Bookings (WW): sari@neptunemusic.net
Bookings (NA/SA): natalie@auroratalent.agency
Promos: promos@mira-official.de

Upcoming Gigs: http://mira-official-tourdates.de/

Mira is that rare kind of DJ whose music can immediately transport you into her world - a midnight circus in Berlin, where time loses all definition and anything becomes possible. 

Born in East Germany to a renowned photographer and a classical musician, she began DJing in 1996 and quickly rose to prominence as part of the growing underground techno scene around Leipzig and Halle/Saale. Her dedication to her craft and natural talent swiftly paid off with a series of rapid successes, leading her to substantially shape the electronic music scene of Eastern Germany from that point on. 

In 2006, Mira moved to Berlin, Europe’s capital of electronic music, where she found her musical home at the legendary Bar25. Situated on the banks of the river Spree with parties that lasted into the middle of the week, Bar25 was the true embodiment of Berlin’s club scene in the 2000s. In the company of notable artists such as Nu, Acid Pauli, Feathered Sun and Christopher Schwarzwälder, a musical language was being formed that looked past the minimal trends of the time towards a more nuanced, organic musical language. 

It was from this here that Mira rose to fame throughout Europe and the world, as she suddenly became a defining representative of a distinctive sound that was going global. Deep and soulful whilst always maintaining a continuous, sensual groove, Mira’s sprawling, hypnotic sets became the soundtrack for many an endless night at Bar25, Kater Holzig and now, Kater Blau. 

The centrepiece of Mira’s residencies at these clubs has been her yearly birthday event ‘Katzen Tanzen auf’m Tisch’, which runs for three days straight every December. Curated by Mira from a selection of old friends and new faces, the series has hosted a multitude of  then-unknown artists who have now gone on to tour the globe. In 2020, Mira’s birthday series came in the form of a compilation for the first time, showcasing the spirit of her events over 43 original tracks. Also a year-round booker at Kater Blau and curator for the Kater-affiliated label Kiosk I.D., Mira’s fingerprints are all over the sound of the club.

In the studio, Mira often collaborates with her partner-in-crime Christopher Schwarzwälder, and the two of them have released a host of chart-topping singles. This partnership has since carried on to dancefloors globally, where their legendary back-to-back sets make for a perfect musical dialogue between the two artists, who share a deep understanding and love of sound.

Mira has been at the height of her game for the past twenty years, continuously shaping the sounds around her, and never ceasing to push inspiring new artists. As happy playing in a small underground club in East Germany in the 90s as she is playing to thousands of festival-goers at Burning Man - Mira is one of those artists of whom you can truly say that she’s doing it for the love of the music. 

Every time a new track by some undiscovered producer falls into her lap is a new moment to fall in love again with her craft, and spread that love with the tens of thousands who hear her play.

-	Shell-shocked by a compilation of Chicago House that his elder brother gave him, music pupil Roman from Darmstadt became interested in electronic music.
-	Visits to Sven Väth’s Omen in Frankfurt and nights spent with Underground Resistance or Warp turned his whole world upside down. LFO’s bass still massages his stomach region to this very day.
-	The first demo tape is given to Jörn Elling Wuttke, who is thrilled and leaves his others bands to join forces in a project with Roman.
-	Together they pay a visit to Ata and Heiko MSO. The latter work as DJs and sellers in Frankfurt’s Delirium and can hardly believe their ears. They are delighted to set their A&amp;R activities (Ongaku, Klang) in motion.
-	For Holy Garage “Surprise”, which also appeared on Eye Q, they found the Playhouse label, later to become the flagship of the label triumvirate and one of the most influential labels in Germany.
-	Time flies in the nineties with working on the label and the success of the projects Alter Ego and Sensorama. Roman also does solo projects under the name Soylent Green, Eight Miles High, Ro 70, Roman IV and his real name. The spectrum ranges from nosebleed techno to delicate ambient and electro-pop tunes.
-	Sven Väth asks Alter Ego to be his producer.
-	Remixes for Daft Punk, Radio Slave, Primal Scream, Ricardo Villalobos, The Human League, Spektrum, Tiefschwarz, Baby Ford, Chicks On Speed, and many others.
-	Alter Ego beats all the records with “Rocker” and Roman provides a worthy successor with “Geht’s Noch!?”.
-	Live appearances all over the world and Roman becomes increasingly popular as a DJ. His sets comprise 20 years of rave in one breath of techno, house, Italo-disco and obscurities. It goes by the name of acid house.

