), Hanshotfirst are gearing up for an all-out assault on the latter half of 2015. 

TOUR: 23/09/2015	Wednesday	GUILDFORD //THE STAR INN
24/09/2015	Thursday	BIRMINGHAM// THE FLAPPER
25/09/2015	Friday	CARDIFF//MOON CLUB
26/09/2015	Saturday	BRISTOL//CROFTERS RIGHTS
27/09/2015	Sunday	LONDON//SURYA

Hanshotfirst’s debut EP is a twister of guttural screams, powerful riffs, catchy hooks and standout guitar melodies inspired by everything from Philip K. Dick to vice and love. From the jagged whirlwind We Should Have Killed Quaid On Mars to the pop-punk 2001 which won’t leave your head for days, these five tracks are a statement of intent from this ambitious band. 



“Great vocals and a killer sound, Real edge and energy. 8/10. This is the band you're looking for...” 
Bro-Metal

“Dynamic, A jagged whirlwind, Energetic and memorable sound” Maggie Sapet (VIC) Australian Musician Network Dynamic

“spacious, epic, and intense; brilliant lyricism, and absolutely stunning drum work; stunner of a debut, expect big things from these guys” 
The Musical Melting Pot

Combining the jagged edges of the emotionally charged Sarah, Tone In with the machine gun quick History, Hanshotfirst provide huge choruses and one of their best releases. While the latter has been a part of the band’s arsenal for some time as a fans’ favourite live, the former gives a positive reflection on where this band are headed- making this a mouth-watering release from this up and coming act from Surrey.

Their influences include from Alexisonfire, Finch, Jimmy Eat World, Taking Back Sunday, Senses Fail and many more!

All recordings by CJM Productions.

LISTEN AND DOWNLOAD HERE: https://hanshotfirstofficial.bandcamp.com/

Stanford Owen is following