this is a fantastic cover, man! really true to the original, but really laid back and mesmerizing. great job!

Esta es mi última colaboración.
Está basada en la composición original escrita por Maria Bourgeois and Bryan McDaniel (https://soundcloud.com/user-217204530/glacial-melt)

Manuel de la Flor: composición instrumental y producción.
María Bourgeois: vocal y melodía vocal.

Foto: Ana Stube
**************************************************************
This is my last collaboration.
It is based on the original composition written by Maria Bourgeois and Bryan McDaniel (https://soundcloud.com/user-217204530/glacial-melt)

Manuel de la Flor: instrumental composition and production.
María Bourgeois: vocal and vocal melody.

Glacial Melt (MARIA BOURGEOIS AND DELAFLOR)

Comes the future
=====================

Composed in 2015, with ipad. 

Remixed and re-edited June 2022.

18 native instrument tracks from Music Studio 2 and the Xewton forum.

23 track of KV331 Synthmaster.

Mixed in my car....parked.

As always, I appreciate your comments.

Good summer everyone.

Paco

Comes the future (Re-edited version)

Ruby Tuesday

Cover of the Gospel classic. All instruments by Peter and Brent Knowles.

This Little Light Of Mine

Align

Warm Feelings

The main song was a tune I wrote and recorded with Steven Higginbothom singing harmonies on. Also, Chad Fontenot, and Giussepe Ponti singing towards the end along with myself. The intro piano is a couple tracks of me goofing in Cm, if I recall correctly. This is an old song but felt it was worth sharing. Hope you enjoy!
Lyrics:
All your cards are on the table,
and the dealer is getting old.
All your life you were able,
but your skies you were taught to fold.
And I see your face and it's so beautiful to me,
and you'll always be in my dream.
Some things are not meant for us to see, Alone.
All your life you've had one question.
How's the dealer supposed to know?
If his chosen occupation,
is gonna help his soul.
And I see your face and it is turning back to stone.
I guess you just left your home.
Some things are not meant for us to be, Alone.

Alone (From the Vault)----Circa 2000

Two days ago, in the very halloween day, I got an opportunity to record some improvisations on a wonderful sounding piano. I look forward to perform on 4th december with the writer and gallery owner Barbara Polla to present her latest book "La Favorite".

Scalpel

Lyrics;
He's got some battle scars
From walking on this earth
More or less he'd earned them all
Whatever that is worth

He's not the man he used to be
He stands in thinner skin
Worn down from the grindstone
And the world he once lived in

Experience had left a mark
Lighting up a world so dark
No more running blindly
Full speed ahead

Cut up, bruised and battered
So many dreams get shattered
From foolish things that he once did
Foolish things that he once said

He's got some battle scars
From living day to day
The price of going on his own
When he didn't know the way

On full display for all to see
Like medals from his private wars
The breaks the nicks the broken heart
Yeah, he's got some battle scars

Experience had left a mark
Lighting up a world so dark
No more running blindly
Full speed ahead

Cut up, bruised and battered
So many dreams left shattered
From foolish things he once believed
Foolish things that he once said

Battle Scars

You Were Always On My Mine, == Gene Jumper and Blue Opel, Willie Nelson,( cover )

You Were Always On My Mind==,Gene Jumper, And, Blue  Opel, Willie Nelson, ( Cover)

Jonathan Beckenstein: Guitars, bass, musical composition and mix http://soundcloud.com/jonathan_beckenstein
Clarence Paisley-Cheesemont: Drums
Wheelwright: Vocals, vocal melody, lyrics and sampled cello

This track is available on Immaculate Distraction https://fictivesisters.bandcamp.com/album/immaculate-distraction

I am a great admirer of Jonathan's work and when he approached me with this wonderful piece of music asking if I might have a go at lyrics and a vocal I felt really privileged. I wanted to try to do as good a job as I could, but initially I struggled, and then, feeling extremely despondent I took a break from it. On my second attempt I think I started to listen properly to what the music was saying – rather than imposing too much of myself on it – and I  began to get melodies and word patterns that seemed like they were there under the surface already.

This has been an amazing project to work on, and Jonathan has been hugely supportive throughout. I've done my bit for sure, but it would have been nothing without the music.

Jonathan's posting of the song is here:

http://soundcloud.com/jonathan_beckenstein/we-all-know-how-it-ends

---

Last night I dreamed that I could play the guitar
I was on The Titanic trying to sing
My heart will still go on
But I kept getting it wrong and
I couldn't get the high notes but
At least we hadn't hit the iceberg yet and

All the stars above us shone
Like cheap sequins in the sky
Like they'd all just been stuck on
By someone who didn't try

I was studying Kate Winslet
She was standing by a ventilation inlet
In a girly dress despite the cold and
I could see that she was not impressed
By my extraordinary rendition
I said you're looking nice and
I need relationship advice and she replied
Let's take a walk on the starboard side

And the stars above us shone
Like cheap sequins in the sky
Like they'd all just been stuck on
By someone who didn't try
When life's too flattering too sweet
We all like to pretend
But we all know how it ends

We're listing to port and
Kate's politely listening as
I'm listing all the things I should have said to you but
Never did
And realistically I think she's thinking
Less about you and me and
Rather more about the fact that
We've all started sinking yeah
Into the unforgiving sea oh

But the stars above us shone...

bandcamp

We All Know How It Ends (Wheelwright + Beckenstein)

Thx for visiting and listening, I am an amateur guitarist, play a little keybord, bass and drums too. I love music. Thank you so much for visiting and listening.

Ruby Tuesday

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