Artist: @martin-cozar
Title: My Mind EP

Track list:
1. 1977
2. My Mind
3. Niksen
4. Lights Out

Label: Kiosk I.D.
Catalogue number: Kiosk I.D. 044
Release Date: December 12, 2025

Buy Link: https://kioskid.bandcamp.com

Follow & Support:

Kiosk I.D.
SC: @kioskid
FB: facebook.com/KioskIDMusic
Bandcamp: kioskid.bandcamp.com/releases
Beatport: beatport.com/label/kiosk-id/80379
IG: instagram.com/kiosk.id

Martin Cozar
SC: https://soundcloud.com/martin-cozar
FB: https://www.facebook.com/martin.cozar
Beatport: https://www.beatport.com/artist/martin-cozar/874521
Spotify: https://open.spotify.com/intl-de/artist/2L7kud2OEMcErUcqhdpvAJ
IG: https://www.instagram.com/martin_cozar/

About:
Argentine-born, Barcelona-based producer Martin Cozar returns to Kiosk ID with his four-tracker ‘My Mind.’ Building on the funky modernism of Resilience—his split EP with Gespona—and a commanding peak-time remix for Manucho’s Idea Reset, Martin Cozar now steps fully into the spotlight with a solo EP that tightens his artistic identity. My Mind delivers razor-sharp groove work, stripped futurism, and a captivating brand of dancefloor energy that shines through inventiveness and viscerality.

Opening track ‘1977’ unfolds like a widescreen dreamscape, with suspended fields of synths arcing over a warmly booming, long-tailed sub-bass. Heaving synth sweeps, melodically intricate arpeggios, and fluttering square waves paint a morphing, hypnotic canvas that floats across the periphery. Deeply meditative, but suited for the almost-peak-time with a throbbing groove and dynamic sub-bass, 1977 is a slow-burning journey that wraps warmly arcing, spaced out melodics around a tight rhythmic core.

‘My Mind’ turns the focus to the floor. Funky and razor-sharp in its sophisticated modernity with stripped-to-the-bone drum structures, the title track channels Martin Cozar’s retro-futurist edge through ominously
squelching basslines and pulsing stabs, arranged in a spacious, expertly crafted, and darkly oscillating Indie Dance framework. Every element clicks into place, yielding a high-voltage groove that radiates raw, physical
energy: stripped-down machine funk with a dark, circuit-bent twist.

With ‘Niksen,’ Martin Cozar crafts an eclectic groover that cycles effortlessly through percussive moods. Crackling with icy atmospherics one moment and sweltering in hazy Western guitars the next, Niksen traverses shifting textures anchored in a stripped lead theme that transforms the tracks’ dynamic soundscapes into pure dancefloor class.

Closing cut ‘Lights Out’ dives into grungier, more tactile territory. Shuffling, blown-out acoustic drums and mangled guitars collide with a peevish lead synth that escalates through morphing iterations, finally exploding into bursts of erupting electricity. Raw and groove-heavy, Lights Out channels untethered energy into a gritty, kinetic framework—tech’n’roll with a beautifully organic feel.

Across ‘My Mind,’ Martin Cozar delivers four distinct tracks—each a self-contained microcosm of motion across gritty floor energy, razor-sharp Indie Dance, and booming after-hour rollers. The result is a hypnotic,
meticulously engineered suite that feels both instinctive and deliberate, and succeeds in walking the fine line between the physical and cerebral demands of the dancefloor.

Booking: 
bruno@kompakt.fm (Worldwide)
pete@wearee.nl (Netherlands)
hamilton@wrightbookings.com (North America)
diego@analog-a.com (South America)
mike@thickasthieves.com.au (Australia & NZ)
prateekpandey@slickevents.in (Asia)

💕Loud MC🧃🥃, DJ Geil aka. Kenner 79 🍺🌭, DJ Bauer 🍒🍹

For booking please contact: sari@neptunemusic.net

If we think of those magical moments out on the dance floor, what likely comes to mind is that moment when the DJ and the crowd find each other in a rare kind of symbiotic balance of give and take. If you see this happening between two DJs it becomes obvious that two of a kind have found one another.
Those who love this kind of confluence will adore watching Mira and Chris Schwarzwalder doing
what they do best; playing back to back.
Having influenced the East‐German techno scene throughout the last twenty years, Mira established her musical home in Berlin’s legendary Bar25. There, she shaped her very own unique sound that can be considered as a story of these endless nights full of intensity.
Bar25 was also the place for her to meet DJ and producer Chris Schwarzwalder. Moving from his Hip Hop­‐roots towards electronic music, it was not by accident that Chris followed the beat of time to Berlin.
Anyone who has experienced their endless sets already understand why Berliners speak of the particular sound being created by both of them.
A soulful, mesmerizing sound that you will sense sinking under your skin and leaving you with a feeling of deep warm­‐heartedness.
What happens is the perfect chemistry of classic mixing skills along with ingenious live productions that really deserve to be called a moving experience.
All of their styles and sounds can, not only be discovered live behind the decks, but also on prosperous vinyl and digital releases.

In the trend-driven universe of electronic dance music, Gregor Tresher is the rare artist who transcends such cycles. His secret? A relentless focus on melody and timbre, timeless musical elements that other producers often undervalue. Just as a painting or a photograph appears to move if one stares at it long enough, close listening to the stratified grooves and melodies in Tresher's music reveals an organic universe of shifting sound.

Schweizer is following