I like the sound of the lips and the high mallet tone. The space is so open, yet i feel traped. Nice work

Resplendent
the kite soaring up above
the shanty town

Among the four great masters of Japanese haiku, Kobayashi Issa was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun. If you want to find out more about this prolific author I suggest you check out this database of his haiku.

Haiku by Kobayashi Issa

Picture by Ben Collins

Resplendent (NaviarHaiku569)

sound art for disquiet0675.

Organ loops made with a broken casio and played through bone conduction speakers. The speakers were used to vibrate the mesh covering from an a/c fan. Extra layers of nail violin. All recorded with contact mics. No effects, just EQing.

More on the 675th weekly Disquiet Junto project, Arc of the Drone — The Assignment: Record a drone that goes from simple to complex to simple — at https://disquiet.com/0675/

the mesh (disquiet0675)

More on the 675th weekly Disquiet Junto project, Arc of the Drone — The Assignment: Record a drone that goes from simple to complex to simple — at https://disquiet.com/0675/

Disquiet Junto | Arc of the Drone - disquiet0675

Anna's Song(Tabu Remix Of Anna Von Hausswolff - Evocation)disquiet0675

An electronic composition, sounds created using Pure Data and Audacity.

More on the 675th weekly Disquiet Junto project, Arc of the Drone — The Assignment: Record a drone that goes from simple to complex to simple — at https://disquiet.com/0675/

Drone of Arc (disquiet0675)

In response to the disquiet junto assignment: Record a drone that goes from simple to complex to simple.

Loosly based on Saba Makam. Combination of Basille and Surge synths with clarinets and horns form BBC orchestra (Spitfire audio)

Saba (disquiet0675)

Track notes are here: https://llllllll.co/t/disquiet-junto-project-0675-arc-of-the-drone/69838/23

**Disquiet Junto Project 0675: Arc of the Drone**  
The Assignment: Record a drone that goes from simple to complex to simple.

Step 1: You may, yourself, be experienced recording drone music, or you may never have recorded any. You may not even be sure what drone music is, in which case read up a bit. Not matter your experience and familiarity, please give some thought as to what constitutes drone music.

Step 2: Now think about what makes a drone simple and what makes a drone complex.

Step 3: Now record a piece of drone music that begins simple, gets complex, and then gets simple again. And note: The simple drone at the end needn’t necessarily be the same sort of drone with which the piece opens.

Disquiet_Junto_0675] Short Dazzle

Recorded, mixed & mastered on 28/29 Apr 2023 & 11 Jan 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Yesterday, thinking of this week's Haiku and Junto, I had an idea to go back to 2 days in 2023 to start a new album (second start today) & use the two tracks for this week as a starter. This would be similar to my work elsewhere where I have a long stretch of material to chop up into different tracks.

The original material is a bit of mystery to me - Ceclia, FL Studio, PaulXStretch, Reason, Thor, Fracture. I had something that was not close to being anything I wanted tonight. I changed direction and started two new MIDI tracks to run a metallic Collision and a Massive X bass. Then I went back to the first two tracks and applied Fragments and it gelled for me. 

Artwork/Photography - Jim Lemanowicz, Massapequa, NY, USA - 19 Nov 2017

©2025 Jim Lemanowicz

This original version of “Gleaming Greasy” was submitted as part of Disquiet Junto Project 0680: Reverse Resolution. The Assignment: Finish something (musical) you started last year.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 680th weekly Disquiet Junto project, Reverse Resolution — The Assignment: Finish something (musical) you started last year — at https://disquiet.com/0680/

Gleaming Greasy (disquiet0680)

My contribution to Junto Project 0683 - https://llllllll.co/t/disquiet-junto-project-0683-space-shot/70693

The first half of the track I wanted to capture the spaciousness and mystery of a cavernous space station – brutalist in design, surrounded by mist. The second half I wanted to take a deep dive into the inner workings of the station, where we hear the isolated clicks of machines and robots discussing the work being done.

disquiet0683

More on the 683rd weekly Disquiet Junto project, Space Shot — The Assignment: Combine reverberant and non-reverberant — at https://disquiet.com/0683/

clouds (disquiet0387)

De Vis

Recent comments

Vonna Wolf

Old Drummer

how the night came

De Vis

Related tracks